Here are 100 books that Darkhouse fans have personally recommended if you like
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As a computational sociologist, I’m fascinated by the patterns people create, the signals they miss, and the stories they build when the world doesn’t make sense. That’s also why I’ve always been drawn to grounded horror: not monsters crashing through windows, but the quiet dread of a room, a street, a sound, or a thought that won’t behave. As a writer, I love books that make fear feel intimate and human, the kind that crawls under your skin because it’s real. These are the stories that stay with me: books where reality tilts, trust gets shaky, and everyday life becomes the scariest place imaginable.
I love this book because it proves fear does not have to shout to own the room.
Shirley Jackson makes dread feel elegant, patient, and almost polite, which somehow makes it worse. I admire how much she trusts atmosphere, silence, suggestion, and character discomfort.
That is the kind of horror I respect most: not just “what is happening?” but “why does everything suddenly feel wrong?”
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
Like the other books on the list, The Shining felt personal, more like something that was happening to me than a story I was reading.
Like Jack, I could feel myself hanging on while the menace around me grew more real, more concrete. And more overwhelming. Even today, I can feel the terror of losing control, of becoming part of the menace, part of the threat to everything of meaning and value. Snowbound with horror, and Spring will never come.
#1 NEW YORK TIMES BESTSELLER • Before Doctor Sleep, there was The Shining, a classic of modern American horror from the undisputed master, Stephen King.
Jack Torrance’s new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he’ll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote . . . and more sinister. And the only one to notice the strange and terrible forces gathering around…
I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
A chilling horror in a small fictional English village.
I love The Woman in Black because it’s more than a ghost story; it’s also a story about love and the connection between family. I’ve read it twice and what I love the most about it is the ambience Susan Hill creates with her well-crafted sentence structure.
There’s a lot of focus on Arthur Kipps, the protagonist, and his life before and after the haunting of Eel Marsh, but it’s not only him the story cares about. The Woman in Black herself is a mystery and has a tragic backstory that turns her from a full-on villain to a sympathetic one.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business…
AcClaim is a dark, high-society romance about Beatrix Winslow-Hale, a successful romance author who believes desire can be negotiated and controlled—until enigmatic billionaire Dorian Wolker crosses the line between consensual surrender and violation. Publicly humiliated and emotionally shattered, Beatrix turns to Manon de Rochemaure, her fiercely loyal best friend and…
I have a passion for supernatural horror, one that I’ve discovered over years of reading various horror novels, tropes, and themes. I found that the supernatural, the idea that something unbelievable or impossible, is haunting a person, is one that draws me in time and time again. Reading these sorts of books, embroiling myself in the world of ghosts and demons, is what drove me to want to create those worlds myself, surrounding myself in lore, mythology, and ghosts of my own...
This was the first book I read by Ambrose Ibsen and I was instantly hooked by his work. He has such a unique voice that draws the reader into the words he weaves, into the world that he creates. This novel in particular left my skin crawling as I followed Harlan Ulrich PI on his investigation into the Sick House, leaving me jumping at the shadows. If you want to sleep with the lights on, this is definitely one for you.
Some Places Should Stay Abandoned... Dr. Siegfried Klein has vanished on a mysterious pilgrimage to an abandoned infirmary in the ghost-town of Moonville. The locals in the surrounding areas are tight-lipped, hostile to outsiders. Local legend has it that the old Sick House is packed with spirits, none of them friendly, and that to set foot in it is to enter Hell itself.
Enter Harlan Ulrich, private investigator and skeptic.
Traveling to the site, the detective begins the long process of separating truth from grisly local myth, and during his investigation stumbles upon certain frightful evidence that tries his nerve.…
Eileen Charbonneau’s love affair with New York City was cemented the day she was downtown on jury duty and witnessed the 9/11 terrorist attacks. New York is the Melting Pot birthplace of her parents, home of her first job (Brooklyn) first Shakespeare (Central Park) and Folk music (Greenwich Village) performances, first apartments (West Village and Washington Heights), and first cocktail (Kir Royale at the Algonquin). Many family stories and deep roots remain.
The Spectral City series by Leanna Hieber is for those who like their Gaslight era New York history mixed with ghosts! Narrated by a young woman with the gift of ghost communicator, she sees spirits beyond the veil of our corporal existence. And what a world is there! Her mystery-cracking team helps her confront the dark world. Don’t worry—attention to historical details is spot on, and so is police commissioner Teddy Roosevelt’s confidence in his sleuth. I love a ghost story where the ghosts have afterlives of their own, don’t you? Enjoy these detective stories with unique sidekicks of their resourceful heroine.
In turn-of-the century New York City, the police have an off-the-books spiritual go-to when it comes to solving puzzling corporal crimes . . .
Her name is Eve Whitby, gifted medium and spearhead of The Ghost Precinct. When most women are traveling in a gilded society that promises only well-appointed marriage, the confident nineteen-year-old Eve navigates a social circle that carries a different kind of chill. Working with the diligent but skeptical Lieutenant Holtzmann, as well as a group of fellow psychics and wayward ghosts, Eve proves her worth against a…
The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
The title isn’t kidding. This story—of a psychic thronged by the ghosts of the loathsome men who abused her in childhood—is one of the darkest books I’ve ever read.
I also found it incredibly funny, though the humor is black as ink. I love how, in its perverse way, is also becomes a story about recovering hope after profound trauma: one of the major themes in my own books.
"A profound and often affecting story of resilience." —Kirkus Reviews
The Silent Women, an extraordinary novel inspired by the real women of Oak Ridge, Tennessee—the Manhattan Project’s “Secret City," where thousands kept the deadliest secret of World War II—is a sweeping, absorbing, and deeply human story about chosen…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.
Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.
Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.
Dickens was a Master. Even his humorous ghost stories have an edge of fear.
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I like a writer of ghost stories to personally believe in ghosts, as Benson did.
I also appreciate that he brings to even his scariest and most horrible tales the same sharp social observation and wit that he brought to his Mapp and Lucia stories.
Note, however, that the great M. R. James thought Benson’s stories "went over the line of legitimate horridness." Well, I love James, but disagree with him here. I dislike gross horror myself, but think a touch of Benson-style horridness now and again is enlivening (if that’s the right term for a ghost story).
'His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.'
E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky…
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.
That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful.
From Bram Stoker Award -winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts-perfect for fans of Yellowjackets.
The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter-and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another,…
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation
by
Brian Lofton,
Broken Boots, Redeemed Soul: A Veteran’s War with Sin and Salvation, is a raw and faith-centered memoir about life after military service—and the internal battles many never see. Brian Lofton shares his journey through addiction, shame, identity loss, and spiritual distance, revealing how the hardest struggles often begin after…
I have loved gothic and ghostly tales ever since my grandmother showed me a haunted house and told me stories about fairies and changelings. You can often find me browsing in vintage markets and bookshops searching for the perfect find. I have published two gothic middle-grade novels. Welcome To Dead Town is about 12-year-old Raven McKay, who is put into foster care in the town of Grave’s Pass when her parents disappear. But Grave’s Pass isn’t an ordinary town. It’s a town where the living and the dead live side by side. Read below to find out about the next book in the series.
I loved this lyrical, finely-observed story and its many bloodcurdling moments. I felt nothing but sympathy and love for James Harrison as he settled into his new home in the village of Ledsham and was blamed for things he didn’t do.
The ghost of Thomas Kempe a 17th century apothecary truly haunts these pages and gave me a serious case of goosebumps. It’s also a gripping mystery as James tries to put the ghost to rest.
The classic ghost story from Penelope Lively, one of the modern greats of British fiction for adults and children alike.
James is fed up. His family has moved to a new cottage - with grounds that are great for excavations, and trees that are perfect for climbing - and stuff is happening. Stuff that is normally the kind of thing he does. And he's getting blamed for it. But it's not him who's writing strange things on shopping lists and fences. It's not him who smashes bottles and pours tea in the Vicar's lap. It's a ghost - honestly.…
