Here are 50 books that Dinka Folktales fans have personally recommended if you like
Dinka Folktales.
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Why me / this list? Well, as a kid of parents whose cities were blitzed, I spent my early years in a tiny English village, eventually walking to school through the graveyard of a 12th-century church. We moved to Canada when I was eight, and a whole new history bloomed – Iroquois and coureur de bois were magnetic! As I evolved into a voracious reader, Lee, Orwell, and Vonnegut got me into the complexity of people. Now I’m compelled to read (and write) stories centered on how experiences shape us as individuals, and as societies.
P.S. Shortly after my departure, archeologists found Roman ruins under that tiny English village.
A “fictional autobiography” that has really stuck with me, What is the What is based on the real-life experiences of Valentino Achak Deng, who survived the brutality and terror of Sudan’s second civil war.
At six or seven years old, he was separated from his parents when his village, Mariel Bai, was virtually wiped out by militia. Against all odds, he ultimately made it all the way to the United States, only to experience injustice, violence, and cruelty again.
Incredibly, the real story told in What is the What is one of hope and resilience, and it’s a powerful reminder that chance and circumstances are the only differences between us and anyone else on this planet. Gee, I don’t know… maybe we should all act accordingly?
P.S. Somewhat controversial for its “autobiographical” claim despite being novelized—some say appropriated—by another person, What is the What was required reading at numerous US…
NEW YORK TIMES BESTSELLER • The epic novel based on the life of Valentino Achak Deng who, along with thousands of other children —the so-called Lost Boys—was forced to leave his village in Sudan at the age of seven and trek hundreds of miles by foot, pursued by militias, government bombers, and wild animals, crossing the deserts of three countries to find freedom.
When he finally is resettled in the United States, he finds a life full of promise, but also heartache and myriad new challenges. Moving, suspenseful, and unexpectedly funny, What Is the What is an astonishing novel that…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Emma McCune was a beautiful young British aid worker who fell for—and married—Riek Machar, a rival of John Garang for most of the long years of Sudan’s second civil war (1983-2005), reluctant leader of a bloody post-independence revolt, and now one of the country’s five (sic) Vice-Presidents. Emma died in 1993 in a traffic accident in Kenya, but wherever I have been in both Sudan and South Sudan, hosted by aid workers, I have found echoes of her. Emma wanted to make the world a better place—who can knock that?—but her naivete allowed her to be easily manipulated and impressed by raw power, increasingly blind to the corruption and violence within the cause she had adopted. She is buried at Leer, South Sudan, the hometown of Riek Machar.
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end,…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was a religious studies minor in college and love reading about traditional religious practices. When I met Nigerian American author Okey Ndibe at a writing retreat in Kenya, I couldn’t wait to get my hands on a copy of his second novel. This satirical novel gives new life to the meaning of worship. When statue buyer, Ike Uzondu steals an African sculpture from a New York shop and sells it in his ancestral village in Nigeria, the two worlds collide and we witness the cost of modernity to the human spirit
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred.
Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery.
Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world.…
I love most all genre fiction, but I’m a sucker for dark fiction—and I have a particular fondness for dark fiction that explores the hidden shadows of men and women as they make dubious choices that lead to consequences rife with fear, despair, and unflinching terror. Whether it’s young men meeting in a basement to engage in a secret barbaric club or a world gone mad following the literal death of God, my favorite dark fiction is woven with sly satire and subversive social commentary.
Ron Currie Jr. has written some of my very favorite books that explore big ideas through a dark, satirical lens. My favorite of Currie’s books is God Is Dead, which is a collection of interconnected stories that wonders what the world—and, more importantly, humanity—would look like if God took human form…then died. Each story looks at different characters and how they have responded to the reality of God’s death, from a group of teenagers who make a suicide pact to an epidemic of parents worshipping their children in the absence of God. Each story works together to explore larger themes of religion, violence, and the purpose of life.
The electrifying, "cutting-edge" (USA Today) debut work of fiction from Ron Currie, author of the forethcoming novel The One-Eyed Man (March 2017)
Ron Currie's gutsy, funny book is instantly gripping: If God takes human form and dies, what would become of life as we know it? Effortlessly combining outlandish humor with big questions about mortality, ethics, and human weakness, Ron Currie, Jr., holds a funhouse mirror to our present-day world. God has inhabited the mortal body of a young Dinka woman in the Sudan. When she is killed in the Darfur desert, he dies along with her, and word of…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
This is a collection of short stories by well-known writers—Irvine Welsh and Alex Garland among others—whom The Daily Telegraph newspaper assembled and flew to Africa in 2000, with an open brief to write one short story each; the book’s proceeds went to famine relief. One story in particular, by Telegraph editor W.F. Deedes, resonated in particular with me. The British government, responding to concerns that a UK-based oil company—Phoenix—is contributing to human rights abuses committed in the context of the Sudanese civil war, establishes “A Small Mission of Inquiry” (the title of the story). For most of my diplomatic posting in Sudan (2000-2003), I found myself dealing with strikingly similar allegations against a Canadian company, addressed equivocally by the Canadian government with just such a commission.
What would happen if you took some of Britain's best writing talent, put them on a plane and flew them to one of the most extraordinary and inaccessible places on the planet? What would happen if you took Irvine Welsh from the streets of Edinburgh and showed him a remote, dangerous village in Africa? Or if you flew Alex Garland into one of the world's most hazardous war zones? And how would Tony Hawks react if you dragged him away from his tennis and asked him to write a song with a Sudanese tribesman? With Victoria Glendinning, Andrew O'Hagan, Giles…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have spent more than 30 years in my lab at Columbia University studying how seemingly intractable conflicts develop and the conditions under which they change. I'm a professor at Columbia, a social psychologist who has studied, taught, and written about conflict for decades. I'm also a mediator, facilitator, and consultant who has worked with divided groups and communities around the world. I direct the Morton Deutsch International Center for Cooperation and Conflict Resolution at Columbia, where we run the Difficult Conversations Lab, an audio/video/physio “capture lab” where we systematically study the dynamics of divisive moral conflicts to try to understand when encounters over them go well and when they go terribly wrong.
If you are interested in gaining a better understanding of why the UN fails so miserably at building and sustaining peace – read this new book. Adam Day works at the UN and uses ideas from complexity science to both explain why the UN is so challenged in its ultimate mission to sustain peace, and what it should do to move in the right direction. Day uses two current case studies on some of the most challenging situations faced by the international community and applies new ideas in useful and practical ways. This is the state-of-the-art of complexity-informed peacebuilding.
Today's vision of world order is founded upon the concept of strong, well-functioning states, in contrast to the destabilizing potential of failed or fragile states. This worldview has dominated international interventions over the past 30 years as enormous resources have been devoted to developing and extending the governance capacity of weak or failing states, hoping to transform them into reliable nodes in the global order. But with very few exceptions, this project has not delivered on its promise: countries like Somalia, Afghanistan, South Sudan, and the Democratic Republic of the Congo (DRC) remain mired in conflict despite decades of international…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Carol Berger is a Canadian journalist and anthropologist with decades of experience in Sudan/South Sudan. This book is a meticulously-documented dissection of one of the founding myths of South Sudan: the supposedly glorious deeds of the rebel SPLA’s Red Army (made up of child soldiers) and the associated romance of the phenomenon known as the Lost Boys, as featured by Hollywood (The Good Lie). The truth is that during the second Sudanese civil war (1985-2003) thousands of young boys were ruthlessly exploited and/or abandoned by warlords, many of whom now hold positions of power in South Sudan. A fascinating sidebar is the story of the Cuban Jubans: the young boys who made their way from displacement camps in Ethiopia, via a long sojourn in Cuba, eventually settling in Alberta, Canada. Some two dozen returned to South Sudan in 2011/12 to work as doctors, and I had the pleasure…
This book examines the role of social process and routinised violence in the use of underaged soldiers in the country now known as South Sudan during the twenty-one-year civil war between Sudan's northern and southern regions. Drawing on accounts of South Sudanese who as children and teenagers were part of the Red Army-the youth wing of the Sudan People's Liberation Army (SPLA)-the book sheds light on the organised nature of the exploitation of children and youth by senior adult figures within the movement. The book also includes interviews with several of the original Red Army commanders, all of whom went…
I grew up in Britain and emigrated to Canada in 1981. I was a late starter in the Canadian Foreign Service, which I joined for the not-very-laudable reason that I wanted to travel to interesting places and get paid for it. Little by little, starting with the 1994 Zapatista uprising in Mexico, I found myself drawn to conflictive states—Colombia, Pakistan, Sudan, South Sudan—where, with growing seniority and responsibility, it fell to me to recommend Canadian government approaches to aid, development, human rights, and conflict resolution. South Sudan is a tragedy that I can’t help thinking about. I can see where everything went wrong, but it’s much more difficult to see how it can be fixed.
Lizzie Shackleford, serving at the time as a junior Foreign Service Officer at the American Embassy in Juba, was of invaluable assistance to me as I tried to orchestrate the emergency evacuation of Canadian citizens (nearly all of them dual South Sudanese/Canadians) when Juba imploded in December 2013. With Canada declining to send evacuation aircraft I depended largely on her to secure seats on USAAF Hercules aircraft. She helped save dozens of lives. So, I read her account of the opening of South Sudan’s civil war with great interest.
It’s an eye-opening counterpoint to the glamour and sophistication that many outsiders associate with the diplomatic lifestyle, but it’s also an indictment of short-sighted and misguided American policy-making in the region. The eponymous Dissent Channel is the outlet US diplomats have to express their personal discomfort with official policy. More than once I have found myself wishing that the Canadian diplomatic…
In 2017, the State Department lost 60% of its career ambassadors. Hiring has been cut and the budget slashed. The idealistic women and men who chose to enter government service are leaving in record numbers, jeopardizing operations both domestically and internationally, and eroding the U.S. standing on the world stage.In There Are No Good Guys, former State Department official Lizzy Shackelford shows this erosion first-hand through her experience within the precarious rise and devastating fall of the world's newest country, South Sudan. Shackleford's excitement about the possibility of encouraging democracy from the ground up quickly turns to questioning, then to…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
When I worked as a middle school teacher, I surveyed more than 200 students how they felt about books that included sadness and grief. The overwhelming answer from the students was that while adults too often minimize their feelings and dismiss the validity of their heartache, books do not. Many young readers want books that are honest and raw enough not to shield them from the world, but to pay enough attention to its pain to light a path, knowing that they can keep moving forward in the dark when they feel less alone and less afraid.
The Red Pencil is a beautifully written novel in verse that gives readers a heartbreaking view into the life of Amira, a twelve-year-old Sudanese girl whose life is turned upside down when her village is destroyed by the Janjaweed and she is forced into a refugee camp.
This story of trauma and loss also contains hope as Amira is given a pencil and notebook, which serve to remind her of dreams that extend beyond the grief and loss she is enduring. I believe novels in verse are a powerful vehicle for telling powerful, hard stories, and Pickney’s verse provides literal and figurative beauty while revealing the ugly reality of the Civil War in Darfur.
Life in Amira's peaceful Sudanese village is shattered when Janjaweed attackers arrive, unleashing unspeakable horrors. After losing nearly everything, Amira needs to find the strength to make the long journey on foot to safety at a refugee camp. She begins to lose hope, until the gift of a simple red pencil opens her mind -- and all kinds of possibilities.