Here are 100 books that Das Berliner U- und S-Bahnnetz fans have personally recommended if you like
Das Berliner U- und S-Bahnnetz.
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Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.
Without doubt the inspiration and key reference work for so many books, websites and studies investigating the design of subway maps. Being one of the only writers on cartography who actually met Harry Beck, Garland was the first to forensically examine the London Tube diagram designed by him. The intimacy of Garlands relationship with beck shines through and informs the whole text. The reader even gets to see some of Becks unpublished works. A simply ‘must have’ for anyone interested in railways, cartography and design in general.
1998, British hardcover reprint edition (of a work first published in 1994), Capital Transport Publishing, Middlesex, U.K. Handsome oversize oblong format, 80 pages. Incredible b&w illustrations / color maps throughout. In the early 1930's, Britain's Underground was in a bit of a mess. The managing director remembered a suggestion from a 29-year-old engineering draftsman. He had produced an underground diagram which might just solve the technical complexity of the system and even better, please the British public that suddenly could figure out where they wanted to go and how they might get there. Here is the story of how its…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.
Here is an example of a work that leaves no stone unturned, and does the job properly. There is an excellent introduction on the historical signage of the Subway, a proper explanation of why a new wayfinding system was necessary, the most comprehensive history on why Unimark was chosen to improve the signage and all the images you need of how their 1970 'Graphics Standards Manual' was implemented. Shaw rightly explains the move from the Standard Medium typeface to Helvetica and why it superseded Standard Medium and the fate of the original Unimark system.
How New York City subways signage evolved from a “visual mess” to a uniform system with Helvetica triumphant.
For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were supplemented by signs in terracotta and cut stone. Over the years, enamel signs identifying stations and warning riders not to spit, smoke, or cross the tracks were added to the mix. Efforts to untangle this visual…
Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.
The most detailed of all English books on the history of the Paris Metro and arguably the most informative on engineering, construction, signalling and rolling stock. With a level of detail bordering on the obsessive, Lamming probes the very heart of what makes this most impressive of World metro systems tick. The difficulties of building the first lines through the honeycombed quarries below Paris, and the first tunnels under the Seine are articulated in immense detail. With hundreds of engineers illustrations and archive photos there is little to compare this book with in the English language.
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.
With a razor sharp eye Wolmar (author of many other excellent books on railway history) concentrates his focus on the machinations of the establishment of the world's first railway built under the ground. Overcoming the travails of unbuilt fantasy concepts, the Victorians fear of the dark, finances and the problems of running steam trains in tunnels, London's City Solicitor Charles Pearson, managed to get the first route, the Metropolitan Railway, built and opened by January 1863. Wolmar unpicks the struggles to expand the line, private capitals, a rush to build more lines and the eventual nationalisation of the system in 1948.
Revised and updated edition of Christian Wolmar's classic history of the London Underground, with a new chapter on Crossrail.
'I can think of few better ways to while away those elastic periods awaiting the arrival of the next eastbound Circle Line train than by reading [this book].' Tom Fort, Sunday Telegraph
Since the Victorian era, London's Underground has played a vital role in the daily life of generations of Londoners. In The Subterranean Railway, Christian Wolmar celebrates the vision and determination of the nineteenth-century pioneers who made the world's first, and still the largest, underground passenger railway: one of the…
I am a 35-year veteran of the U.S. Army Special Forces and the CIA with more than 20 years experience in “interesting” places around the world. That experience (and a graduate degree) gave me the background and tools to write about special operations and espionage history. I am also a conflict archaeologist and have conducted battlefield and campaign studies on three continents. I know and love these stories because they have been part of my life, and know readers will also love them.
As a former intelligence officer, I love books that tell me about the places where real spies (and even some fictional ones) operated.
Roy Berkeley has done just that in cracking form with A Spy's London, which is an exhaustive guide to where the spies were in London (and still are).
Although I would challenge his assertion that London is the espionage capital of the world (hint: it’s Berlin), his book tells you the story and then shows you how to get there with walking tours, maps, and photos.
I especially love his description of the “ops” and how he brings them to life, whether they went well or failed spectacularly!
At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?
Before ‘uplit’ was even invented, there was DBC Pierre. His fiction has been described as a ‘joyful celebration of the human spirit’ and that is none more evident than in his protagonist in Lights Out, Gabriele Brockwell, a twenty-something narcissistic pleasure seeker optimistically stumbling through life before ultimately finding his place in it. A book that leaves you with the thought that optimism is the key to turning bad luck into good.
Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, "Lights Out In Wonderland" documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
The World At War, the first and arguably best documentary about the Second World War, was on television when I was 14. It fuelled my interest in history, especially about the reasons for the rise of the Nazis. History has many lessons to teach–if we are willing to listen–and one of the great teachers is Germany between the wars. It was a time of extremes: economic crises, social unrest, much of which was caused by the Nazis, and a flourishing bohemian, liberal culture. This febrile environment in which characters struggle with their personal conflict makes for great story-telling potential.
One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.
It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.
I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.
A gripping spy thriller for fans of ROBERT HARRIS and WILLIAM BOYD from award-winning Sunday Times bestseller Rory Clements and author of the 2018 CWA HISTORICAL DAGGER WINNER, NUCLEUS
1936. Europe is in turmoil. The Nazis have marched into the Rhineland. In Russia, Stalin has unleashed his Great Terror. Spain has erupted in civil war.
In Berlin, a young Englishwoman evades the Gestapo to deliver vital papers to a Jewish scientist. Within weeks, she is found dead, a silver syringe clutched in her fingers.
In an exclusive London club, a conspiracy is launched that threatens the very heart of government.…
The 1930’s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? No! Only one deeply familiar with an exciting decade.
I loved this novel because the writer himself had fled Germany because of Hitler’s oppressive edicts.
There is a genuine authenticity I immediately sensed in each of the characters, and why not, since Feuchtwanger himself experienced first-hand the oppressive darkness spreading across Germany in 1933. Aren’t writers told to write about what they know? Feuchtwanger did just that, and it places a unique value on the novel, making it more a historical document than simply a fictional story.
My hope is many will read this novel and understand the dangers of fascism, so we don’t repeat what history has already taught us.
"Extraordinary . . . No single historical or fictional work has more tellingly or insightfully depicted . . . the insidious manner in which Nazism began to permeate the fabric of German society than Lion Feuchtwanger's great novel." -- New York Times
First published in 1934 but fully imagining the future of Germany over the ensuing years, The Oppermanns tells the compelling story of a remarkable German Jewish family confronted by Hitler's rise to power. Compared to works by Voltaire and Zola on its original publication, this prescient novel strives to awaken an often unsuspecting, sometimes politically naive, or else…
Dina Gold is the author of Stolen Legacy: Nazi Theft and the Quest for Justice at Krausenstrasse 17/18, Berlin. After postgraduate degrees from London and Oxford universities, Dina spent over twenty years working as an investigative journalist and television producer at the BBC in London. She now lives in Washington DC and is a senior editor and film critic at Moment magazine.
If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you. Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city.
Berlin for Jews is part history and part travel guide. Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today. The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what…
What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it? The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan's personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. Barkan, voraciously curious and witty, offers…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.
The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience. It is a sharp-edged story with cameo appearances by Georg Simmel, Walter Benjamin, and Alfred Doeblin. This sumptuous history of a metropolis and its social and literary texts provides a rich evocation of a particularly exuberant and fleeting moment in history.