Books like This Is Paradise — picked by fans

In the ’70s through the early ’90s, Hawaiʻi went through massive social change.

There was a growing consciousness of the manipulation and exploitation that had accompanied Hawaiʻi’s colonization. With that came a collective desire to right the wrongs of history.

Trask describes the institutional racism, discrimination, and closed doors she faced as she attempted to forge a path for Native Hawaiian studies at the University of Hawaiʻi while participating in a growing movement against continued occupation. 

While working on my book, some suggested I soften the political thread woven within the story. It was Trask’s essay “Lovely Hula Hands” (a chapter of From a Native Daughter) that encouraged me to stay true to the portrayal of Hawaiʻi that countered the unflawed, pristine playground image sold to tourists.

Written at a time when Hawai’i’s history was still being glossed over, Trask’s interviews and essays provide an unapologetic perspective and… show more.

When I was growing up, all I learned about my home was the year Hawaiʻi became a state.

My mother forbid me from speaking local pidgin at home because of the prevailing stereotype that locals were uneducated, unrefined, and not able to understand the complexities of the wider world.

Television and film portrayed people from Hawaiʻi as pagans needing saving from themselves, who drank and sinned themselves to death unless saved by white foreigners. In more ways than one, the loss of the Hawaiian Kingdom was placed on the shoulders of leaders too weak and simple-minded to maintain and protect it.

Hawai’i’s Story challenges that. Written by Queen Liliʻiuokalani after she was imprisoned and overthrown by a group backed by U.S. Marines and intended to aid in the fight against annexation, this memoir reveals a Hawaiian Kingdom that is the most literate nation in the world at the time and… show more.

I promise not all my book picks are political! But this incredible book is a must-read, and as it explains, culture is political, politics are cultural.

There is no way to fully appreciate Hawaiian culture as it is today without being aware of what it took to keep it alive.

In this compilation, personal stories of activists and academics come together to offer a searing depiction of the cost of colonization and the ultimate love of their land that continues to fuel its resistance.

From water wars and land grabs to the touching story of how the Hawaiian language was brought back to life, A Nation Rising will broaden your understanding and appreciation for Hawaiʻi’s landmarks and tourist destinations.

Jessica Machado’s father is Hawaiian and her mother is from the American South, a factor that looms large in a place like Hawaiʻi.

As a child, Machado senses that her life is complicated by history and context, but doesn’t have the words to formulate the questions brewing within.

In this touching coming-of-age memoir, Machado grapples with some of the same haunting questions and uncertainties that inspired my writing of my book while taking us on a journey to discover if her unshakeable connection to Hawaiʻi is a blessing, a burden, or a responsibility she’s lucky to have.

A must-read for anyone who has ever left home wondering how to take it with them.

Ocean Vuong writes in a poetic prose that transforms memories into fragments that linger in your mind. His choice to write this book as fictionalized letters to his mother was deeply beautiful and heart-wrenching. This is a book that took me on a journey through the Vietnam War, my first queer experiences, and the journey of finding out what it means to become American.

Alvar’s stories of men and women of the Philippine diaspora take place all over the globe, shedding insight on the export of labor.

As they separate from the safety and familiarity of family, the characters’ longing and aspirations are universal. This is an important book that helps to illuminate a fascinating and often painful experience of leaving, losing, and searching for home.

Continuing with heartbreaking love stories (can you sense a theme? and perhaps the reason my debut is often recommended to be read with tissues), I adore this book. I was listening to the audiobook and enjoying it so much that I bought the print version to inhale the formats in tandem.

It is another love story told over decades, set against the backdrop of political upheaval in Tehran. It will leave you nostalgic for the path not taken while deeply satisfied with the ending Kamali pens (Warning: I bawled). A poignant novel that will stay with you for a long time.

I lived in Bangkok for six years. This is the rare novel that captures the sounds, the smells, the spirit, and spirituality of the place. Bangkok in fact is the main character, with supporting roles by humans who make their lives there, from the nineteenth century to the present and into the not-so-distant future, when water lays permanent claim to a city built more or less at sea level. You can expect lyrical writing and engaging characters, whether human or urban. 

In this short story collection, SFWA Grand Master Nalo Hopkinson gives us heaps of imagery to roll around in with delight and horror. Calling a snowflake “six-clawed” or relating a tree’s memory of how it “felt to unfurl your leaves to the bright taste of the sun” all add to the mood-heavy stories of a teenager overcome by her desires after swallowing a cherry pit, children who must survive their parents’ frightening transformations, and more. Through all the tales, humanity shines through, our rough edges and our beautiful scars. And the characters themselves play with language to pass the time.

I love this book for the way it brings together in one place (a graveyard) a panoply of different characters from different walks of South Asian life. I find Anjum (the third gender “hijra” character who begins the narrative) most compelling. Her marginal relation to all the various mainstream cultures sets a template for how storytelling works across cultures, languages, and political perspectives.

I also love a part of the book critics found puzzling–when the novel shifts to the perspective of the former intelligence officer. It’s reminiscent of Conrad’s The Secret Agent and Under Western Eyes, Ngugi wa Thiong’o’s A Grain of Wheat, or House of Glass, the final novel in the Buru quartet of novels by Pramoedya Ananta Toer.

Like those novels, it compels a reader to undergo radical shifts in political and cultural perspectives. It’s simultaneously a political novel, a thriller, several coming-of-age novels spliced together, and… show more.