Books like Foreign Gods, Inc. — picked by fans

A “fictional autobiography” that has really stuck with me, What is the What is based on the real-life experiences of Valentino Achak Deng, who survived the brutality and terror of Sudan’s second civil war.

At six or seven years old, he was separated from his parents when his village, Mariel Bai, was virtually wiped out by militia. Against all odds, he ultimately made it all the way to the United States, only to experience injustice, violence, and cruelty again.

Incredibly, the real story told in What is the What is one of hope and resilience, and it’s a powerful reminder that chance and circumstances are the only differences between us and anyone else on this planet. Gee, I don’t know… maybe we should all act accordingly? 

P.S. Somewhat controversial for its “autobiographical” claim despite being novelized—some say appropriated—by another person, What is the What was required reading at numerous US… show more.

Emma McCune was a beautiful young British aid worker who fell for—and married—Riek Machar, a rival of John Garang for most of the long years of Sudan’s second civil war (1983-2005), reluctant leader of a bloody post-independence revolt, and now one of the country’s five (sic) Vice-Presidents. Emma died in 1993 in a traffic accident in Kenya, but wherever I have been in both Sudan and South Sudan, hosted by aid workers, I have found echoes of her. Emma wanted to make the world a better place—who can knock that?—but her naivete allowed her to be easily manipulated and impressed by raw power, increasingly blind to the corruption and violence within the cause she had adopted. She is buried at Leer, South Sudan, the hometown of Riek Machar.

Prolific author and intellectual Francis Mading Deng became South Sudan’s first ambassador to the United Nations. Meeting Dr. Deng in person was one of the highlights of my life. To read any of his 40-some books is a privilege. It is possible to read Dinka Folktales as astonishing anthropological events, but Francis Mading Deng provides an introduction that reveals the “truth” in storytelling. These folktales contain the philosophical, religious, and day-to-day practices of the Dinka, who are the largest ethnic tribe in South Sudan. Given the civil war with north Sudan and the south’s dramatic victory in establishing their own country, these extraordinary stories belong in the ranks of world literature. 

I was fortunate to have met Eva Kasaya at a writing retreat in Kenya shortly after she wrote this book. Part novel, part biography, Tale of Kasaya is the astonishing story of Eva Kasaya’s journey from a 13-year-old village girl in rural Kenya to a published author in Nairobi. Kasaya, who leaves her family’s farm for a job as a domestic worker in the city recounts the horrific situation some domestic workers undergo. Sexually assaulted, she overcomes her trauma and finds solace in the written word. A beautifully written book that deserves to be a classic.

You describe a book as “Ocean’s Eleven for teens,” and I am a hundred percent in.

Like most heists, this one has the cat burglar and the genius hacker and the femme fatale and the getaway driver—except this time, they’re all teenagers. What a dream!

I just love a good heist story. They have to be so carefully crafted, so tightly plotted, and as a writer I really admire any storyteller who can do that. All three books in the Heist Society series are remarkable feats of plotting and pacing. I got to see Ally Carter give an author talk once, and she spoke about just how hard it is to write something that looks this easy. That’s so true; it really stuck with me.

Set in 1958, Manhattan, at the fictional Pinnacle Hotel, this is a closed-setting, classic cozy mystery that I really adored. The story’s lead—Evelyn Elizabeth Grace Murphy (first off, what a name, right?)—is such a brilliantly written character. I love how ditzy and superficial she seems at the beginning, but as the plot unravels, and her sleuthing skills are put to the test, we get to see her complexities and flaws and learn to love her. What I love even more is that this book is the first in a (hopefully) long-running series. Encore, Evelyn! 

Anyone who has ever worked in the food or hospitality industry—as a cook, a waitress, a hostess, a barista, or otherwise—can identify with this book.

The restaurant business is a different beast, and Anthony Bourdain took a huge risk in writing this and burning bridges with his bosses and coworkers. But in doing so, he unlocked the universal hidden language that food and hospitality workers share.

As a former hostess/waitress myself who spent most of her college years with a part-time job at IHOP and the Golden Waffle, I could relate to a lot of what Bourdain experienced working in NYC, especially with minority groups and how they were treated during that time. He was a huge inspiration to a lot of people, including me. 

Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets. 

To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).

I’ve lived in New York City all of my life. I sang doo-wop in Washington Square Park in Greenwich Village when I was a teenager, and then folk rock with my group, The New Outlook.

If ever there was a time-travel ticket to a past and a place that I knew so well I could still see the sun glinting through the tree leaves, hear the din of the eateries as I walked by, and, most important, still hear the music by people vastly more famous than me, music that actually defied any given time or place, it would be David Browne's book, Talkin' Greenwich Village.  

The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind.