Books like Cuckoo in the Nest — picked by fans

Don’t Mess with Coleman Stoops is a semi-autobiographical account of my own experiences in middle school. As an adult, I am still dealing with the echoes of trauma I felt when I was eleven and twelve years old. Now that I’m also a father, I believe that it is up to the adults in a child’s life to contradict much of the “kids can be so cruel” aspects of growing up in America. Coleman isn’t just me; he is every kid at one time or another. Even the bullies of the world get bullied themselves. Kindness and compassion are two lessons that never cease to be important. 

I am a lover of romance. I feel love is one feeling that no one can get rid of; it is one of the elements that can patch up hurt, and it is also an element that can be expressed in many different forms. Having a wide imagination also adds to this passion. I grew up watching Disney movies such as Ariel and FairyTopia. Not only do I draw my inspiration from movies but also from books. I love reading romance books, the image we create in our mind can take us beyond some images created in movies. It takes us to a world we normally don't see in real life.

I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.

I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right. 

I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.

I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.

I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.

I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.

There's something about broken people trying to do good that has always resonated with me. In basic training, a drill sergeant with debilitating PTSD told us what combat would be like through a storm of choking sobs and a haze of tears. He needed us to know. Even if it broke him. Working as an investigator in Denver and Washington, I watched people with complicated pasts and uncertain futures fight tooth and nail (sometimes literally) to put human traffickers behind bars. Literature has always been a bridle for that wildness I saw in the world. A tool for taking the ghashing, stomping, unruliness of the human experience and making it rideable, relatable, survivable.

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.