100 Books Like 1Q84

She really gets at the heart of how Brown and Black bodies are seen, and what is fascinating to me is the approach through current “technical art” and a good discussion of architecture. I had a class focus on her discussion—lengthy—about surveillance and race. It’s extremely poignant, and something whites especially just don’t think about. I will never again go through an airport without thinking about her book. 

I love the exquisite writing and haunting narrative in this book—Ishiguro’s prose is masterful, his imagination precise and engrossing. He creates characters that are poignant, complex, and caught in a world beyond their control. Issues of bioengineering, of empathy, of powerlessness, are beautifully woven through the whole.

I am moved by how this book marries technology and deep emotion, the dystopian with the palpable reality of today’s world, and the rapidly changing technological milieu we live in.

I love this book for its Matroyska doll-style structure: The first five sections tell stories in different periods— from the mid-19th century to the 22nd—loosely connected by repeating characters and media, each ending abruptly and without resolution. The sixth section, set in the 24th century, is the spine of the novel, told in its entirety. Then Mitchell revisits the time periods in reverse chronological order, resolving each story, ending where we began in the mid-19th century.

It was a highly satisfying experience that changed my view of how a story could be told. It is widely considered one of the finest novels of the 21st century. It covers ideas I would normally balk at, like reincarnation and the existence of eternal consciousness. Still, the storytelling is so powerful that it all came across as believable to me. I loved the way Mitchell demonstrated how an idea in one time period… show more.

Overstuffed and labyrinthine, Eco’s novel dives into a highly academic rabbit hole of conspiracy theories that toss me head over heels like a strong wave in the ocean. It reads a bit like The DaVinci Code written by Thomas Pynchon (who we’ll get to in a minute), the paranoias stemming from historical entities like the Knights Templar and the Rosicrucians.

I’d be hard-pressed to provide an accurate summary of events, but it all makes for a pleasantly bewildering reading experience.

This was one of the first books that showed me fantasy could be bold and heretical.

The world was so rich—daemons, armored bears, oppressive religions—and Lyra felt like a character who’d been waiting to burst off the page for centuries. It’s a coming-of-age tale wrapped in cosmic questions and rebellion, and it sparked something in me that’s never gone out.

I don’t think Garcia Marquez needs a review or introduction. Reading any of his books is a pleasure, with easy and delightful writing and striking sentences.

These sentences often describe things or people in a way that feels natural and perfectly captured. For instance, he describes the world as so new that many things lack names. His eloquent descriptions, like that of ice, create vivid images. The characters are relatable, and you feel a happy exhaustion after finishing the book, reminiscent of great works like Steinbeck’s East of Eden.

Those who find the stories too unbelievable should learn about Colombian history, as they provide real context. I simply love the book!

When I closed this book, I set it down and said, “Wow.” I really enjoy reading science books—the ones written for non-scientific folks like me…books by Michio Kaku and Brian Greene—and this one combines my love of thrillers and science in a fantastic way. Jason Dessen is kidnapped and begins a long journey to return home, but to do so, he visits many alternate versions of Chicago.

As every chapter ended, I wanted to continue reading to find out what happened to Jason and his family, to see some new version of Chicago, and to see how or if Jason succeeded. The novel kept surprising me, and Crouch played with the implications of some wild physics concepts.

The book tells the story of a man who believes that his dreams influence reality. I loved it because it was strange and intriguing, mind-bending and surreal. Nothing was permanent, and even reality itself was questionable.

Ursula Le Guin explores the issues of climate change and overpopulation, pollution and the destruction of the environment though the characters’ personal experiences. She tackles racism and shows how one's life experiences shape their personality. The question of whether the end justifies the means keeps recurring in the narrative.

As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.

This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.

Lyons' 100 Best Jazz Albums shaped my listening for a long, long time. His references to Ornette Coleman, Cecil Taylor, Sun Ra, and Art Ensemble were well-written and hugely informed. Some of the choices are now extremely dated, but it is a great overview of the history of jazz (up to the early 1980s). It could give even an experienced listener or artist some pointers about where to round out their listening. Jazz is twice as old now (as a genre) as it was when I was coming up, so there’s so much more to listen to, and so much more has happened. This book should be a listening test for every student and faculty member—especially everything Duke and before and after Monk.