Here are 99 books that The Vizard Mask fans have personally recommended if you like
The Vizard Mask.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am less interested in what happens than in how and why—to me, that’s where the real suspense is. As a writer, I’m always bickering with traditional plot structures, which I love for their comfort and familiarity and then turn against when a story becomes too obedient to them. As a reader…well, sometimes I flip to the end to see where we’re going so I can slow down and enjoy the journey more. Anytime we think we know what’s going to happen is an opportunity for suspense, and challenges and rebellions to those familiar story arcs can be twists in their own right.
I read this book at the recommendation of a friend in her 80s, and its soft, sure steps delivered me somewhere moving, complex, and unusual. It opens with a newspaper article that has nothing to do with the start of the story and which I’d forgotten about by the end, not that it would matter if I hadn’t.
Another author might have given the same subjects an operatic treatment, but I loved how quietly it spoke. I still think about Jean, years after reading it, and wonder what she found in life after the story ended.
'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche' David Nicholls
'Perfect' India Knight
'Beautiful' Jessie Burton
'Wonderful' Richard Osman
'Miraculous' Tracy Chevalier
'A wonderful novel. I loved it' Nina Stibbe
'Effortless to read, but every sentence lingers in the mind' Lissa Evans
'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it' Lucy Mangan
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I learned to read at four and have been telling stories ever since. Books were my escape from unhappiness into a new and endless world. Left to myself, I’d read ten or so weekly, and my mind was packed with characters, dialogue, jokes, prose, and poetry like an over-brimming literary reservoir. Words are my thing, and I am an avid collector of them. I was reading David Copperfield at eight and specialised in 18th and 19th-century literature at university. I’ve written five books and am working on the sixth. I love writing humour but have also authored Jane Austen Fan Fiction and poetry. Without books, my world is nothing.
I simply loved this book. It took me straight back to the long, hot summer of 1976 and to the confusing feelings around being a teenager. The smell of phone boxes, flares, awful hair – it was all there.
The main character, a 14-year-old would-be poet, has lost her mother and is living with her alcoholic father. She’s an attractive and engaging character, and when she was fostered by a local family, I assumed her life would get better. Not the case. The teenage daughter loathes her, and there are more secrets in this respectable family than in her own.
Funny, poignant, sad, and I hated to say goodbye to the characters. A fabulous read.
'Fresh, authentic and darkly funny. It's a beautifully told story full of warmth and emotion without ever being sentimental - I absolutely loved it' Ruth Hogan, bestselling author of The Keeper of Lost Things
It’s the heatwave summer of 1976 and 14-year-old would be poet Jackie Chadwick is newly fostered by the Walls. She desperately needs stability, but their insecure, jealous teenage daughter isn't happy about the cuckoo in the nest and sets about ousting her.
When her attempts to do so lead to near-tragedy – and the Walls’ veneer of middle-class respectability begins to crumble – everyone in the…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
I love a good page-turning thriller, but to keep my interest, there has to be more than thrills and spills – I want characters I care about too.
The heroine here, unusually, is a teenage girl, who’s funny, smart, and stroppy, but at the same time vulnerable and scared. She teams up with a nosy elderly lady who proves to have hidden depths and as they find themselves in a terrifying situation and tackle some seriously bad villains, I was rooting for them all the way.
'FAST PACED AND GRIPPING BUT WITH A HEART OF PURE GOLD' HARRIET TYCE 'BEGINS AT THE SPEED OF A RUNAWAY TRAIN ... PROPULSIVE PAGE-TURNER' VASEEM KHAN 'GO RUBY! WHAT A HERO!' FIONA ERSKINE
It takes a village to save a child in this pulse-pounding standalone thriller from the acclaimed author of The Man on the Street.
It wasn't her dad they were after. It was her.
Ruby Winter is surprised when her reclusive father invites a stranger into their house. She eavesdrops on their conversation and is alarmed when she hears a fight break out. She dashes into the kitchen…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
I love a bit of historical crime, and this novel, the first in a series about Cat Lovett and James Marwood, has everything. It’s a brilliantly plotted mystery but it is also so much more. Set in 1666, it opens with the Great Fire of London, as the chaos of fire sweeping through the city is used to cover up murder.
I found the story and the characters compelling, so much so that I’ve gone on to read the rest of the series, each of which intertwines the personal lives of Cat and James with the political events of the day.
The first book in the No. 1 Times bestselling series
'This is terrific stuff' Daily Telegraph
'A breathtakingly ambitious picture of an era' Financial Times
'A masterclass in how to weave a well-researched history into a complex plot' The Times
A CITY IN FLAMES London, 1666. As the Great Fire consumes everything in its path, the body of a man is found in the ruins of St Paul's Cathedral - stabbed in the neck, thumbs tied behind his back.
A WOMAN ON THE RUN The son of a traitor, James Marwood is forced to hunt the killer through the city's…
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Quabbin is a relic of a lost world – both figuratively and literally. In his old age, Francis Underwood remembered his childhood village, the buildings, the personalities, their dress, manners, and speech, their faith and their passions for reform, their old social customs and their emerging middle-class sensibilities – and most of all their stories. But it is a world, as Underwood knew, that was passing away. His secluded old New England village was opening to the world, and its agrarian ways were soon to be eclipsed by the industrial village. What Underwood did not know, but we do, is that his childhood home has literally disappeared, under the flooding waters of the Quabbin Reservoir. This is an extraordinary testimonial to that lost world!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I’m not an expert on witchcraft or the Salem Witch Trials. However, I am a historian of women’s history and a writer of historical fiction. I’m particularly drawn to stories that try to explain the inexplicable, and these five books are written by people with a similar fascination. In my opinion, Nathaniel Hawthorne and Greg Houle wrote their stories as a way to understand themselves and their family history. Stacy Schiff looked for a factual explanation of the frenzy. Frances Hill and Lucretia Grindle wove facts into stories. And I think that their differing interpretations of the same events give readers a better understanding of the past.
This book by Nathaniel Hawthorne, published in 1850, is considered an American classic.
I think Hawthorne wrote this story as an attempt to understand the witchcraft frenzy of 1692 without bringing up what was still a painful topic. He was a lifelong resident of Salem, Massachusetts. His great-great-grandfather, John Hathorne, was one of the magistrates overseeing the trials. I think Hawthorne wondered how an educated magistrate could be complicit in such events, and The Scarlet Letter was his answer.
The story focuses on prejudice rather than witchcraft, but the themes of humiliation, fear, and social ostracism parallel the witchcraft frenzy. Hawthorne wrote The Scarlet Letter over a hundred years after the Salem Witch Trials, but their impact could still be felt.
An "A" for "adultery" marks Hester Prynne as an outcast from the society of colonial Boston. Although forced by the puritanical town fathers to wear a bright red badge of shame, Hester steadfastly resists their efforts to discover the identity of her baby's father. The return of her long-absent spouse brings new pressure on the young mother, as the aggrieved husband undertakes a long-term plot to reveal Hester's partner in adultery and force him to share her disgrace. Masterful in its symbolism and compelling in its character studies, Nathaniel Hawthorne's tale of punishment and reconciliation examines the concepts of sin,…
After living in, while restoring, an old farmhouse built in the late 17th century or very early in the 18th, it was impossible for me not to want to know the history of the house and the people who lived there. Combine that with the stories my grandmother told me about our ancestor, the suspected witch Mary Bliss Parsons of Northampton, and I felt destined to know her story. That led to many years of research and writing. At the moment I am writing another 17th century New England historical fiction. I love this period of history and so few write about it.
Well, the title was amusing. The rest of the book was fascinating, alarming, and totally surprising for an author who was researching the lives of Puritans in early New England. The public records, Puritan laws, along with Thompson’s analysis opened up a world of new information and removed every myth I’d heard about these staunchly religious people.
"Thompson analyzes the court records of 17th century Middlesex County, searching for such sexually related crimes as fornication, breach of promise, sexual deviancy, and adultery. His findings help shatter the traditional historical caricature of New England Puritans as patriarchal, dour wife-beaters and child-abusers, a myth eloquently created by Perry Miller and most recently reinforced by Lawrence Stone. In the court records Thompson discovers Puritans who exhibited 'tolerance, mutual regard, affection, and prudent common sense' within the context of a popular Puritan piety. A well-written social history that places Puritanism in a human rather than an intellectual framework, Sex in Middlesex…
Jenny Hale Pulsipher is a professor of history at Brigham Young University and the author of numerous articles and two award-winning books, Subjects unto theSame King: Indians, English, and the Contest of Authority in Early New England and Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England.
Hall's biography of one of the most influential Puritans in colonial New England offers a rich reading experience. Mather had a finger in everything, and seeing New England through his eyes helps the reader make sense of the political and religious factions, doctrinal struggles, the relationship between lay people and ministers (always less conservative than their followers), and the sweetness and suffering inherent in family life.
Powerful preacher, political negotiator for New England in the halls of Parliament, president of Harvard, father of Cotton Mather, Increase Mather was the epitome of the American Puritan. He was the most important spokesman of his generation for Congregationalism and became the last American Puritan of consequence as the seventeenth century ended. The story begins in 1639 when Mather was born in the Massachusetts village of Dorchester. He left home for Harvard College when he was twelve and at twenty-two began to stir the city of Boston from the pulpit of North Church. He had written four books by the…
I was born and raised in Oxford, UK, where, just like the characters in the books listed here, my early childhood taught me to be quiet and submissive. Education liberated me from these restraints, and for that I am extremely grateful. Yet, there is still a long way to go. Even now there are societies that do not educate girls and this is just not right. Sadly, despite the resistance of those who challenge the norm, standing up to the patriarchy doesn’t always succeed. But whether it be triumph or tragedy, it certainly makes a great story, and this is obvious in the books I recommend here.
Set in a community obsessed with the evils of Satan, Mary travels across the Atlantic to the newly settled Americas, hoping to escape her family connection with witchcraft. I hated this story as much as I loved it. Not because it was badly written (It wasn’t) but because of its irrationality and superstition, led and facilitated by the dominance of men.
Celia Rees very cleverly conveys the feelings of the times and the hopelessness of women trying to defend themselves against false accusations. I felt for them and read the story quickly in order to satisfy my quest for a happy ending.
Although ostensibly written for a young adult readership (it was shortlisted for the Guardian Children’s Fiction Prize), this is a mature story that is suitable for adults, too. And whilst it is set in the seventeenth century, it is also a cautionary tale of other injustices that still…
'Historical fiction at its very best' - Waterstones' Guide to Kids' Books 'Prolific, erudite and consistently brilliant ... breathtaking' - Guardian 'Powerful, absorbing and unusual' - The Bookseller _______________
An updated edition of this outstanding historical novel, in a stunning new package to celebrate the 20th anniversary of its publication.
When Mary sees her grandmother accused of witchcraft and hanged for the crime, she is silently hurried to safety by an unknown woman. The woman gives her tools to keep the record of her days - paper and ink. Mary is taken to a boat in Plymouth and from…
