100 Books Like The Thursday Murder Club

I’ve always thought that this is one of the most brilliantly constructed plots in literature. First serialized in 1859-60, Collins’ story revolves around the mysterious figure of the Woman in White, who always induces a shiver of dread and pity, even on subsequent re-readings. And I don’t think I’ve ever encountered a more terrifyingly memorable mastermind villain than the one Collins gives us here.

Threatened innocence, eerie encounters, dastardly deeds—this book has it all. But best of all is the character of Marian Halcombe, who breaks gender barriers to defend her sister. She is one of the models for my own intrepid Victorian detective, Esther Hardy.

This is the cleverest, funniest, best Sherlock Holmes homage ever. It’s Montana, 1893, and I’m watching the red-headed Amlingmeyer brothers, down-on-their-luck ranch hands, entertain themselves reading Holmes stories in Harper’s Weekly.

Big Red, the younger brother, is reading to his older brother, Old Red (all of 27). Old Red might be illiterate, but I’ll match his “detectifyin’” skills with Holmes’ any day. I love Big Red’s reluctant but loyal acceptance of his role as Watson as the two cowpokes deal with stampedes, mysterious deaths, and cowboys named Puddin-foot and Swivel-eye.

No matter what Big Red tells him, Old Red doesn’t quite believe the Holmes stories are fiction. But I believe Hockensmith’s stories are exactly what Mark Twain would have written if he’d come up with this brilliant idea.

I’m not a fan of novels that are paced like greased rockets, as if the author’s afraid you’ll suddenly throw the book across the room, turn on Netflix, and order a pizza. Which is a key reason I love this book. Precious Ramotswe is a “traditionally built” woman who solves crimes in a superbly witty yet unhurried fashion and with deep compassion that stops short of sentimentality.

Her heart (huge) and brain (gently incisive) work in perfect tandem in this book. The plot is simple, which will frustrate readers who prefer intricate puzzles in their crime fiction. But for me, the pleasure lies in leisurely getting to know this wise, ingenious detective and her humble neighborhood in Botswana’s capital city.

In short: wonderful characters!

The plots have twists and turns, and often interesting settings around the world, but it's really the characters that make this series. Some of the books may have a dated feel at times, but it’s still wonderful to revisit old friends and have adventures in interesting places.

Plus, Mrs. Pollifax is wonderfully open-minded and generous, finding beauty and friends everywhere.

This book is a poignant and very funny examination of the ridiculousness endured by and perpetrated on women cruising through midlife.

I’d never read such a bald exploration of the dark side of parenting adult children. It opened my eyes and made me feel seen at the same time.

Elmore Leonard knew the vagaries of the movie business back to front, and he serves them up on a platter of delicious satire in this story about an East Coast loan shark, Chili Palmer, who comes to Los Angeles chasing a deadbeat debtor and winds up in his own fractured fairy tale version of the Hollywood dream.

Chili’s an endearing character, street smart with a unique blend of humility and self-confidence. When his collection job throws him into company with a group of movie people, he sees them and their milieu with clear-eyed objectivity.

Talking to an underworld associate, he says, “The movie business, you can do anything you want because there’s nobody in charge.” Leonard’s mastery of dialogue and character, along with his wit and sly affection for the industry he’s skewering combine to make this book a complete delight. 

This is the first book in the remarkably excellent series set in Ireland during The Troubles about a Catholic police officer, Sean Duffy, who lives in Belfast. I love the way McKinty writes this character; it’s funny and very Irish and such a pleasure to read.

The mystery in this first book involves a corpse with its hand cut off, and then another person’s hand thrown into a car with them. There’s also some Italian opera mixed in for atmosphere. It’s a juicy murder mystery that I couldn’t put down.

I first encountered Douglas Adams when I caught The Hitchhiker’s Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.

I absolutely love Arthur Dent’s ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanity’s obsession with money, and a lot more.

For me, the thing that sets this apart from a lot of SFF humor is its ‘Britishness’—there’s a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.

Eowyn Ivey’s work hits every one of my interests: lush writing, Alaskan wilderness, family drama, untamed beasts, folklore and fairy tales, parenthood, childhood, and the struggle to survive…I mean, really, it couldn’t be more perfect.

Her debut novel references the Russian fairy tale “Snegurochka,” about a girl made of ice. It’s an absolutely gorgeous and transporting book that also happens to have been a finalist for the Pulitzer Prize—again, perfect, right? 

I’ve always been fascinated by the “dreaming spires” of Oxford University and enjoy Gaudy Night because it immerses me in the world of a (fictional) women’s college set in 1930s Oxford.

As a former professor, I’m intrigued by the internecine political and personal battles in the Senior Common Room (SCR), or college faculty lounge, as well as the friction between those professors devoted entirely to an academic career versus those trying to maintain the challenging balance of work and family, the same issues women struggle with today, nearly one hundred years later.

Sayers weaves together these tensions with a mysterious “poltergeist” who torments the college with poison-pen letters, pranks, vandalism, and violence into a compelling mystery under the dreaming spires.