Books like Lights Out in Wonderland — picked by fans

I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.

I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.

I prefer stories of older characters, who, instead of saying “my best years are in my past,” choose new paths of self-discovery. I see these late-life transformations as quiet odysseys. Because, as we age, we grow more and more invisible. We lose our loved ones, our physicality, sometimes our memories. But then, when is there a better time to become a hero than when you are on the cusp of losing everything? Each of these books explores characters who start new journeys in later life. They find self-worth again, or maybe even for the first time. Now THAT is a good story.

At a time when our news feeds are dominated by war and disease and brain-dead politicians I find my escape in the genre known as ‘uplit’ or ‘uplifing literature.’ These are feel-good stories that have a simple goal, to introduce us to characters like ourselves – human, fallible, unreasonable, and flawed – and take us on a journey with them through thick and thin. Not every story ends in the happiest of endings but the reader is always left with a sigh of satisfaction and a feeling of hope. And couldn’t we all do with a bit more of that?

I am a 35-year veteran of the U.S. Army Special Forces and the CIA with more than 20 years experience in “interesting” places around the world. That experience (and a graduate degree) gave me the background and tools to write about special operations and espionage history. I am also a conflict archaeologist and have conducted battlefield and campaign studies on three continents. I know and love these stories because they have been part of my life, and know readers will also love them.

I’ve always been surrounded by food culture. I grew up in a diner family. My parents started Lakey’s Cafe just before I was born. My first jobs as a kid were in that restaurant. After that, I worked in restaurants as a server for more than 10 years of my life. When the opportunity presented itself to throw in the napkin and become a writer, I did. My writing now as a professional writer centers around the food and beverage industry. One topic that I don’t see discussed enough is the role that food plays in science fiction and fantasy novels. Food in novels has a way of showing us something about ourselves.

Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.

My four novels and three sets of writings are all about Tokyo. I rely not only on my daily observations, personal experiences, and reactions to the city, but on the responses of others to the city. I’ve used all these books to better understand the place where I’ve lived and worked for over two decades. I’ve written about various aspects of Japan for numerous publications, editorials for The Japan Times, art and architecture reviews for Artscape Japan, personal columns on Tokyo life for Newsweek Japan, and reviews and interviews on the vibrant jazz scene for my Jazz in Japan website. I continue to find Tokyo a mesmerizing place to spend my working and writing—and wandering—life. Living here is like traveling every day.

My four novels and three sets of writings are all about Tokyo. I rely not only on my daily observations, personal experiences, and reactions to the city, but on the responses of others to the city. I’ve used all these books to better understand the place where I’ve lived and worked for over two decades. I’ve written about various aspects of Japan for numerous publications, editorials for The Japan Times, art and architecture reviews for Artscape Japan, personal columns on Tokyo life for Newsweek Japan, and reviews and interviews on the vibrant jazz scene for my Jazz in Japan website. I continue to find Tokyo a mesmerizing place to spend my working and writing—and wandering—life. Living here is like traveling every day.

The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.