Here are 100 books that Tell It Slant fans have personally recommended if you like
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My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
I love the way Sue William Silverman has refused to be silenced and has instead encouraged other writers, particularly women writers, to lean into their vulnerability and claim and craft their voices, on and off the page.
This book conveys both big-picture elements of craft, like voice and structure, and also helps readers think about language and metaphor. It provides so many helpful tools and so much encouragement to both beginning and more advanced writers.
This title shows how to craft compelling art out of personal experience. Everyone has a story to tell. ""Fearless Confessions"" is a guidebook for people who want to take possession of their lives by putting their experiences down on paper - or in a Web site or e-book. Enhanced with illustrative examples from many different writers as well as writing exercises, this guide helps writers navigate a range of issues from craft to ethics to marketing and will be useful to both beginners and more accomplished writers. The rise of interest in memoir recognizes the power of the genre to…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
This book has a playful quality that engaged me immediately.
I was intrigued by Allison’s adventurous vision—one that sees patterns in nature as models for stories that don’t follow the traditional Aristotelian arc.
Alison analyzes many novels in terms of their shape (waves, spirals, tsunamis, and fractals)—stretching my imagination. She also makes it brilliantly clear that the shape of the hero’s journey is just one of many possible shapes for a fictional work.
"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture
A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers
As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one…
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
I love that Jarrett Andrew has raised the revision process (which often gets a bad rap) to a spiritual level. This book will help any writer see their work anew and tap into the joy—yes joy!—of revision.
This book encourages writers to listen deeply to their own stories and dig deep until they have found their true beating hearts. Jarrett Andrew presents big-picture and craft revision strategies that will make this a trusted companion for any writer.
Revision is the spiritual practice of transformation - of seeing text and, therefore, the world with new eyes. Done well, revision returns us to our original love.
In LIVING REVISION, award-winning author and teacher, Elizabeth J. Andrew, guides writers through the writing and revision process. With insight and grace, Andrew asks writers to flex their spiritual muscles, helping them to transform their writing as they in turn transform into more curious and reflective human beings. Her expertly honed techniques, exercises and personal examples will help writers invigorate their work and themselves as they engage the human heart within and across…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My passion is helping women write the stories they need to write. I’ve spent the last twenty-some years helping women write, polish, and publish the hard, gritty, beautiful, and awe-inspiring in their lives. I teach Motherhood & Words and lead retreats and women’s writing circles. I am also a writing coach and developmental editor. I’m the author of Ready for Air: A Journey Through Premature Motherhood and co-author of Silent Running, a memoir. I’m currently working on a rom-com.
This latest book by poet Maggie Smith is writing guide meets cheerleading section. I love the way readers get to see her poet's mind at work. And I love the way that this book gives us all, any reader, permission to claim the titles of poet and writer.
There are helpful tips here about the craft of writing, but for me, this book is, at its heart, about encouraging each of us to tap into the power of our own creativity. I love that.
New York Times bestselling author and poet Maggie Smith distills creativity and the craft of writing with a practical guide perfect for fans of Elizabeth Gilbert'sBig Magicand Anne Lamott'sBird by Bird.
Drawing from her twenty years of teaching experience and her bestselling Substack newsletter, For Dear Life, Maggie Smith breaks down creativity into ten essential elements: attention, wonder, vision, play, surprise, vulnerability, restlessness, tenacity, connection, and hope. Each element is explored through short, inspiring, and craft-focused essays, followed by generative writing prompts. Dear Writer provides tools that artists of all experience levels can apply to their own…
As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
First published in 1990 – based on a series of articles originally written for The New Yorker, this book is a warning to true crime authors the world over about the morality of reaching out and writing with and about murderers.
The journalist in question is Joe McGinniss and the murderer is the former Special Forces Captain Dr Jeffrey MacDonald who became the subject of McGinniss’s 1983 book Fatal Vision. Is it ethical to collaborate with someone who has been accused of murder? What are the pitfalls that need to be managed? And, at the end of the day, who is conning who – the journalist or the murderer?
'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible'
In equal measure famous and infamous, Janet Malcolm's book charts the true story of a lawsuit between Jeffrey MacDonald, a convicted murderer, and Joe McGinniss, the author of a book about the crime. Lauded as one of the Modern Libraries "100 Best Works of Nonfiction", The Journalist and the Murderer is fascinating and controversial, a contemporary classic of reportage.
Denise Kiernan is a multiple New York Timesbestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. With more than 25 years of experience writing newspaper and magazine articles, books, and more, Kiernan also travels the country speaking at schools, universities, corporations, and more about her work and about the writing process. She created and hosts the series CRAFT: Authors in Conversation, during which she dives into the psyches, habits, and hopes of writers from all walks. For the series, she has interviewed bestselling authors, award-winning journalists, television writers, and Academy Award winnersabout how they do what they do, and what writing means to them.
For anyone who has ever struggled with or merely wanted to hone their abilities to craft a compelling story structure, Franklin’s book is a gem. Examples taken from Franklin’s own Pulitzer Prize-winning work adds an instructive clarity that allows the reader to step inside the decision-making process that went into some of his most lauded work. Any writer—fiction, nonfiction, academic—can use this book to up their storytelling game.
The new "nonfiction" the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been working with words for over 25 years, as a writer and editor in publishing houses, design studios, and now as a freelance. I help everyone from big brands and small businesses through to academics and consultants get their ideas out of their heads and on to the page. I was an original co-founder of ProCopywriters, the UK alliance for commercial writers. I’ve written and self-published four books, the most recent of which is How to Write Clearly. The books I’ve chosen all helped me to write as clearly as I can—not least when writing about writing itself. I hope they help you too!
I bought this when I saw it recommended online by a famous writer—and I’m very glad I did.
The title is apposite, since this is less of an all-encompassing writing guide, more of a toolbox of 55 practical ideas to help you write better. Some are about the basics, while others are ways to give your text a compelling structure or a touch of extra polish. Away from the actual hands-on craft, Clark also recommends 11 useful habits to help you become a better writer.
Buy it, keep it on your shelf, and dip in whenever you need a new direction or a dose of inspiration.
Tools Not Rules' says Roy Peter Clark, vice president and senior scholar at the Poynter Institute, the esteemed school for journalists and teachers of journalists. Clark believes that everyone can write well with the help of a handful of useful tools that he has developed over decades of writing and teaching. If you google 'Roy Peter Clark, Writing Tools', you'll get an astonishing 1.25 million hits. That's because journalists everywhere rely on his tips to help them write well every day - in fact he fields emails from around the world from grateful writers.
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
This cover completely drew me in because the typewriter,
cityscape, and WWII airplanes all show an urgency and a story just waiting to be
told. Cohen writes about prominent WWII foreign correspondents, including
Dorothy Thompson and Frances Fineman, who travel the world in search of the
latest war update. It was certainly not as easy to get from country to country
back then—especially across vast oceans—so I really appreciated their
determination to travel.
NEW YORK TIMES EDITORS’ CHOICE • A prize-winning historian’s “effervescent” (The New Yorker) account of a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism
“High-speed, four-lane storytelling . . . Cohen’s all-action narrative bursts with colour and incident.”—Financial Times
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, BookPage
They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles,…
Journalism and history have been my dual obsessions since high school, and my work for the past 13 years has focused on the intersection between them. The pressures of journalism, its tremendous impact, and the extraordinary characters who tend to be drawn to the profession are endlessly fascinating to me. In my time as a PhD student, professor, researcher, and book review editor for an academic journal, I have read hundreds of books about American journalism and its past (maybe over 1,000 now that I think about it, but I haven’t kept count!). I’ve also reviewed several for the Washington Post. These are some of my favorites.
Some books center on an argument, some focus on narrative, and some revolve around characters. What impressed me about this book is that it does all three remarkably well.
I was amazed to learn how some of the most powerful publishers in the U.S. and U.K. either dismissed the Nazi threat or (like Lord Rothermere and the Daily Mail) openly cheered for Hitler.
It also helps that the five men and one woman included in this “axis” all had fascinating backgrounds and quirky personalities, which Olmsted presents in wonderfully concise sketches.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m the author of a number of books for kids and teens, many of which imagine young characters having more influence than you might expect. My book The Museum of Lost and Found is about an 11-year-old girl who secretly curates a museum. The Campaign is about a 12-year-old who runs her babysitter’s campaign to become mayor of their town. And This Song Will Save Your Life is about a 16-year-old who secretly becomes an underground DJ. These characters have realistic and relatable kid problems, emotions, and relationships—but they also get to have responsibilities and power well beyond their years.
One of the things I like about this type of book is that the main characters often have a secret identity.
To their classmates or teachers or parents, they’re just an ordinary kid—but when they’re not being watched, they’re doing something important and impactful. I love the tension of worrying that their secret identity might get found out. In this series, the main character’s secret identity is that she’s an accomplished and influential restaurant critic and no one knows, not even her parents.
“A scrumptious gem of a story!”—Jennifer A. Nielsen, New York Times bestselling author of The False Prince
Meet Gladys Gatsby: New York’s toughest restaurant critic. (Just don’t tell anyone that she’s in sixth grade.)
Gladys Gatsby has been cooking gourmet dishes since the age of seven, only her fast-food-loving parents have no idea! Now she’s eleven, and after a crème brûlée accident (just a small fire), Gladys is cut off from the kitchen (and her allowance). She’s devastated but soon finds just the right opportunity to pay her parents back when she’s mistakenly contacted to write a restaurant review for…
