Here are 100 books that Hazel Scott fans have personally recommended if you like
Hazel Scott.
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I can’t imagine going through a day without listening to music. I remember buying my first Beatles album at eight years old. I saw Elvis on his last tour, Whitney Houston on her first, and Barbra Streisand on her comeback tour—twice. I remember listening to “Kind of Blue” the first time. I remember seeing Ella Fitzgerald late in her career at a club in Houston; her body was failing her—she had to sit in a chair to sing—but her voice was as beautiful as ever. Of all the artists I’ve admired over the years, the one whose work has consistently spoken to me most profoundly is Billie Holiday.
Billie Holiday’s musical soul mate was Lester Young, the iconoclastic tenor saxophone player who had a sound like no one else in his generation. His sound was so unique he had a profound influence on future saxophonists; he called his disciples “my children.”
In this book, Douglas Henry Daniels has written a well-researched, beautifully rendered portrait that captures the essence of Young, the musician with whom Billie Holiday most loved to sing. The end of the book, showing the culmination of a life of substance abuse and societal conflict, is especially poignant.
The acclaimed biography of the legendary tenor saxophonist
"Lester Leaps In jumps off the page with authenticity and insight. The Prez was an amazing creator with a uniquely wicked sense of humor, and this book captures it all." —Quincy Jones
"Twenty years in the making, this is the most thorough and penetrating book on the President of the Tenor Saxophone to date." —Publishers Weekly
"A provocative book, presenting Lester Young in a novel, even controversial light while opening new avenues of possible investigation into one of the most tantalizingly enigmatic of all…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I can’t imagine going through a day without listening to music. I remember buying my first Beatles album at eight years old. I saw Elvis on his last tour, Whitney Houston on her first, and Barbra Streisand on her comeback tour—twice. I remember listening to “Kind of Blue” the first time. I remember seeing Ella Fitzgerald late in her career at a club in Houston; her body was failing her—she had to sit in a chair to sing—but her voice was as beautiful as ever. Of all the artists I’ve admired over the years, the one whose work has consistently spoken to me most profoundly is Billie Holiday.
Throughout her career, Billie Holiday always gave credit for her unique singing style to Louis Armstrong, not just the way he played the trumpet, which clearly influenced her, but the vernacular approach he had to singing.
Armstrong’s musicality allowed him to enjoy a one-of-a-kind career in show business, which Ricky Riccardi lovingly captures in his book, at least the part covering the final years of Armstrong’s life. Riccardi is particularly good on “Hello Dolly!,” Armstrong’s swan song.
Prodigiously researched and richly detailed, this is a comprehensive account of the remarkable final twenty-five years of the life and art of one of America’s greatest and most beloved musical icons.
Much has been written about Louis Armstrong, but the majority of it focuses on the early and middle stages of his long career. Now, Ricky Riccardi—jazz scholar and musician—takes an in-depth look at the years in which Armstrong was often dismissed as a buffoonish, if popular, entertainer, and shows us instead the inventiveness and depth of expression that his music evinced during this time.
I can’t imagine going through a day without listening to music. I remember buying my first Beatles album at eight years old. I saw Elvis on his last tour, Whitney Houston on her first, and Barbra Streisand on her comeback tour—twice. I remember listening to “Kind of Blue” the first time. I remember seeing Ella Fitzgerald late in her career at a club in Houston; her body was failing her—she had to sit in a chair to sing—but her voice was as beautiful as ever. Of all the artists I’ve admired over the years, the one whose work has consistently spoken to me most profoundly is Billie Holiday.
Starting in the 1930s and going through the 1950s, one of the centers of jazz in the United States was in Manhattan on 52nd Street between Fifth and Seventh avenues. Clubs like the Famous Door, Three Deuces, Onyx, Kelly’s Stable, and Club 18 would become legendary in jazz circles. Jazz royalty, from Count Basie and Dizzy Gillespie to Coleman Hawkins and Billie Holiday, played in these clubs.
In his chronicle of 52nd Street, Arnold Shaw provides a fly-on-the-wall account of what it was like to play and visit the clubs based on interviews (some of them quoted at length) from musicians who worked the clubs to entertainment figures who frequented them. Billie Holiday is a presence throughout the book from her early beginnings when she was not accepted because of her singing style to eventually becoming one of The Street’s main draws.
"Shoddy, bawdy and boozy,"" 52nd Street between 5th and 6th Avenues, before the strip joints and the concrete office buildings, was New York's answer to Bourbon Street, Beale Street, Sunset Boulevard and Montparnasse. Shaw, songsmith and musician's friend, was a devoted habitue who knew the passwords to the speakeasies (the street had 38 during Prohibition); the hot horns from the cool; and who dined with whom at Jack and Charlie's 21. From the Onyx, to Leon and Eddie's to Kelly's Stable, Jimmy Ryan's and the Famous Door he offers a guided tour and brings on former customers, proprietors, performers --…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I can’t imagine going through a day without listening to music. I remember buying my first Beatles album at eight years old. I saw Elvis on his last tour, Whitney Houston on her first, and Barbra Streisand on her comeback tour—twice. I remember listening to “Kind of Blue” the first time. I remember seeing Ella Fitzgerald late in her career at a club in Houston; her body was failing her—she had to sit in a chair to sing—but her voice was as beautiful as ever. Of all the artists I’ve admired over the years, the one whose work has consistently spoken to me most profoundly is Billie Holiday.
One of the important figures in the world of jazz for many years was Leonard Feather. He started his career as a jazz writer—writing the first profile of Billie Holiday—but eventually became a songwriter and producer. He produced Billie Holiday’s highly successful 1954 European Tour called Club USA.
Well into his career, he collected this book of essays about the jazz figures he knew well: Louis Armstrong, Billie Holiday, Ella Fitzgerald, Lester Young, Dizzy Gillespie, Miles Davis, and Ray Ellis, among others. I really like his essay on Billie, whom he knew so well she became his daughter’s godmother because he was able to relate events about which he knew because he was in the room with her when they happened.
If you want to meet jazz luminaires first-hand, trust Leonard Feather to provide the introduction.
Louis Armstrong, Duke Ellington, Billie Holiday, Ella Fitzgerald, Count Basie, Lester Young, Charlie Parker, Norman Granz, Oscar Peterson, Ray Charles, Don Ellis, and Miles Davis,these are the dozen jazz figures whom Leonard Feather chose to describe the development of jazz. This is the first Feather book to examine in-depth the innovative figures who have led the way throughout the music's history. As composer, producer, and for almost half-a-century one of its leading critics, Feather has a unique perspective of these jazz immortals. He has worked with and known all of them. "These are portraits of human beings first, analyses of…
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
I love untold stories – those that look at people who history has often ignored. There are a lot of novels set in WWII, but this is the only one I’ve read that looks at what it was like to be an Afro-German during that period.
Hiero Falk is a mixed-race jazz trumpeter, member of a band who has been banned from playing live under Nazi laws. After escaping with two of his African-American bandmates to Paris, Hiero is forced into hiding as the trio struggle to get out of occupied France. There was so much history here that felt new to me and I was fascinated by Hiero’s story.
Man Booker Prize Finalist 2011 An Oprah Magazine Best Book of the Year
Shortlisted for the Governor General's Literary Award for Fiction
Berlin, 1939. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris café. He is never heard from again. He was twenty years old, a German citizen. And he was black.
Berlin, 1952. Falk is a jazz legend. Hot Time Swingers band members Sid Griffiths and…
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
The illustrations in this book are fantastic. They are filled with pastel blues, reds, floating circles, and overlapping shapes. They are very atmospheric. It feels like I’m listening to one of John Coltrane’s melodies.
The text is musical, too. The short and lyrical lines focus on the sounds that Coltrane heard as a boy and the events in his early life that inspired him to become a Jazz giant. The book’s ending is great. It is very satisfying.
Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John's own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane.
Before John Was a Jazz Giant is a 2009 Coretta Scott King Illustrator Honor Book and a 2009 Bank Street - Best Children's Book of the Year.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Astronomy teaches us that our bodies are quite literally star stuff, chemical elements made inside exploding stars. For much of my life, I studied and researched astronomy in universities, and in observatories on remote and beautiful mountain tops and in space. I explored the cosmos for its own sake, but I came to realise also that we are literally and metaphorically a part of the Universe, not apart from it. Just as the science of astronomy has done for me, these novels put humanity against the same backdrop: cosmic lives seen through women’s eyes.
Fay Weldon’s novels are plotted like my book Secret Lives of Planets: a sequence of chance and disconnected events which nevertheless form a biography. In this novel, Sandra Harris, known to her TV fans as "Starlady Sandra”, an astronomer (famous for her discovery of the new planet Athena), and a “professional searcher after truth”, leaves her inadequate husband and runs off with her jazz-playing lover to the south of France. She is pursued by her husband, her lover’s wife, and paparazzi. “She’s always seeing things“, her friends say: new planets, her Nazi war-criminal eugenicist father, her insane mother, other people. Human lives are a farce, like the accidental events of cosmology.
Starlady Sandra is a woman devoted to her own desires. Discoverer of the planet Athena, television astronomer and wife to a humourless barrister she finds Jack, the sax player, irresistable. Sandra gives up everything to follow Jack and his caravan of musicians to France.
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
Bryan Collier’s watercolor and collage illustrations are amazing. They are warm and joyful, just like Troy Andrews’s story.
In the book, Andrews, aka “Trombone Shorty,” recalls growing up in the Tremé neighborhood of New Orleans. He remembers playing non-stop a broken trombone he found on the street and eventually—as a young kid—getting to play on stage with the legendary Bo Diddley at the city’s Jazz Festival. This is an inspiring story and a visual delight.
Hailing from the Treme neighborhood in New Orleans, Troy "Trombone Shorty" Andrews got his nickname by wielding a trombone twice as long as he was high. A prodigy, he was leading his own band by age six and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest. Along with esteemed illustrator Bryan Collier, Andrews has created a lively picture book autobiography about how he followed his dream of becoming a musician, despite the odds, until he reached international stardom. Trombone Shorty is a celebration of the rich cultural history of New Orleans and the power of music.
Lilian Terry’s background is quite out-of-the-ordinary. Born in Egypt in 1930 to Maltese and Italian parents, she undertook academic studies in Cairo and Florence. Terry studied classical piano until age 17, developing an interest in jazz in her early teens. She participated in a variety of ways with jazz in Europe, beginning in the 1950s. As a singer, she was an active performer and recording artist. At the same time, she produced radio and television shows for Italy’s RAI network, and this activity led to some of her encounters with major figures of American jazz. Seven of these interactions (most of which spanned decades) are the subject of Dizzy, Duke, Brother Ray, and Friends.
For the same reason I would recommend attending any musical performance by John Birks ‘Dizzy’ Gillespie: Sheer entertainment, surprisingly touching aspects of his personality, instant feelings of friendship shared, and his unbreakable optimism, with which to face and endure whatever life had in store for him. In Italy he was a beloved “Italian,” officially elected honorary citizen of Bassano del Grappa, where we had opened the “Dizzy Gillespie Popular School of Music” that carried an integrated section for blind students. When his memoirs were published he asked me to translate the book into Italian, therefore I had to read it with particular concentration. Many were the moments I would have to shut the book and laugh out loud! Oh yes, Diz the Wiz, or The Joyous Soul of Jazz!
You don't have to know John Birks "Dizzy" Gillespie's songs to feel his influence. The self-taught trumpet player rose from a poor but musically driven upbringing to become a jazz mastermind, founding the bebop movement and giving rise to Afro-Cuban music.
This extensive biography is intertwined with reflections from famous Gillespie associates Cab Calloway, Count Basie, Miles Davis, Thelonious Monk, Mary Lou Williams, Ella Fitzgerald, and many others. They provide numerous perspectives of Gillespie's early start on the road to fame and the spirited times that would follow.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a scholar as well as performer of the African American creative improvised music usually called jazz, my attunement to this art form resonates with its historico-cultural matrix as much as with the sounds themselves. These books distinguish themselves for being well-researched and rigorous. They are the real deal, doing justice to the heart as well as the intellect of this art form.
Pianist Hawes is an under-sung master of the early bebop period. This supremely readable narrative tells the story of how he met and played with Charlie Parker already in his teen years, painting a picture of how jazz musicians lived in the heyday of the bebop revolution. A fun and informative book.
Hampton Hawes [1928–1977] was one of jazz's greatest pianists. Among his peers from California the self-taught Hawes was second only to Oscar Peterson. At the time of his celebration as New Star of the Year by downbeat magazine (1956), Hawes was already struggling with a heroin addiction that would lead to his arrest and imprisonment, and the interruption of a brilliant career. In 1963 President John F. Kennedy granted Hawes an Executive Pardon. In eloquent and humorous language Hampton Hawes tells of a life of suffering and redemption that reads like an improbable novel. Gary Giddins has called it "a…
