Here are 100 books that Dog Day Afternoon fans have personally recommended if you like
Dog Day Afternoon.
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As a mystery writer, I’ve always got my eye out for a great place to hide a body. I can’t help it, it’s a hazard of the job. I also love to travel, and a mix of the two has always been irresistible to me, whether I’m reading or writing. I’d say I’m not the only one who enjoys a little sightseeing with my whodunits, because my first book, Death in the Aegean, was nominated for an Agatha Best First Novel Award by the Malice Domestic community. I hope you enjoy these picks that combine some of my ideal vacation spots with entertaining whodunits.
This one takes place in London, a city I love and have visited many times, but there’s a bigger reason I enjoy this mystery so much.
Horowitz tackles the writing world as only he can do, with himself as the protagonist, addressing aspects big and small that every writer today will find familiar. And when the murder occurs—well, all I can say is you’ll have to read it.
He calls in his own character Daniel Hawthorne to help. As a mystery writer, I find that so appealing!
By global bestselling Anthony Horowitz, a brilliantly entertaining new locked-room mystery with a key that only Hawthorne can find.
'EASILY THE GREATEST OF OUR CRIME WRITERS' SUNDAY TIMES
'Funny, addictive and clever, and the crime fighting duo of Hawthorne and Horowitz are as entertaining as ever. Brilliant. I can't wait for more.' ADAM HANDY
''There's a lovely Hitchcockian feel to TWIST. The clock is ticking. It's a lot of fun.' IAN RANKIN
'The Twist of a Knife is a beautifully turned locked-room whodunit' THE SUNDAY TELEGRAPH
'A total joy. Anthony is a master entertainer, the genius twists and turns of…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.
The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer.
Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.
From debut author Alex Kenna comes a pulse-pounding tapestry of secrets, retribution, and greed for fans of Jeffrey Archer.
Kate Myles was a promising Los Angeles police detective, until an accident and opioid addiction blew up her family and destroyed her career. Struggling to rebuild her life, Kate decides to try her hand at private detective work—but she gets much more than she bargained for when she takes on the case of a celebrated painter found dead in a downtown loft.
When Margot Starling’s body was found, the cause of death was assumed to be suicide. Despite her beauty, talent,…
Ever since I read the work of Charlotte Bronte, Jane Austen, and Georgette Heyer at an impressionable age, nineteenth-century England has fascinated me. My mother, a lifelong reader, is responsible for sparking this obsession. She never cared that I wanted to read “grown-up books” or later tried to discourage me from majoring in English. After college, I went on to teach British literature to high school students and to write two mystery series, one set during the Regency period, the other taking place half a century later. This new Victorian series introduces a bored spinster who finds her purpose in life as a detective.
Every so often, I meet a charming, humane fictional character who seems like someone I would very much like to have a long conversation with. The gentlemanly amateur detective Charles Lenox is just such a man. And, in fact, he does seem to spend an awful lot of time having tea with his friends in this novel, set in 1865 London.
But that doesn’t stop Mr. Lenox from using his impressive wits to solve the murder of a housemaid, who is dead in an apparent suicide. I love this series by author Charles Finch and eagerly await each new installment.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.
Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.
"It has the delicious irresponsibility of a Wodehouse plot. . . . It's one of the funniest books we've read in a long time. It contains a great deal of shrewd satire."—The New York Times Multimillionaire and philanthropist Hugo Weiss is known in every capital of the Western world as a munificent patron of the arts. When Weiss suddenly vanishes while on a visit to Paris, his disappearance sets the stage for this uncommonly witty and urbane mystery. Homer Evans, an intrepid American detective, turns his keen intellect and remarkable intuition toward solving the puzzle of the financier's disappearance. Assisted…
I’ve been fascinated by crime since I was young, at first reading historical true crime and then reading widely in the crime fiction genre. What intrigues me about crime is the sense of the world being broken, and although the perpetrator might be caught and punished, their actions forever change the world. I was a member of a crime book group that focused on crime novels, and I’ve reviewed a number of true crime books. I’ve also attended and spoken at the Bristol Crime Fest–an annual festival of crime writing. I regularly give talks on crime writing and how, as a crime writer, I go about picking the perfect poison.
I love the character of Kinsey Millhone because she’s so human and relatable. Her life is messy; she gets herself caught up in situations where she knows she ought to let things drop but just can’t let them go, and she has a kind heart. She also has the endearing quality of being self-deprecating and not taking herself too seriously.
This book is set in the 1980s, and I enjoy seeing Kinsey’s legwork to solve her case without the benefit of mobile phones or the internet. I also love her relationship with her elderly neighbor and how protective she is of him when she feels that new people in the neighborhood are taking advantage of him.
X is the New York Times number 1 bestseller and thrilling, twenty-fourth book in the Kinsey Millhone Alphabet series from Sue Grafton.
In hindsight, I marvel at how clueless I was . . . What I ask myself even now is whether I should have picked up the truth any faster than I did, which is to say not fast enough . . .
When a glamorous red head wishes to locate the son she put up for adoption thirty-two years ago, it seems like an easy two hundred bucks for private investigator Kinsey Millhone. But when a cop tells…
I don’t warm to crime novels where the only point is to find whodunnit. Those that resonate with me are the ones that have an extra dimension. It may be taking me into a world I am unfamiliar with, like bell-ringing or a theatre troupe. Or it could be a richly-evoked setting, like Donna Fletcher Crow’s Celtic Christian background. Or a character whose very flaws make them more gripping, such as Rebus or Wallender. I want to come away feeling enriched and not just pleased that I guessed that it was the butler with the candlestick.
I loved both the richly evoked setting of the Lincolnshire Fens and the detailed knowledge of bell-ringing. The latter is not just an add-on. The knowledge of change-ringing is crucial to solving the cipher in a document found in the bell-chamber. It also has a very real bearing on the death of the victim.
I really enjoy books that leave me feeling I’ve been enriched and not merely entertained.
In other books by Sayers I warmed to the character of Harriet Vane and the frisson of the relationship between her and the investigator Lord Peter Wimsey.
When his sexton finds a corpse in the wrong grave, the rector of Fenchurch St Paul asks Lord Peter Wimsey to find out who the dead man was and how he came to be there.
The lore of bell-ringing and a brilliantly-evoked village in the remote fens of East Anglia are the unforgettable background to a story of an old unsolved crime and its violent unravelling twenty years later.
'I admire her novels ... she has great fertility of invention, ingenuity and a wonderful eye for detail' Ruth Rendell
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
It’s just my favorite trope, that’s all: the character who isn’t what he seems. I love the deception, I love the complications, I love the clues dropped along the way, I love the big reveal. I love the sensation I get when I, the reader, know just a little bit more than the characters do but still feel surprised and wonder when the whole truth is unveiled. When I sit down to write, I know I want to create that exact sensation in my readers.
I read this 1933 mystery novel as a teen, and it might have begun my love affair with the hero in disguise. In this book, we meet Death Bredon, a newly hired copywriter at Pym’s Publicity. We know, of course, that he is Lord Peter Wimsey in disguise, but we don’t know why the aristocratic amateur detective is pretending to be a working Joe.
The mystery is flawless; the ad agency setting is delightful; the banter is witty; and the climactic cricket match, in which our disguised hero lets his mask slip, is delicious.
The tenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by bestselling crime writer Peter Robinson - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
Victor Dean fell to his death on the stairs of Pym's Advertising Agency, but no one seems to be sorry. Until an inquisitive new copywriter joins the firm and asks some awkward questions...
Disguised as his disreputable cousin Death Bredon, Lord Peter Wimsey takes a job - one that soon draws him into a vicious network of blackmailers and drug…
I’m an ecologist who loves history. I love incorporating elements from the past in my non-fiction and fiction writing. I’ve learnt so much about parts of the world I have never visited from historical mysteries, especially those with strong female characters. My grandmother, born in 1907 during the British Raj, fought just to go to school. I love books that offer an insight into the lives and thoughts of fierce, feisty women like her, everyday women who did extraordinary things. Each of the books I’ve selected is the first in a series, and I hope they give you endless hours of reading pleasure, just as they did for me.
Patricia Wentworth is one of the most atmospheric writers I’ve read.
This is the first in her Miss Silver series, featuring an elderly lady who looks a lot like Miss Marple but pre-dates her. While still within the cozy genre, parts of this book, especially the opening section, where the mysterious man in the gray mask makes his first appearance, can make your spine tingle with that delicious feeling of tension that only a good mystery book brings.
Like Miss Marple, Miss Silver is adept at deducing what the various protagonists might do based on her reading of their psychology, but the characters are much better fleshed out in these books, as is the period in which it is set. And the romance is a definite bonus.
Governess-turned-detective Miss Silver investigates a deadly conspiratorial ring
Charles Moray has come home to England to collect his inheritance. After four years wandering the jungles of India and South America, the hardy young man returns to the manor of his birth, where generations of Morays have lived and died. Strangely, he finds the house unlocked, and sees a light on in one of its abandoned rooms. Eavesdropping, he learns of a conspiracy to commit a fearsome crime.
Never one for the heroic, Charles’s first instinct is to let the police settle it. But then he hears her voice. Margaret, his…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
One of the best books I've read in ages. Why haven't I heard of this author before?? Gripping. Horrifying. Compelling. A no-holds-barred thriller that hooks you from page 1 and doesn't let go.
There are elements of horror here, but not supernatural: it’s purely in the way the all-too-real stalker targets his victim—and then, also, the newly licensed young female PI with more than enough problems of her own who takes on the case of the woman he’s fixated on. With the police refusing to accept that he even exists, the two women are left to catch him on their own—before he kills one or both of them.
From New York Times bestselling author Jana DeLeon, the first in a new thriller series.
Everyone wondered about Shaye Archer’s past. Including Shaye.
Shaye Archer’s life effectively began the night police found her in an alley, beaten and abused and with no memory of the previous fifteen years, not even her name. Nine years later, she’s a licensed private investigator, with a single goal—to get answers for her clients when there aren’t supposed to be any.
And maybe someday, answers for herself.
Emma Frederick thought her nightmare was over when she killed her abusive husband, but someone is stalking her…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I’ve been a dog owner my entire life, from my childhood mutt, Paddy, to our current nine-year-old cockapoo, Daffodil. To me, a home isn’t a home without a dog thumping its tail somewhere inside. When I started writing mysteries, I realized that some of my favorites featured dogs. The animal’s loyalty, joy, and unwavering love were a necessary counter to the darker themes mysteries often explore.
I love Agatha Christie, and I love her fussy, brilliant detective, Hercule Poirot. This novel has all the hallmarks of a classic Christie—grand English home, mysterious death, greedy relatives, dark shenanigans, with the added bonus of Bob the terrier whose penchant for a certain red rubber ball is a key part of the mystery.
Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her.
On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...