Here are 100 books that Dog Day Afternoon fans have personally recommended if you like
Dog Day Afternoon.
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As a mystery writer, I’ve always got my eye out for a great place to hide a body. I can’t help it, it’s a hazard of the job. I also love to travel, and a mix of the two has always been irresistible to me, whether I’m reading or writing. I’d say I’m not the only one who enjoys a little sightseeing with my whodunits, because my first book, Death in the Aegean, was nominated for an Agatha Best First Novel Award by the Malice Domestic community. I hope you enjoy these picks that combine some of my ideal vacation spots with entertaining whodunits.
This one takes place in London, a city I love and have visited many times, but there’s a bigger reason I enjoy this mystery so much.
Horowitz tackles the writing world as only he can do, with himself as the protagonist, addressing aspects big and small that every writer today will find familiar. And when the murder occurs—well, all I can say is you’ll have to read it.
He calls in his own character Daniel Hawthorne to help. As a mystery writer, I find that so appealing!
By global bestselling Anthony Horowitz, a brilliantly entertaining new locked-room mystery with a key that only Hawthorne can find.
'EASILY THE GREATEST OF OUR CRIME WRITERS' SUNDAY TIMES
'Funny, addictive and clever, and the crime fighting duo of Hawthorne and Horowitz are as entertaining as ever. Brilliant. I can't wait for more.' ADAM HANDY
''There's a lovely Hitchcockian feel to TWIST. The clock is ticking. It's a lot of fun.' IAN RANKIN
'The Twist of a Knife is a beautifully turned locked-room whodunit' THE SUNDAY TELEGRAPH
'A total joy. Anthony is a master entertainer, the genius twists and turns of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have always been a storyteller and I’m fascinated by the use of language and how a story can be told well. I’ve used storytelling as an entrepreneur, executive, and management consultant, and my two business books for enlightened entrepreneurship use real-life stories to make the messages and lessons learned more memorable. Fictional versions of those stories were wandering through my imagination to make them more fun to read (and to write) for about fifteen years before they emerged in the Dale Hunter crime thriller series to show that entrepreneurs are not all evil, selfish monsters; sometimes they’re the hero!
A retro pulp-fiction novel from one of the world’s best-selling authors, David Baldacci.
A Gambling Man is the second intriguing story in Baldacci’s Archer Series about a former WWII veteran working as a private detective. Archer is joined en route to Los Angeles by a beautiful young lady with ambitions in Hollywood who leads them into dangerous territory with murderous gangsters and politicians trying to improve the odds in their favour.
Baldacci’s Archer Series is modeled on the early detective stories of authors like Raymond Chandler and Mickey Spillane. He creates a tough guy detective in the style of the early masters while making Archer more appealing to modern readers – less macho and more respectful of the independent women joining his fight to stop the death and destruction.
Aloysius Archer, the straight-talking World War II veteran fresh out of prison, returns in this riveting #1 New York Times bestselling thriller from David Baldacci.
The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you’re hard-working, lucky, criminal—or all three.
Along the way, Archer stops in Reno, where a stroke of fortune delivers him a wad of cash…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Tim Weaver has a way of getting under the skin of not just his characters but his readers, too. For me, it helped that his main character, like me, had lost his wife to cancer. I could instantly relate. But beyond that, the plot was gripping, drawing me in and holding my attention from start to finish.
While reading one of his books and for a long time afterward, your mind has only two ways to be—either reading his book or thinking about his book.
Missing persons investigator David Raker’s heartstopping hunt for a mother’s vanished son—book one of Tim Weaver’s international bestselling mystery series
One year ago, Alex Towne’s body was found. One month ago, his mother saw him on the street. One week ago, David Raker agreed to look for him. Now he wishes he hadn’t.
Mary Towne’s son, Alex, went missing six years ago. Five years later he finally turned up—as a corpse in a car wreck. Missing persons investigator David Raker doesn’t want the work: it’s clearly a sad but hopeless case of mistaken identity brought to him by a…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim.
I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.
In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Like other private detectives, LA-based Lew Archer sees too much—too much bad or at least questionable behavior. Here, it seems to take the form of a runaway—a rich kid who has “escaped” confinement from his exclusive 60’s reform school. Despite his lack of style and color, Archer acts confident he’ll find him. The only problem: The parents—his client—aren’t helping him very much.
His disappearance case threatens to disappear, providing an especially clever irony and supporting what I believe is author Macdonald’s favorite insight: The problem begins and ends in the family. The only question is, with all the darkness the parents create and Archer encounters, will he see enough to solve the case? I love this story, in part, becomes it’s more noir than any other Lew Archer story.
In The Far Side of the Dollar, private investigator Lew Archer is looking for an unstable rich kid who has run away from an exclusive reform school—and into the arms of kidnappers. Why are his desperate parents so loath to give Archer the information he needs to find him? And why do all trails lead to a derelict Hollywood hotel where starlets and sailors once rubbed elbows with two-bit grifters—and where the present clientele includes a brand-new corpse? The result is Ross Macdonald at his most exciting, delivering 1,000-volt shocks to the nervous system while uncovering the venality and depravity…
I’ve been a dog owner my entire life, from my childhood mutt, Paddy, to our current nine-year-old cockapoo, Daffodil. To me, a home isn’t a home without a dog thumping its tail somewhere inside. When I started writing mysteries, I realized that some of my favorites featured dogs. The animal’s loyalty, joy, and unwavering love were a necessary counter to the darker themes mysteries often explore.
I love Agatha Christie, and I love her fussy, brilliant detective, Hercule Poirot. This novel has all the hallmarks of a classic Christie—grand English home, mysterious death, greedy relatives, dark shenanigans, with the added bonus of Bob the terrier whose penchant for a certain red rubber ball is a key part of the mystery.
Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her.
On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.
The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.
The tenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by bestselling crime writer Peter Robinson - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions...
Disguised as his disreputable cousin Death Bredon, Lord Peter Wimsey takes a job - one that soon draws him into a vicious network of blackmailers and drug…
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.
It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.
Detective-story master Dashiell Hammett gives us yet another unforgettable read in Red Harvest: When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty--even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
My family did not take vacations when I was young. We went to a hotel in Connecticut once (from New York), but my father got sick and we went home. So I always had an idealized vision of the sorts of family vacations you see in movies, where people sit in glamorous locations and drink bottles of wine and share intimate thoughts. I wanted to tap into that fantasy in writing Merry and think about what happens when reality and fantasy collide.
I love when Agatha Christie writes about family vacations (which she did a fair amount) because she pushes everything to extremes—with the highest stakes possible.
Appointment with Death is my favorite of her family vacation mysteries because the plot twist is so satisfying and the mother so evil.
What Christie does, in an over-the-top sort of way, is show how claustrophobic family vacations can be. Grown children are forced to behave like a younger version of themselves, and they are stuck in a remote location. In this case, Petra, in Egypt. All those dormant grievances have a chance to flourish.
I don’t think there’s ever been an Agatha Christie opera, but there should be.
In this exclusive authorized edition from the Queen of Mystery, the unstoppable Hercule Poirot finds himself in the Middle East with only one day to solve a murder.
Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sits the corpse of Mrs. Boynton. A tiny puncture mark on her wrist is the only sign of the fatal injection that killed her.
With only twenty-four hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: “You see, don't you, that she's got to be killed?” Mrs. Boynton was, indeed, the most…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
If there is one central defining quality of noir crime fiction, it is the main character’s struggle to preserve his moral center in a fundamentally corrupt and evil world. The best P.I. novels are able to render this kind of character in brushstrokes that are both beautiful and subtle.
One of my favorites is Ross Macdonald’s Lew Archer, first introduced in this novel. When Archer is hired to find a missing rich guy in a tony, Southern California beach town, he finds himself knee-deep in violence, greed, and deceit, uncertain of who is guilty, who he can trust, and even who is worth saving. A moving target, indeed.
The first book in Ross Macdonald's acclaimed Lew Archer series introduces the detective who redefined the role of the American private eye and gave the crime novel a psychological depth and moral complexity only hinted at before.
Like many Southern California millionaires, Ralph Sampson keeps odd company. There's the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson's friends may have arranged his kidnapping.
As Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up…
