Here are 12 books that Dead Souls fans have personally recommended if you like
Dead Souls.
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I loved this book for it’s many revelations about closeted, conservative gay men and women who held high positions in Washington DC and the US government over many decades. Also, that it covers those who were brave enough, or in such circumstances, that they proclaimed their orientation forthrightly and publicly, and in doing so, those few heroic souls moved the USA forward toward a more open society. Kirchick ultimately shows the progress that has been made toward acceptance of homosexuals.
For decades, the spectre of homosexuality haunted Washington. The mere suggestion that a person might be gay destroyed reputations, ended careers, and ruined lives. At the height of the Cold War, fear of homosexuality became intertwined with the growing threat of international communism, leading to a purge of gay men and lesbians from the federal government. In the fevered atmosphere of political Washington, the secret "too loathsome to mention" held enormous, terrifying power.
Utilizing thousands of pages of declassified documents, interviews with over one hundred people, and material unearthed from presidential libraries and archives around the country, Secret City is…
Journey to an unnamed mountainous country in central Europe at the end of the Great War. Enter Citizen Orlov, a simple fishmonger and an honest, upright citizen, who answers a phone call meant for a secret agent and stumbles into a hidden…
What a terrific book! At once hilarious, heartbreaking, and healing. I can’t recommend it enough. I love Howard's extraordinary self-awareness, which she herself recognizes. I love how she prevails over all her challenges with courage, heartwarming fortitude, and robust good humor. Above all it is her humor that makes this memoir so engaging.
2026 Reader’s Favorite Silver Award Non-Fiction LGBTQ+2025 Finalist Next Generation Indie Book Award for LGBTQ+ Non-Fiction2024 Finalist IAN Book Of the Year Awards LGBTQ+ Non-Fiction2024 Winner IPPY Silver Award for Best Non-Fiction Audio Book “This book is exemplary in character appeal (or interest) and development. All main characters (including antagonists) are unique and fully fleshed out with compelling, layered motivations and traits. Secondary characters are unique and have a meaningful purpose. Shaley Howard’s smiling face makes for a welcoming cover. In fact, the use of pictures within this memoir helped tell the story. There is a flow to this book,…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.
The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
Journey to an unnamed mountainous country in central Europe at the end of the Great War. Enter Citizen Orlov, a simple fishmonger and an honest, upright citizen, who answers a phone call meant for a secret agent and stumbles into a hidden…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I am in awe of the repressed, elegiac emotion that Ishiguro brings to his characters.
Never Let Me Go kept me in a state of constant tension between Kathy’s version of events (which is full of omissions and self-deception) and the version I was constructing in my own head (which was so often at odds with hers).
This is something Ishiguro also does brilliantly in other books, but here I was particularly drawn to the deft way he shows us a morally bankrupt adult world through the eyes of an adolescent protagonist – that’s exactly the territory I write.
Like the fish who doesn’t realise the water is there, Kathy struggles to understand the true nature of Hailsham until it’s far too late; and there’s real moral anger behind the quiet delivery.
One of the most acclaimed novels of the 21st Century, from the Nobel Prize-winning author
Shortlisted for the Man Booker Prize
Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense…
As someone who has endured great challenges in life, I am fascinated by stories about overcoming obstacles and facing difficult challenges. We do not choose where we are born or to what circumstances ,but we do have the opportunity to rise above those challenges that we face on a daily basis. The human spirit and the desire for a better future is a universal gift we all share.
I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.
These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.
Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!
One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.
I reread Isabel Allende’s “The House of Spirits” this year. I believe that she remains the most powerful master of magical realism. In my own writings, particularly in my first novella December on 5C4, I adapt magical realism to create characters who demonstrate either psychiatric issues or magical powers, or both, depending upon the reader's frame of reference. Her novel also inspired me to blend magical realism with social commentary. And her prose - though I’ve only read her in English translation - is just so lyrically beautiful! This book is incredible!
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of…
The tone was both trancelike and otherworldly, almost like being in a dream. It drew me in immediately. The weirdness of the plot added to the surreality of the story, and like a dream, the inevitability of the characters' fates prolonged the impression of being in a dream--or a life--you can't escape from. The author's style created the impression of being in a world both outside and inside the main characters' consciousness. A challenging but beautiful book.
NATIONAL BESTSELLER • The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver’s enigmatic suggestion and begins to notice puzzling discrepancies in the world around her.
She has entered, she realizes, a parallel existence, which she calls 1Q84 —“Q is for ‘question mark.’ A world that bears a question.” Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame’s and Tengo’s narratives converge over the course…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
In 1929, George Counts, a professor at Columbia Teachers College who was sympathetic to Soviet experiments in education, bought a new Ford, shipped it to Moscow, and braved 10,000 kilometers of mostly unpaved roads to see the Soviet Union, then undertaking a massive industrialization drive.
I was aware that the Soviet highway system was underdeveloped but was nonetheless shocked to learn details like the fact that the Soviet Union had no gas pumps; Counts poured pails of gas into his car through a funnel. His road trip helped me better understand Americans’ optimism about the Soviet project and Soviet visitors’ love of American technology.
Lang:- eng, Pages 243. Reprinted in 2015 with the help of original edition published long back[1930]. This book is in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, there may be some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The humorists Ilya Ilf and Evgeny Petrov’s American travelogue remains a delight to read. Unlike other Soviet visitors, the coauthors, famous for their satirical novel The Twelve Chairs, leavened their criticism of American vulgarity, inequality, racism, and greed with a large helping of self-deprecating wit.
Their account of eating enchiladas, which they described as cut with gunpowder and topped with nitroglycerin, made me laugh out loud. This book offers a surprising view of Depression-era American and Soviet attitudes toward it.
Odnoetazhnya Amerika (One-Storied America) First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. We Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with “Little Golden America”.It describes the…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
This book allows readers to see the United States through the eyes of six visitors from the Russian Empire and the Soviet Union. A big part of the collection's appeal is that the authors were not neutral observers but committed socialists. Armed with preconceptions about capitalism, they offer provocative perspectives on nineteenth- and early twentieth-century America.
The book includes work by three authors little-known in English translation (Grigory Machet, Vladimir Korolenko, and Vladimir Bogoraz) and travelogues by three famous writers, the novelist Maxim Gorky, who visited in 1906, and the Soviet poets Vladimir Mayakovsky and Sergei Esenin, who visited in the 1920s.
To view the familiar from a different perspective is always enlightening. This engaging collection of travel accounts by Russian writers who visited America around the turn of the century offers fresh insights into both the American experience and the Russian mind. The documents, most of which appear in English for the first time, and interwoven with explanatory comments by Olga Peters Hasty and Susanne Fusso. The anthology begins in 1874 with young Machtet, who enthusiastically describes his journey across the prairie to a tiny utopian community in Kansas. Next Vladimir Korolenko gives his impressions of the stockyards of Chicago, and…
