Book cover of Every Good Boy Does Fine: A Love Story, in Music Lessons

Book description

NEW YORK TIMES BESTSELLER • A beautifully written, witty memoir that is also an immersive exploration of classical music—its power, its meanings, and what it can teach us about ourselves—from the MacArthur “Genius” Grant–winning pianist

LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • “Jeremy Denk has written a love letter to…

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Why read it?

3 authors picked Every Good Boy Does Fine as one of their favorite books. Why do they recommend it?

Although a trusted friend recommended this recent book, I picked it up with some trepidation. A memoir about piano lessons did not exactly sound thrilling. But Denk is one of America’s greatest living classical pianists, also blessed with a talent for witty and poignant prose, and his book is totally engrossing. I love books that weave together discussion of music and musicians in ways that illuminate the creative process as something very human—flawed and messy and communal, marked by moments of dramatic failure and searing inspiration. I’ve tried to write such books myself, but as a mere historian, and I've…

Practically every page of this book has something fascinating to say about music, and Denk has an appealing, charming, often funny voice that one doesn’t often encounter in books about classical music.

As an amateur pianist I learned more about technique from Denk than I ever expected from a memoir, from how to use my thumb “as a transit system” to rolling chords at different speeds as if I were “unrolling a carpet.”

He teaches us how to listen more acutely to the messages in music, whether it’s Bach, Mendelssohn, Mozart, Chopin, or Philip Glass, and page by page, he…

Jeremy Denk is a world-famous concert pianist and MacArthur grant recipient. In this “musical memoir,” he tells the story of his musical education from his grade-school days to the Julliard School in New York City.

I like classical music but am far from being an expert. He intersperses his personal journey with dollops of musical theory. Denk writes well and often employs a self-deprecating tone, somewhat surprising for someone of his level of accomplishment.

I found it to be an engaging story—and I learned something about classical music along the way.

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