Here are 100 books that Dear Theo fans have personally recommended if you like
Dear Theo.
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I decided at the age of sixteen that I wanted to devote my life to creating works that would serve humanity for hundreds, possibly thousands, of years. It's unthinkably ambitious, but I undertake it nevertheless. The music I've composed and performed, aired on National Public Radio (NPR) and taught at Boston Conservatory, the artwork I’ve created and exhibited in New York, Miami, Las Vegas, and San Francisco, the writings I’ve drafted and had published, in journals, magazines, and books about art and artificial intelligence (AI)—all of it with the goal of making a meaningful, lasting contribution to Western Culture. The books in this list contain letters and interviews with the greats that inspire me most.
Stravinsky inspires me to understand the nature of my own work.
His thoughts, like "Music theory is hindsight," offer me clear-eyed strategies for approaching my own creativity as personal, original thought.
In the interviews, he's a rather plain, droll man. I am reminded that being a flamboyant, flashy artist gives no assurances of originality in one's work.
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity.
Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I decided at the age of sixteen that I wanted to devote my life to creating works that would serve humanity for hundreds, possibly thousands, of years. It's unthinkably ambitious, but I undertake it nevertheless. The music I've composed and performed, aired on National Public Radio (NPR) and taught at Boston Conservatory, the artwork I’ve created and exhibited in New York, Miami, Las Vegas, and San Francisco, the writings I’ve drafted and had published, in journals, magazines, and books about art and artificial intelligence (AI)—all of it with the goal of making a meaningful, lasting contribution to Western Culture. The books in this list contain letters and interviews with the greats that inspire me most.
I'm not sure how much of these interviews are profound truths about the foundations of Bacon's work and how much are clever marketing tying his work to art history, but I don't care.
I ate up these interviews like a starving dog. I believe that Bacon's work ties solidly to centuries of painting tradition and don't believe that verbal defense or explanation is necessary given the incontrovertible visual arguments Bacon has made already.
The extraordinarily revealing interviews with Francis Bacon conducted over a period of 25 years by the distinguished art critic David Sylvester amount to a unique statement by Bacon on his art and on art in general. In the book, a classic of its kind, Bacon considers the problems of realism and sheds new light on aspects of his life. With a rare and brilliant use of language, Bacon talks about his aims as a painter and ways in which he works, responding always with vivacity and candour to Sylvester's searching questions. Bacon's obsessive effort to record and re-create the human…
I decided at the age of sixteen that I wanted to devote my life to creating works that would serve humanity for hundreds, possibly thousands, of years. It's unthinkably ambitious, but I undertake it nevertheless. The music I've composed and performed, aired on National Public Radio (NPR) and taught at Boston Conservatory, the artwork I’ve created and exhibited in New York, Miami, Las Vegas, and San Francisco, the writings I’ve drafted and had published, in journals, magazines, and books about art and artificial intelligence (AI)—all of it with the goal of making a meaningful, lasting contribution to Western Culture. The books in this list contain letters and interviews with the greats that inspire me most.
My respect for O'Keefe extends as much to her as a painter as it does as a businesswoman.
Climbing to the heights of public art education in Texas before moving to New Mexico and crowning her career inspires me to stay true to my own art while I make ends meet as cleverly as I can.
O'Keeffe proves to me that there's no shame in worldly success while you pursue timeless success.
In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas.
Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis,…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I decided at the age of sixteen that I wanted to devote my life to creating works that would serve humanity for hundreds, possibly thousands, of years. It's unthinkably ambitious, but I undertake it nevertheless. The music I've composed and performed, aired on National Public Radio (NPR) and taught at Boston Conservatory, the artwork I’ve created and exhibited in New York, Miami, Las Vegas, and San Francisco, the writings I’ve drafted and had published, in journals, magazines, and books about art and artificial intelligence (AI)—all of it with the goal of making a meaningful, lasting contribution to Western Culture. The books in this list contain letters and interviews with the greats that inspire me most.
Beethoven's letters remind me that it's ok to be a simple man.
Life doesn't need to be overanalyzed, as one finds in Freud's letters. Passion, dedication, and focus are all that's necessary. I looked in his writing for the complexity of lifestyle and expression of humanity that I find within his sonatas and symphonies. It wasn't there.
Ludwig was a brilliant composer without being a brilliant man, and in that thought I find solace.
Ludwig van Beethoven (1770–1827), the protagonist of freedom for music, disentangled music from the control of the ruling class. In publishing his music and writing for the rising classes, Beethoven claimed freedom and expressed the emotions of the new rulers, the artists. The Eroica, Fidelio, and the piano works express the emotions of the new rulers — the intense love, the need for companionship of people, the forces that conspired to defeat the artist, and the strength and superiority of the artist in overcoming the weaknesses. The letters of Beethoven are the principal nonmusical expression of his personality in its…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.
This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.
Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.
The lively and revealing correspondence that Vincent van Gogh maintained with his art-dealer brother Theo is famous as a source of insight into the mind of one of the most celebrated artists of all time. But what of Anna, Lies and Willemien van Gogh, with whom Vincent had intimate and sometimes turbulent relationships? It was an argument with his oldest sister, Anna, in the aftermath of their father's death that provoked Vincent to leave the Netherlands and never return.
The Van Gogh siblings grew up at a time when long-distance travel by train first became possible. As each went…
As well as being a novelist (ten published books to date), I’m a Senior Lecturer in Prose at Liverpool John Moores University. My current academic fields of interest are the role Johanna van Gogh-Bonger played in Vincent’s rise to fame, the silencing of women involved in creative pursuits, and the consideration of a novelist’s ethical and moral responsibilities when fictionalising a real life. My true passion lies in the creative uncovering of those erased stories, and in adding to the emerging conversation. That’s why I’ve shifted from writing contemporary to historical novels. I’m also known as the international, bestselling author Caroline Smailes (The Drowning of Arthur Braxton).
On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations.
Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us.
Presents annotated translations of Van Gogh's correspondence with his brother Theo from 1872, when he was working in a gallery in the Hague, until his death, as well as letters to other recipients and related materials
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Julia P. Gelardi has obtained a Master’s degree in History and spent many years immersed in the world of European royal history. The author of numerous articles and seven books on European royalty, three of which have been published by St. Martin’s Press, Julia has done extensive research in various archives, including the Royal Archives at Windsor Castle. She continues to search the world for elusive books on royalty to add to her library and is always on the lookout for new topics to write about and share with her readers.
An indispensable work to anyone interested in the Romanovs, and especially in the life and reign of Tsar Nicholas II. Here, in their own words from diaries and letters are the thoughts and inner-most feelings of Tsar Nicholas II and his wife, Tsarina Alexandra, as well as numerous royal relatives – though the main focus is on Nicholas and Alexandra. Through these written words, the imperial couple and their families are revealed; they’re given a voice and come alive across more than six hundred pages of text. Interspersed as well are a variety of primary sources such as memoirs, documents, diplomatic letters, and the like. But it is the letters and diaries which take center stage and deliver an emotional read.
Russian historians Maylunas and Mironenko (he was Director of the State Archive of the Russian Federation) have done an admirable job of culling through an enormous amount of material…
In the darkest days of the Stalinist era of the Soviet Union, when all talk of the Romanovs was punishable at the very least by banishment to Serbia, a group of archivists were exempt. They sorted and filed the thousands of letters and photographs of the last Tsar of Russia, Nicholas II, his wife, Alexandra (a granddaughter of Queen Victoria), and their five children. In all, some 13,000 letters have survived. Those between 1889 and 1914 have never before been published. They run the gamut from matters of state to intimate expressions of love and longing. In addition there are…
I am a member of an unfortunate tribe, the tribe of grieving mothers who write. Upon learning that my newborn son was profoundly brain-damaged, I kept a diary. Writing those pages helped me make sense of his prognosis and figure out how to care for him before he died. Later, my diary helped me write my memoir Holding Silvan: A Brief Life which went on to be named a “Best Book” of the year by both Library Journal and the Boston Globe. Today, I write and work with other writers trying to craft their own stories of loss. Each experience of grief is unique. The five memoirs I’m recommending give voice to a variety of maternal losses — from stillbirth to murder. While each of these memoirs is powerful in its own way, the love in them is universal.
Upon receiving the news that her two young daughters had been killed by a drunk driver, Genevieve Jurgensen didn’t think she could go on, let alone ever write about her loss. Fortunately for us, she eventually found a way to tell this story. Through letters to a friend, she draws us in, circling the pain of that terrible day, musing about the mysterious ways in which loss can coexist with a happy, ongoing life. With its raw and intimate feel, the book is a profoundly moving testimony to the complicated process of healing.
What do you do, how do you live, when both of your daughters are killed on the same afternoon?
On April 30, 1980, Genevieve Jurgensen found herself facing that question when she lost her four- and seven-year-old daughters to a drunk driver. Here she presents her search for an answer.
As an emeritus professor of philosophy now working as a licensed therapist, I feel uniquely qualified to span the two worlds of philosophy and psychotherapy. In addition to dozens of academic articles which no one has ever read, I’ve published books on modern China, ancient Greek Stoicism, Bob Dylan, and the TV show The Sopranos, which at least a few people seem to have picked up.
Narrative Therapy (of which this book is the founding text) traces its roots back to the French philosopher Michel Foucault and postmodern philosophy. Not that anyone can agree on a definition of postmodernism. Invoking Foucault’s critique of power, narrative therapy sees the DSM-5 (the standard list of mental illness that is akin to the Bible in psychiatry) as grounded not in objective truth but as a mostly fabricated list of pseudo-diseases a profession has conjured up in order to assure it is well-paid. Narrative therapy works not on attempting to change any objective condition the client may inhabit but to motivate the patient to change his subjective view of his condition.
White and Epston base their therapy on the assumption that people experience problems when the stories of their lives, as they or others have invented them, do not sufficiently represent their lived experience. Therapy then becomes a process of storying or restorying the lives and experiences of these people. In this way narrative comes to play a central role in therapy. Both authors share delightful examples of a storied therapy that privileges a person's lived experience, inviting a reflexive posture and encouraging a sense of authorship and reauthorship of one's experiences and relationships in the telling and retelling of one's…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I'm a Frenchman with a great interest in the history of the Second World War, specializing in the correspondence of Allied soldiers. Almost 20 years of collecting WWII letters led to the publication of my first book Till Victory which was an award-winning bestseller in France, before it was released in English worldwide in 2021. I also host a podcast (Till Victory: a podcast about WWII and Peace), where I interview British and American veterans, and have made documentaries such as Red Beret & Dark Chocolate or The Missing Highlander. It's all about trying to understand what the young men who fought and died to liberate my country went through when they were my age.
This book is more about the impact of war on the families of those who never returned from it. There isn’t a lot of combat content, but some of the letters are extremely moving. On the other hand, the title of the book is misleading, since some letters are indeed "last letters home," but they are in fact the last ones written before the soldier went home... In any case, although this book focuses exclusively on the British troops, it allows us to enter the intimacy of families torn apart by the war with great emotion.
For many of those who lived through it, the Second World War was the most exciting, dynamic and frightening time of their lives. This wonderful collection of contemporary letters tells their stories - from the battlefields of Europe to the bombed out back streets of London, from the conflict in the skies to the hardships of the home front.
Last Letters Home doesn't show just one side of the war. By concentrating on different themes - lovers, siblings, separation and reunification - Tamasin Day-Lewis paints an unparalleled picture of the daily lives of men and women at war. Through letters…