Here are 100 books that Malevolent fans have personally recommended if you like
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I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
“Absolutely gripping and darkly compelling,” says the blurb—and for once, it’s right! This book is both of those things and so much more. A hell of an introduction to a series that started out as a small-press publication and has gone on to sell in the millions—and deservedly so.
Even the darkest secrets can’t stay buried forever…Five figures gather round a shallow grave. They had all taken turns to dig. An adult sized hole would have taken longer. An innocent life had been taken but the pact had been made. Their secrets would be buried, bound in blood … Years later, a headmistress is found brutally strangled, the first in a spate of gruesome murders which shock the Black Country. But when human remains are discovered at a former children’s home, disturbing secrets are also unearthed. D.I. Kim Stone fast realises she’s on the hunt for a twisted individual…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Captivating, well-drawn characters and an intriguing, twisty storyline that keeps you guessing and turning pages. There’s plenty of action and excitement, as well as lighter moments of dark humor. This story has everything I want from a cop thriller. A great opening to a new series. I am definitely a fan!
Judith Anderson’s no-nonsense attitude and confidence served her well in her climb to homicide lieutenant in the Baltimore County PD, but that confidence is shaken when she finds herself one step behind a serial killer—just eight days into her new job as Chief of Police in a small Florida city.
The first victim, a female college student, may be a case of wrong place, wrong time. But the bodies keep coming, with a mishmash of MOs, and the murders may be linked to various cases in nearby Jacksonville.
While Judith assumed the CoP job would be challenging, she’s finding it…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Marnie Riches’ characters never let you go, they’re so real and three-dimensional, and the stories grip from start to finish. For me, I questioned the need to link these books through the titles and artwork with Steig Larsson's books.
If anything, it put me off them, but I tried this one anyway and was instantly hooked. Now, having read both series, I have to say I much prefer these. Instead of rehashing Van der Valk, they should have made these books into a TV series.
A city on fire. A killer on the loose. And she’s next…
When the bomb rips through the university, Georgina McKenzie is shocked—and then determined to find out more. As an aspiring criminologist, she doesn’t believe the media spin about a suicide bomber. Something doesn’t add up.
Detective Paul van den Bergen is under pressure to solve the case, but when a second explosion claims the life of another student, he suspects a serial killer is at work. And he knows the perfect person to help track them down: George.
George knew both of the victims and is desperate to…
Human lie detector, Charmaine Digby, is psyched to put her ability to the test as the County Coroner's new investigative assistant. But she sure never expected she’d need it to solve a murder! Not until she got her first assignment. Interview the hunky doctor reporting the suspicious death of Trudy,…
I have been fascinated by mysteries of all kinds for as long as I can remember. Even as a child, I enjoyed Earl Stanley Gardner’s Perry Mason books, which I found on my grandparents’ shelf, as well as the mysteries left to us by ancient cultures. The truth, for me, has always been something to be sought and treasured: mysteries and conundrums, things to be figured out and solved. But while credibility in all types of fiction is vital, it has to be about the characters for me, not just the plot. The people have to be real, no matter how unlikely the scenarios they are involved in.
Tim Weaver has a way of getting under the skin of not just his characters but his readers, too. For me, it helped that his main character, like me, had lost his wife to cancer. I could instantly relate. But beyond that, the plot was gripping, drawing me in and holding my attention from start to finish.
While reading one of his books and for a long time afterward, your mind has only two ways to be—either reading his book or thinking about his book.
Missing persons investigator David Raker’s heartstopping hunt for a mother’s vanished son—book one of Tim Weaver’s international bestselling mystery series
One year ago, Alex Towne’s body was found. One month ago, his mother saw him on the street. One week ago, David Raker agreed to look for him. Now he wishes he hadn’t.
Mary Towne’s son, Alex, went missing six years ago. Five years later he finally turned up—as a corpse in a car wreck. Missing persons investigator David Raker doesn’t want the work: it’s clearly a sad but hopeless case of mistaken identity brought to him by a…
My family did not take vacations when I was young. We went to a hotel in Connecticut once (from New York), but my father got sick and we went home. So I always had an idealized vision of the sorts of family vacations you see in movies, where people sit in glamorous locations and drink bottles of wine and share intimate thoughts. I wanted to tap into that fantasy in writing Merry and think about what happens when reality and fantasy collide.
I love when Agatha Christie writes about family vacations (which she did a fair amount) because she pushes everything to extremes—with the highest stakes possible.
Appointment with Death is my favorite of her family vacation mysteries because the plot twist is so satisfying and the mother so evil.
What Christie does, in an over-the-top sort of way, is show how claustrophobic family vacations can be. Grown children are forced to behave like a younger version of themselves, and they are stuck in a remote location. In this case, Petra, in Egypt. All those dormant grievances have a chance to flourish.
I don’t think there’s ever been an Agatha Christie opera, but there should be.
In this exclusive authorized edition from the Queen of Mystery, the unstoppable Hercule Poirot finds himself in the Middle East with only one day to solve a murder.
Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sits the corpse of Mrs. Boynton. A tiny puncture mark on her wrist is the only sign of the fatal injection that killed her.
With only twenty-four hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: “You see, don't you, that she's got to be killed?” Mrs. Boynton was, indeed, the most…
My whole family shared a love for classic British mysteries, especially light-hearted, witty ones. With the enduring popularity of Agatha Christie and Dorothy L. Sayers, people sometimes forget there were lots of other great writers from the “golden age” of mysteries. I first found most of these books on my parents’ bookshelves when I was a bored teenager growing up in snowy central Maine. Several of the paperbacks were so well-worn the cellophane was peeling off their covers. For me, reading classic mysteries is like listening to Mozart—they are endlessly stirring and fascinating, and in the end, order is restored, and all is right with the world.
One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.
Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.
"It has the delicious irresponsibility of a Wodehouse plot. . . . It's one of the funniest books we've read in a long time. It contains a great deal of shrewd satire."—The New York Times Multimillionaire and philanthropist Hugo Weiss is known in every capital of the Western world as a munificent patron of the arts. When Weiss suddenly vanishes while on a visit to Paris, his disappearance sets the stage for this uncommonly witty and urbane mystery. Homer Evans, an intrepid American detective, turns his keen intellect and remarkable intuition toward solving the puzzle of the financier's disappearance. Assisted…
I have always been a storyteller and I’m fascinated by the use of language and how a story can be told well. I’ve used storytelling as an entrepreneur, executive, and management consultant, and my two business books for enlightened entrepreneurship use real-life stories to make the messages and lessons learned more memorable. Fictional versions of those stories were wandering through my imagination to make them more fun to read (and to write) for about fifteen years before they emerged in the Dale Hunter crime thriller series to show that entrepreneurs are not all evil, selfish monsters; sometimes they’re the hero!
A retro pulp-fiction novel from one of the world’s best-selling authors, David Baldacci.
A Gambling Man is the second intriguing story in Baldacci’s Archer Series about a former WWII veteran working as a private detective. Archer is joined en route to Los Angeles by a beautiful young lady with ambitions in Hollywood who leads them into dangerous territory with murderous gangsters and politicians trying to improve the odds in their favour.
Baldacci’s Archer Series is modeled on the early detective stories of authors like Raymond Chandler and Mickey Spillane. He creates a tough guy detective in the style of the early masters while making Archer more appealing to modern readers – less macho and more respectful of the independent women joining his fight to stop the death and destruction.
Aloysius Archer, the straight-talking World War II veteran fresh out of prison, returns in this riveting #1 New York Times bestselling thriller from David Baldacci.
The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you’re hard-working, lucky, criminal—or all three.
Along the way, Archer stops in Reno, where a stroke of fortune delivers him a wad of cash…
I believe many writers suspect they are Strangers in a Strange Land. How ironic that I, a confirmed atheist, should use a biblical quote to describe the mindset of authors. Some discover where they belong through their writing. My book recommendations have a strong sense of place, whether it be the Old West, wartime Berlin, or modern-day Scotland. I was born into a 300-year-old N. Ireland Protestant Plantation family, yet many people saw us as interlopers: we weren’t quite Irish, and we weren’t quite British, yet we held dual passports. It was not until I left Ireland that I realized my Irish Heritage exerted a stronger pull than my British.
One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.
At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
I’ve been a dog owner my entire life, from my childhood mutt, Paddy, to our current nine-year-old cockapoo, Daffodil. To me, a home isn’t a home without a dog thumping its tail somewhere inside. When I started writing mysteries, I realized that some of my favorites featured dogs. The animal’s loyalty, joy, and unwavering love were a necessary counter to the darker themes mysteries often explore.
I love Agatha Christie, and I love her fussy, brilliant detective, Hercule Poirot. This novel has all the hallmarks of a classic Christie—grand English home, mysterious death, greedy relatives, dark shenanigans, with the added bonus of Bob the terrier whose penchant for a certain red rubber ball is a key part of the mystery.
Everyone blamed Emily's accident on a rubber ball left on the stairs by her frisky terrier. But the more she thought about her fall, the more convinced she became that one of her relatives was trying to kill her.
On April 17th she wrote her suspicions in a letter to Hercule Poirot. Mysteriously he didn't receive the letter until June 28th... by which time Emily was already dead...
Flannery O’Connor once said that all fiction is ultimately about the “mystery of personality.” I agree. In fact, I have always suspected that all good novels, genre-based or otherwise, are secretly mystery novels, if only in the psychological sense. Conversely, many so-called genre novels have just as much depth, insight, and realism as any literary work. I have read a lot of genre and literary fiction in my time, and I have long been fascinated by works that blur the line between the two. My favorite kind of book is one that feels like a genre novel (that is, it has a great plot) but also has the depth and vividness of a literary novel.
One thing I really like about this mystery novel is the way it is told from multiple points of view, which is a very unusual technique in mystery fiction. That’s one reason that it felt, to me, so much like a literary novel.
The first character is a brilliant, tortured artist named Margot, who is already dead at the start of the novel. The second character is Kate, an ex-cop turned P.I. who is hired to find Margot’s killer.
Both women are compelling, interesting characters, but I especially liked the way Kenna renders the hero, Kate. She’s a single mom in recovery from a drug addiction. Her ex is a creep, and most of her old (male) cop colleagues are, too. Her struggle in solving the case felt completely real and human to me. And that’s the signature quality of literary fiction.
From debut author Alex Kenna comes a pulse-pounding tapestry of secrets, retribution, and greed for fans of Jeffrey Archer.
Kate Myles was a promising Los Angeles police detective, until an accident and opioid addiction blew up her family and destroyed her career. Struggling to rebuild her life, Kate decides to try her hand at private detective work—but she gets much more than she bargained for when she takes on the case of a celebrated painter found dead in a downtown loft.
When Margot Starling’s body was found, the cause of death was assumed to be suicide. Despite her beauty, talent,…
