Here are 100 books that Consciousness fans have personally recommended if you like
Consciousness.
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Iām a freelance science reporter and Contributing Writer atĀ The New Yorker, with degrees in cognitive neuroscience andĀ science writing. Growing up, I wanted toĀ understand the fundamentalĀ nature of the universeāwho doesnāt?!āand grew interested in physics, beforeĀ realizing our only contact with outside reality (if it exists) is throughĀ consciousness. Today I cover psychology and artificial intelligence, amongĀ other topics. Can machines be conscious? I donāt know. Why does consciousnessĀ exist at all? I donāt knowĀ that either. But if thereās anything at all thatāsĀ magic in the universe, itās consciousness.
We tend to picture an observer inside our heads experiencing consciousness as if watching a movie. But that just pushes explanation back a level: Whatās inside that observer? The prolific philosopher Daniel Dennett dismantles many common intuitions about awareness, showing them to be illusions hiding the intricate and deceptive mechanics of the mind and brain. This was one of the first books on consciousness I read. I donāt agree with everything Dennett has to say on the matter, but heās a great guide to think with.
In Consciousness Explained, Daniel C. Dennett reveals the secrets of one of the last remaining mysteries of the universe: the human brain.
Daniel C. Dennett's now-classic book blends philosophy, psychology and neuroscience - with the aid of numerous examples and thought-experiments - to explore how consciousness has evolved, and how a modern understanding of the human mind is radically different from conventional explanations of consciousness.
What people think of as the stream of consciousness is not a single, unified sequence, the author argues, but 'multiple drafts' of reality composed by a computer-like 'virtual machine'.
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn theā¦
I have worked on the brain in Oxford since 1970, and my job also required me to teach students, not just in lectures but also in tutorials. This taught me how to communicate clearly.
In my own scientific work, I was amongst the first to use functional brain imaging to visualize the
human brain at work. I have written seven books and edited an eighth. My particular specialisation is decision making and the brain areas (such as the prefrontal cortex) that support it. I have just published a monograph of nearly 500 pages on the prefrontal cortex, aimed at other scientists in the field. I am a Fellow of the Royal Society.
Ramachandran is famous for studying some of the disorders that can be produced for the brain. One such is phantom limb pain. Some people who have had an arm amputated continue to feel that arm, and even to have pain in it. Ramachandran devised an ingenious experiment to try to abolish that feeling. This and other clever ideas are described in this book. Readers will quickly appreciate that science is like the humanities in requiring creativity.
Neuroscientist V.S. Ramachandran is internationally renowned for uncovering answers to the deep and quirky questions of human nature that few scientists have dared to address. His bold insights about the brain are matched only by the stunning simplicity of his experiments -- using such low-tech tools as cotton swabs, glasses of water and dime-store mirrors. In Phantoms in the Brain, Dr. Ramachandran recounts how his work with patients who have bizarre neurological disorders has shed new light on the deep architecture of the brain, and what these findings tell us about who we are, how we construct our body image,ā¦
I am now a Professor of Cognitive Science at the University of Sheffield, UK. I co-wrote Mind Hacks with technologist Matt Webb; we had great fun doing it. My research has always been in cognitive psychology and cognitive neuroscience, using experiments to understand the mind and brain and how they fit together.
A brilliant and accessible explanation for one of the central mysteries: how and why do we feel like we decide to act?Ā Sometimes, we think we cause events when we donāt; other times, we act without knowing it. What gives?!
Through the story of his research programme, Wegner shows how each experiment fits together to build a satisfying explanation for how the mind fabricates for us a feeling of agency. As well as experiments, the book covers a set of fascinating phenomena, Ouija boards, hypnosis, and possession, and tries to show how they can be made sense of.
The whole thing is a window into how experimental psychologists do their work, as well as a compelling account of the nature of conscious will.
A novel contribution to the age-old debate about free will versus determinism.
Do we consciously cause our actions, or do they happen to us? Philosophers, psychologists, neuroscientists, theologians, and lawyers have long debated the existence of free will versus determinism. In this book Daniel Wegner offers a novel understanding of the issue. Like actions, he argues, the feeling of conscious will is created by the mind and brain. Yet if psychological and neural mechanisms are responsible for all human behavior, how could we have conscious will? The feeling of conscious will, Wegner shows, helps us to appreciate and remember ourā¦
The Guardian of the PalaceĀ is the first novel in a modern fantasy series set in a New York City where magic is realābut hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to actā¦
David Millett is a digital artist. He is an accomplished author, filmmaker, and producer of paper and eBooks. He loves writing, painting, filmmaking, composing, and performing music.
This book is a joyous exploration of the mind and its thrilling complexities. It will excite anyone interested in cutting-edge science and technology and the vast philosophical, personal, and ethical implications of finally quantifying what consciousness is. How does our brain generate conscious thoughts? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
From the acclaimed author of Reading in the Brain and How We Learn, a breathtaking look at the new science that can track consciousness deep in the brain
How does our brain generate a conscious thought? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
In this lively book, Stanislas Dehaene describes the pioneering work his lab and the labs of other cognitive neuroscientists worldwide have accomplished in defining, testing, and explaining the brain events behindā¦
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had ā I am a professor of philosophy and ideas are supposed to be my thing ā stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Sartre was not a good philosopher in the classical sense. He wasnāt great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnāt occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iām looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Iāve read a lot of biographies of Simone de Beauvoir.
But this is the one that best brought out her importance as a philosopher, the many ways in which her thought differed from Sartreās and the ways in which this has been obscured by a posterity that just wants to see her as his sidekick.
One thing that this book did for me that others on Beauvoir didnāt was to reconcile me with the unpleasant aspects of her life and relationships ā she was human, she was flawed, but so were her male peers!Ā
"One is not born a woman, but becomes one", Simone de Beauvoir
A symbol of liberated womanhood, Simone de Beauvoir's unconventional relationships inspired and scandalised her generation. A philosopher, writer, and feminist icon, she won prestigious literary prizes and transformed the way we think about gender with The Second Sex. But despite her successes, she wondered if she had sold herself short.
Her liaison with Jean-Paul Sartre has been billed as one of the most legendary love affairs of the twentieth century. But for Beauvoir it came at a cost: for decades she was dismissed as an unoriginal thinker whoā¦
Aury and Scott travel to the Finger Lakes in New Yorkās wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, itās time to dig into the details and seeā¦
I am actually NOT a good person to make any reading list, because I am not an avid reader. As the most performed playwright in the Chinese speaking world, the fuel for my over 40 plays comes from life itself, not by books about art/creativity. To be creative, you need to be inspired by life, to see how great works of art are composed, including nature. To understand life you need to focus intensely on it and observe how it works in as objective a way as possible. Itās great to find a book about creativity that will help your creativity, but I find life itself is the greatest inspiration.
Itās not enough to know that Godot is a modern classic blah-blah-blah. I found that learning why was a crash course in creativity.
This play taught me so many profound lessons/strategies: Inaction is action; you cannot be inactive unless you have an active motivation; silence is brimming with sound; you can write a great play, and your characters can be anything but great; you can make a great philosophical statement through the most mundane of scenes.
Greatness comes with the overall synthesis of all the elements of the theatrical art ā dialogue, story, stage, costume, etc. āGodotā is the most incredible name/metaphor. Can be anything, can be nothing.
I directed this play twice, and am still learning from it. I bow down to you, Samuel Beckett.
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, āTime catches up with genius ⦠Waiting for Godot is one of the masterpieces of the century.ā
The story revolves around two seemingly homeless men waiting for someoneāor somethingānamed Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplayā¦
Because of some early life-challenges, I have long been fascinated with human behavior and experience (my own and others). In this light questions about meaning and purpose in life, the big questions, have long been a passion of mine. I want to do everything I can to promote theseĀ inquiries, and the books I recommend are integral to that calling.
Tillichās work is foundational for any āmystery-basedā religiosity, or to put it another way, āawe-basedā spirituality, and The Courage to Be is one of his most accessible and popular works.Ā The Courage to Be, which influenced generations of humanistic and existential-oriented thinkers and therapists is about the willingness to face the anxieties of existence in the service of maximal participation in the life-space we are granted. It is all about boldness and risk-taking, with full awareness of limitation and fragility, to meet the demands of creative participation in love and work.Ā
Selected as one of the Books of the Century by the New York Public Library
"The Courage to Be changed my life. It also profoundly impacted the lives of many others from my generation. Now Harvey Cox's fresh introduction helps to open up this powerful reading experience to the current generation."-Robert N. Bellah, University of California, Berkeley
Originally published more than fifty years ago, The Courage to Be has become a classic of twentieth-century religious and philosophical thought. The great Christian existentialist thinker Paul Tillich describes the dilemma of modern man and points a way to the conquest of theā¦
Iāve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which Iām very grateful.
Embracing the absurdist nature of this work (which is, of course, a play vs. a novel) is key to both understanding and enjoying it. I personally love how the story holds a mirror up to one of the central themes in Hamlet. The moral question of āshould he act?ā is replaced by the more existential question: are they (R & G) even capable of acting? Is control of oneās life even an option?Ā
The destiny vs. free will debate rings strong throughout, resonating with anyone like me who often wonders if outside forces are in charge. With wit and charm, this story can have you contemplating those aspects of your life in which you are more pawn than youād like to be.Ā
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the wormās-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeareās play. In Tom Stoppardās best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end.
Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantzā¦
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa storiesāall reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argueā¦
Iām a philosopher whoās taught mostly undergraduates for over thirty years at small liberal arts colleges in the US, and Iāve held research fellowships at the University of Edinburgh and Williams College. Iāve co-authored three ātoolkitā books ā The Philosopherās Toolkit, The Ethics Toolkit, and The Critical Thinking Toolkit. My more scholarly work, however, has focused on skepticism, for example in Humeās Scepticism. I also like to write about pop culture, especially for collections like my Big Lebowski and Philosophy. Fundamentally, though, Iām just a lover of dialectic and an explorer in the world of ideas. Nothing, for me, is more enjoyable.
This was the first book from the very first philosophy class I took in college (at Bucknell University in 1981), and it had me from its very first sentence: āThere is only one truly important philosophical question, and that is suicide.ā You know, the big stuff: Is life worth living? What gives it meaning? How ought we to engage the world and others, especially in the face of the apparently meaningless universe in which weāve been thrown. Existentialist Camus served in the French resistance against the Nazis in World War II and would win the Nobel Prize for literature in 1957. In these pages, the remarkable man and the remarkable life he lived shows.Ā
NOBEL PRIZE WINNER ā¢Ā An internationally acclaimed author delivers one of the most influential works of the twentieth century, showing a way out of despair and reaffirming the value of existence.
Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicideāthe question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly presentsĀ a crucial exposition of existentialist thought.