Here are 100 books that Death Comes to Marlow fans have personally recommended if you like
Death Comes to Marlow.
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As a mystery writer and reader, I try to understand why some books feel bland or dull even when the characters are investigating a murder with high stakes. Writing style is a part of that and encompasses techniques such as good pacing. Yet I think it really comes down to the characters. In all these series, I enjoy spending time with the characters, in their worlds. They are people I would like to know in real life, so they have become book friends. That makes it possible to enjoy the mysteries on a reread, even if I know what’s going to happen.
The plots have twists and turns, and often interesting settings around the world, but it's really the characters that make this series. Some of the books may have a dated feel at times, but it’s still wonderful to revisit old friends and have adventures in interesting places.
Plus, Mrs. Pollifax is wonderfully open-minded and generous, finding beauty and friends everywhere.
Mrs Emily Pollifax is a 60-ish widow wanting more from life than teas and garden club meetings. In search of adventure, she decides to offer her services to the CIA - who, after all, would spot a suburban grandmother as a cold war secret agent? - and adventure she finds. Her first assignment, in Mexico City, doesn't sound dangerous until something goes wrong. She suddenly finds herself abducted across the world, embroiled in quite a hot Cold War... and her abductors find themselves entangled with one unbelievably feisty lady. Armed with only an open mind and a little karate, Mrs…
Mood swings and insomnia are one thing, hot flash-induced psychic visions are quite another. When Olivia Wilde realizes the visions she’s experiencing in the midst of hot flashes are actually premonitions, she must learn to understand and trust what she sees in order to help a friend, preserve a piece…
I started my motherhood journey when I was barely out of my teens. For the next two decades, I only knew myself as a wife and mother. As my brood of five children grew into adults, I found myself poorly equipped to parent independent Gen X and Z’ers. Then, at 46 years of age, when perimenopause hit me like a hurricane, I found myself evolving into another woman altogether. The good news was – I really liked her! I hope you enjoy these books about mid-life women parenting adult children and rediscovering themselves in the never-ever-done-aftermath of motherhood.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
Years ago, I discovered Miss Seeton in a well-worn paperback at a used book sale and I absolutely fell in love with this charming retired art teacher with the uncanny knack of drawing the truth from the most devious situations with her charcoal pencils and art pad.
In Witch Miss Seeton, this seemingly naïve little old lady steps into the world of modern witch’s covens to solve a mystery too convoluted for Scotland Yard. I love the humor, the depth of character, and the whimsy that fill the book. Miss Seeton’s regular yoga routine, which keeps her agile in her golden years, inspired my own exercise regimen.
Although out-of-print for many years, the books have been recently released in digital and audio formats, making this thoroughly entertaining series available to a new generation of readers.
A sudden interest in the occult swept through the English village of Plummergen.
Ouija boards were replacing the best china in many a cozy cottage. It might be quite the thing for maiden ladies and persnickity aunts, but it wasn't Miss Seeton's cup of tea... until Scotland Yard requested she go undercover to investigate sinister shenanigans in the Kentish countryside.
A flim-flam was afoot in the local witches' coven - and magic could be a prelude to murder most foul.
Serene amidst every kind of skullduggery, retired art teacher Miss Seeton steps in where Scotland Yard stumbles.…
A big-city journalist joins the staff of a small-town paper in cottage country and finds a community full of secrets … and murder.
Cat Conway has recently returned to Port Ellis to work as a reporter at the Quill & Packet. She’s fled the tattered remains of her high-profile career…
During a time of turmoil in my life, I discovered the soul-calming world of the cozy when I happened upon the Thrush Green series by Miss Read (Doris Saint). A former fan of thrillers, my time spent in these rural British villages was a revelation. Who knew how peaceful the mundane could be when seasoned with a pinch of humor and common sense? I expanded my reading to include cozy mysteries like the ones I’ve recommended. Having reached the age of many of the ladies in these books, I appreciate even more their determination to continue to make a difference by using their unique experiences and skills.
What I love about this book, and the entire Mrs. Pargeter series, is the delicious way Mrs. Pargeter tiptoes around “strictly legal” in the pursuit of what is right and good. Thanks to the faithful friends and loyal former associates of her late husband (whose own career doesn’t bear scrutiny), she is free to exercise her insatiable curiosity about whatever is going on around her.
In this book, it is a feeling that something is a bit off in her new neighborhood that leads to another fun story. I feel a kinship with her refusal to fit herself into the approved “little old lady” mold and continue to seek out new experiences. Because of her late husband’s love and admiration for her, Mrs. Pargeter feels secure and comfortable in her own skin. I appreciate the touch of naughtiness in her make-up, which can lead to unexpected and entertaining adventures.
The second crime novel featuring Mrs Melita Pargeter in which she investigates the bizarre disappearance of the former occupants of her home. It seems they may have vanished permanently. Simon Brett is former Producer of Light Entertainment for BBC Radio and for LWT. He is also author of "A Nice Class of Corpse" which also features Mrs Melita Pargeter.
I thought I was going to be a farmer, but some serious practical experience after I finished school put paid to that idea. I then focused my attention on conservation, before turning to travel writing. All of which led, eventually, to a growing interest in development issues and how people can make a living from the land. The result is over a dozen books, some of which are narrative-driven travelogues – many based on my experiences in Africa and elsewhere; and some of which focus on the nitty-gritty of agriculture, agroforestry, and related issues. My most recent book, Land of Plenty, provided a state of the nation account of British farming during the tumultuous year (for farmers, at least) when the UK voted to leave the EU.
Describing a series of journeys on horseback and by foot through south-east England and the Midlands during the 1820s, Rural Rides is one of the great travelogues. Cobbett was a man of many parts – journalist, soldier, farmer, politician, and social reformer. In Rural Rides he blends lyrical description with fist-shaking fury about the injustices he encountered. He writes so well that you feel that you are travelling through the countryside with him.
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
These short stories lure you in to a world of fantastical distortions and mythical resonances, which make you look differently at women’s lives.
A young girl with an eating disorder turns into an eel; a group of female friends go hunting for male conquests whom they kill and eat to satisfy their appetites. In a world of anarchic desires and obtuse relationships, strange and inexplicable metamorphoses take place. Violence bridges the gap between human and animal, between desire and carnal action.
In candid language not for the faint-hearted, this book probes the potentially dark recesses of the female psyche against a timeless backdrop of rural folklore and magical possibility.
Daisy Johnson's Fen is a liminal land. Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a - well what?
Railroad Ties: The Marmion Grove Murders is the first of my novels set in my hometown, and in the house I grew up in.
The town was founded as a retreat from DC summers. Filled with hundred-year-old trees, including the majestic swamp magnolias, there are no sidewalks and no…
I’m the author of two YA fantasy novels – We Are Blood and Thunder and We Are Bound by Stars. They’re set in a fantasy world, Valorian, governed by a (literally) colorful magic system and a pantheon of gods, and are all about power, fate, and discovering your true self. Both novels are dual narrative and feature a host of female main characters, who I think are complex, flawed, and relatable. As a child, I was obsessed with Lord of the Rings but always wondered why all the real heroes were men, which inspired me to write these books – partly, too, because of the wonderful female-led fantasies which have come out in the interim.
Samantha Shannon’s world-building in this series is second to none. We find ourselves in a future alternate version of the world, where the government monitors the population for those people with extraordinary powers: clairvoyants. Paige, our main character, is one of these – and a bit of an antihero to boot (my favourite kind of hero!). You will love and be frustrated by her – and root for the simmering romance plot.
THE TENTH ANNIVERSARY SPECIAL EDITION, FULLY UPDATED WITH NEW MATERIAL
A lavishly reimagined tenth anniversary edition of the first novel in the sensational Bone Season series, by the Sunday Times and New York Times-bestselling author of The Priory of the Orange Tree.
'A fabulous, epic fantasy thriller ... Lavish, ebullient, escapist' The Times
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Welcome to Scion. No safer place.
The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe.
In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder,…
I grew up in the eighties, and that means I grew up watching movies such as Sixteen Candles, The Breakfast Club, Pretty in Pink, and Say Anything. Thirty years after watching those movies, some iconic scenes have stuck with me: the characters of The Breakfast Club sliding across the hallway to Simple Minds’ song “Don’t You Forget About Me,” John Cusack holding the boombox over his head while blaring Peter Gabriel’s “In Your Eyes,” and the Psychedelic Furs “Pretty in Pink” song playing on the soundtrack of a movie by the same name. The books in this list do a lot with those same ingredients of heartbreak, music, and hope that the characters who so often remind me of myself might find love.
“In walks these three girls in nothing but bathing suits.” That’s how Updike’s story A & P starts, and really, all I’m doing in recommending this book to you is actually recommending that you read the story A & P.
I once became an English major mostly because I was an unconfident student, and both of my parents were English teachers. I figured I could go home and get help with my homework if I needed it. I always say Updike’s A & P is the first story I ever really liked. Later, when I made the English Honor Society in college, I was asked to read a story that was important to me, and I chose this one.
I used to think all stories were old like Beowulf or MacBeth, but this one showed me stories could come from situations I’d lived. After all, I had worked in…
When this classic collection of stories first appeared—in 1962, on the author’s thirtieth birthday—Arthur Mizener wrote in The New York Times Book Review: “Updike is a romantic [and] like all American romantics, that is, he has an irresistible impulse to go in memory home again in order to find himself. . . . The precise recollection of his own family-love, parental and marital, is vital to him; it is the matter in which the saving truth is incarnate. . . . Pigeon Feathers is not just a book of very brilliant short stories; it is a demonstration of how the…
France claimed me early, when I was a teenager. A French major, a Rotary scholarship year in the Loire Valley, and decades of return visits later, I'm still not done with this gorgeous country. Since retirement, my husband and I spend at least several weeks there every year, and in 2011, we lived in France for three months during an adult gap year. My third book, a novel set in Paris and Normandy, is the most recent evidence that France and her food, wine, culture, literature, art and landscapes, have never loosened their hold on me.
As a Francophile with a lifelong fascination with Jackie Kennedy, I felt that this book was written for me—and it delivered on every count.
Jacqueline in Paris follows a college-age Jackie through her junior year abroad in 1949, and the author gets both the woman and the moment exactly right. The Paris on these pages is beautiful but not romanticized. It is a city still visibly scarred by war, rebuilding itself with fragile dignity. That historical texture gives the story real weight.
What makes this a page-turner is how completely the author inhabits Jackie's inner life. You don't just observe her discovering Paris—you feel it alongside her, the enchantment and the disillusionment in equal measure. I finished it in two sittings and didn't want it to end.
"Captivating...Mah channels Kennedy and brings postwar Paris to life with exquisite detail and insight." -- People
From the bestselling author of The Lost Vintage, a rare and dazzling portrait of Jacqueline Bouvier's college year abroad in postwar Paris, an intimate and electrifying story of love and betrayal, and the coming-of-age of an American icon - before the world knew her as Jackie.
In September 1949 Jacqueline Bouvier arrives in postwar Paris to begin her junior year abroad. She's twenty years old, socially poised but financially precarious, and all too aware of her mother's expectations that she make a brilliant match.…
Menopause unlocked a previously unknown superpower for Liv Wilde – psychic visions during hot flashes. While her visions rarely have life and death consequences, for the first time Liv sees a dead body in a premonition. When she comes face-to-face with the man…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…