100 Books Like What Is the What

In this brilliantly written novel, the unnamed narrator embodies the divisiveness that war causes in individuals and their families, with loyalty to one side conflicting with affection for the enemy.

The novel is based on a real-life double agent who fed accurate (but incomplete) information to American journalists and more complete information to the National Liberation Front. After the war, he was sidelined for being too friendly to Americans.

I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.  

I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.  

I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.)  Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.… show more.

Future-facing at the time of its publication in 1957, On the Beach isn’t really war fiction in the literal sense, because the fictional war around which it is built is already over.

Set in 1963 Australia, it details the life-affirming but grim experiences of a cast of characters including the crew of a US Navy submarine who are all facing inevitable and impending death from the aftereffects of massive nuclear war that has extinguished all life in the northern hemisphere.

The LA Times described it as "timely and ironic... an indelibly sad ending that leaves you tearful and disturbed," and The Economist called it "still incredibly moving after nearly half a century.” I’d call it a compelling and thought-provoking cautionary tale, and a ride you only want to go on via your imagination.

This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.

Published just two days after World War II was declared in Europe in 1939, and two years before the United States would enter the conflict, Dalton Trumbo’s powerfully emotional story centering on horribly wounded American World War I soldier Joe Bonham sparked controversy for its anti-war stance, while also winning the 1939 National Book Award for Most Original Book.

Apparently inspired by an article Trumbo had read about the Prince of Wales paying an emotional visit to Curley Christian, a Canadian soldier who’d survived the loss of all four limbs at the 1917 Battle of Vimy Ridge. Johnny Got His Gun is simply a gut-wrenching read that took me to places no one should really go.

Let’s just say I was a different 14-year-old the day I closed its covers and sat thinking for a very, very long time.

My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.

This book, the story of a Syrian refugee beekeeper, speaks volumes about what I believe in: the resiliency of human beings and the power of the mind.

The beekeeper’s journey reminds me of why I love working with people as a psychologist after 30+ years. I witnessed many times that hopes and dreams can carry people through the most difficult, dire situations. The title of the book also attracted me.

Being an amateur beekeeper, I have some understanding of beekeeper mentality. One has to be observant, patient, and persistent in order to befriend bees. This includes a willingness to learn, follow instinct, and trust what life can bring. These characteristics are reflected in the protagonist of this book.

His emotional journey is about surrendering to the unknown, working with what is in front of him, and trusting what the universe will bring him in the end. Warmth, kindness, and torments… show more.

When it comes to family sagas turned myth, it’s hard to top Calliope Stephanides tracing the passage of the hermaphroditic gene—transforming Callie into Cal—through three generations of the Greek-American Stephanides family.

An epic origin story that moves from Asia Minor to Detroit, Michigan, complete with incest and a nuanced exploration of gender identity. It also has one of my all-time favorite novel openings ever. “Sing now, O Muse, of the recessive mutation on my fifth chromosome!”

This is among the most exquisitely rendered memoirs I have ever read. It recounts Aciman’s boyhood in the cosmopolitan world of Alexandria, Egypt, in the 1950s, just before the ethnic nationalism of Egypt’s leader, Gamal Abdal Nassar, swept this world away. Every sentence exudes tender nostalgia for a vanished milieu. It is, profoundly, an exile’s book, mourning and celebrating a life that has been lost.

Geeldoon is a Somali refugee who told the story of his extraordinary odyssey to Europe to an oral historian. It is a tale rendered without artifice, without an eye for style or craft. The sheer calamity of his experience spills from his mouth. You can tell from the tone of the narrative how urgent, how necessary it was for him to bear witness to his journey, perhaps if only to prove to himself that it really happened.