100 Books Like A Lifelong Passion

To understand Imperial Russia, you have to understand its culture. From the early days of conversion to Christianity in 987, through to Diaghilev and the Ballets Russes, Suzanne Massie takes us on a wonderful journey through the customs and culture of this enigmatic land. We see the colourful markets and fairs, the carnival season and the traditions of Easter and Christmas, as well as the great artists, composers, writers, and dancers that Russia has produced. This is one of the most beautiful (and useful) books I have ever bought.

This is an updated version of William Clarke’s Lost Fortune of the Tsars with additional information added since first publication. It gives a detailed, comprehensive account of the immense wealth of the Imperial family before the revolution and what happened to the money, jewels, palaces, and other riches in the chaos that followed. Faced with bank confidentiality and reluctance to talk, it reads like a detective story as the author investigates bank accounts, vaults, and jewels spirited away. The result is a fascinating account of what belonged to the Tsar’s family and what belonged to the state.

This is a comprehensive account of what happened to Nicholas, Alexandra, and their family from the fall of the monarchy to their last days in Ekaterinburg. It covers fully all the details of their confinement, their brutal murder, the discovery of the Romanov grave outside Ekaterinburg in 1989, and the controversy over the bones, using many previously unpublished Russian archival documents. If you think you know what happened, then read this because there are some surprising revelations.

An undoubted classic and one of the first books - if not the first - to treat the subject of Nicholas and Alexandra and their son Alexei’s hemophilia with a little sympathy.

Massie had a hemophiliac son but his regard for Rasputin as Alexei’s healer still leaves something to be desired.

A comprehensive and lengthy study of the three-hundred-year rule of the Romanov dynasty, with particular attention paid to the reign of Russia’s last Tsar, Nicholas II. Lincoln, who was a professor of Russian history at Northern Illinois University, succeeds in bringing to life the sweeping saga of the Romanovs from their beginning in the seventeenth century with the accession to the throne of Michael I to the end with the abdication of Nicholas II in 1917 and onwards to the executions of the imperial family in 1918.

The Romanovs can be treated as both a general reference book for Romanov and imperial Russian history or as a starting point from which to delve further into specific subjects such as a particular reigning Russian monarch or historical event. Lincoln has produced a cogent, solidly researched work that succeeds in making the sometimes impenetrable and complex histories of Russia’s tsars much more… show more.

A skillfully written account and engaging portrait of Grand Duchess Olga Alexandrovna (1882-1960), younger sister of Tsar Nicholas II. Olga Alexandrovna’s life was no less dramatic than that of her brother, Nicholas II. Daughter, granddaughter, and sister to Russian emperors, Olga – a woman devoid of vanity and imbued with a strong faith – lived a life that could never be replicated. Immersed in the splendors of the Russian court, Olga also suffered through the Russian Revolution, and ultimately left Russia for a life of exile in Denmark and Canada. The Last Grand Duchess is Olga’s memoirs as told to Ian Vorres whose deft presentation of her story is to be applauded. Published in 1965, The Last Grand Duchess not only delves into Olga’s life but that of her family and other historical figures and brings a unique insight into the last Romanovs and Tsar Nicholas II in particular.

In… show more.

This is the personal account of the family of Tsar Nicholas II and Tsarina Alexandra as told by their children’s French-language tutor. Gilliard, who spent the years 1905-1918 in the bosom of the imperial family, came to know the family well, and hence had nearly unprecedented access to them. Gilliard succeeds in fleshing out the personalities of the ill-fated family who were devoted to each other, to God, and to Russia. He also highlights in vivid detail the impact of the Tsarevich Alexis’s hemophilia on him, his family, and most especially his distraught mother. Thanks to Gilliard, we come to understand the impact Rasputin had on the Tsarina and her hemophiliac son, whose illness was a closely guarded secret.

The Swiss-born Gilliard notes in his book that he was so “appalled” by the countless “absurdities and falsehoods” written about Nicholas II and his family that he was compelled to “rehabilitate… show more.

It was on my favorite TV show as a kid, In Search of… starring Leonard Nimoy, that I first heard of Anna Anderson, the woman who claimed to be Grand Duchess Anastasia, daughter of Tsar Nicholas II of Russia. The tsar was murdered with his entire family in 1918 – or so it was thought. So who was this old woman living in Virginia claiming to be Anastasia? Decades later, I saw the headlines reporting that DNA tests proved Anderson was an imposter, but I never knew one percent of the story before diving into The Resurrection of the Romanovs. Reading along while a mystery from my childhood was so painstakingly solved was great fun. If only now they could find the Loch Ness Monster.

This book focuses on another woman from Russian history. Grand Duchess Elisavyeta was the sister of Tsarina Alexandra, the wife of Tsar Nicholas II. A woman of privilege and power, the grand duchess enjoyed all of the luxuries Russia had to offer until the murder of the Tsar Nicholas and his family. But this story also centers on Pavel, the son of serfs, who seeks a new life in St. Petersburg. The lives of Pavel and Elisavyeta intertwine as revolution changes them and their country. Both of these characters, one coming from privilege and the other from poverty, are well-defined and represent the chaos of their times.

The captivating ending to this book is tragic, where violence begets more violence, yet Alexander captures the humanity of both characters.