Books like You Can Run — picked by fans

I read this book at the recommendation of a friend in her 80s, and its soft, sure steps delivered me somewhere moving, complex, and unusual. It opens with a newspaper article that has nothing to do with the start of the story and which I’d forgotten about by the end, not that it would matter if I hadn’t.

Another author might have given the same subjects an operatic treatment, but I loved how quietly it spoke. I still think about Jean, years after reading it, and wonder what she found in life after the story ended. 

I simply loved this book. It took me straight back to the long, hot summer of 1976 and to the confusing feelings around being a teenager. The smell of phone boxes, flares, awful hair – it was all there.

The main character, a 14-year-old would-be poet, has lost her mother and is living with her alcoholic father. She’s an attractive and engaging character, and when she was fostered by a local family, I assumed her life would get better. Not the case. The teenage daughter loathes her, and there are more secrets in this respectable family than in her own.

Funny, poignant, sad, and I hated to say goodbye to the characters. A fabulous read.

This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.

You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.

I love Diana Norman’s historical novels and she inspires the way I write mine.

Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.

The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.

Written in the style of M.C. Beaton, this book is a perfect English murder mystery.

The idea of a village fete itself has always been alluring to me. I put myself in the story and I’m right at home in the village and celebration at Berrywick House. I blame my British DNA. As in any good cozy, the most irritating member of the community ends up dead, and no exception here.

The main character, Julia, is not only concerned with a murder—or two, but she’s also afraid their peaceful village will be forever ruined. Like all great amateur sleuths, she gets involved. Bird paints a picture of a perfect English village. Add a dog, her Labrador, Jake, and well, sign me up.

Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.

Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.

I read this book for two reasons—I have two adopted siblings and I am in the midst of writing a memoir about growing up in a rural Ontario village in the 50s and 60s. Petrie tells of her own experience as an unwed mother and the stories of six other women she has managed to locate after all this time, who talk about their experiences of being young and pregnant in the 50s and 60s. At that time, unwanted pregnancies brought shame onto the girl herself and her family, so they had to be carefully hidden. Often the girl was sent to a mother and baby home run by churches and the Salvation Army, where judgment dictated the responses to these girls. Petrie breaks through her own desire to remain separate from the other girls to tell an honest and heartbreaking story of what life was like in… show more.

A man is driving to some oceanside cliffs to end his life. On the way, he stops for a night at a B&B in a small fishing village. He meets a girl, who has disappeared in the morning, and the man thinks, “What the heck. I’ll just stick around here and pretend I’m the girl’s boyfriend (who no one in the village has met before) and wait until she returns.” The villagers grow increasingly suspicious (about everything, it seems) and the man is soon caught in an uncontrollable deception of his own making.

This is a really odd, really well-written Gothic tale by an author I’d never heard of (who doesn’t seem to have written anything before or since), but I picked it up because its vagueness intrigued me. It’s the interplay of the main character trying his best to pretend he’s someone he’s not, for reasons even he’s… show more.

Set in a small English village by an ancient forest, this book is unlike any story I have ever read. 

And after reading it, you’ll probably never look at forests the same way again. 

Masterfully written, filled with intricate immersive descriptions, The Forest takes you on a wild ride, dark and rather spooky at times. The ancient forests reveals its old tales and legends to the main characters, and we get to watch the story of an old curse unfold along with them. The curse that affected generations. The story that is full of secrets, betrayal, countless, heartbreaking moments; yet at the same time, the light of hope and faith shines through, all the way to the beautiful tear-jerking ending.

Much like my own themes, Pastures Nouveaux is not only about starting over in the country, but having the courage to look at your relationship in the eye.

Rosie is engaged to a horrible columnist, Mark. And she keeps making excuses for him; he’s stressed, he’s unhappy, he’s on a deadline, etc. But he never shows her any great amount of genuine affection. It’s like he’s given up on them. And, perhaps, so has Rosie, who has chosen to ‘live with it’.

And when they move to the country village, Eight Mile Bottom, things take a turn for the worst, as nothing could be further from what they had expected from this move. Or is this the best thing that’s ever happened to Rosie?