Books like Becoming Beauvoir — picked by fans

I’ve read and written a lot on Wollstonecraft, so I don’t surprise easily.

But I was surprised when I found out that Mary Wollstonecraft was a theatre buff who knew Shakespeare inside out, and that her favourite opera was Handel’s Judas Maccabeus and she would sometimes sing arias from it, that she loved swimming and horse riding.

The picture of Wollstonecraft that emerges from this book is that of a philosopher whose love and knowledge of humanity fed into her theories of human progress. 

We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.

But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.

In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today. 

Have you ever seen Parisians on cafés terraces?

They drink coffee for hours while they are talking. French people like to argue, to talk, and even to fight for their opinions. This phenomenon so French comes from Le salon.

Benedetta Craveri, Italian historian, explains how the art of conversation was invented by witty Parisian women as Madame de Rambouillet or Madeleine de Scudéry who were ruling literary salons in the 17th century. Those women taught men how to be gentlemen and not smelling garlic.

I'm a fan of Benedetta Craveri. She explains well how the past lightens the present. Everything Mrs. Craveri writes is smart, clear, and she is never pedantic.

In one word, she masters the French Art of conversation.

When you read the incredible life of some people you don't really need to read fictional stories.

What a life Elisabeth Vigée - Le Brun had! It looks like a wonderful novel. She was a great French portrait painter (she painted 660 portraits!) during an age of revolution.

In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette. 

Elisabeth Vigée- Le Brun became one of the rare woman to be member of the prestigious French Royal Academy of paintings. After being exploited by an unfaithful husband she had to face the French Revolution.

She left France and traveled to Europe until the cold and far away Russia. 

How much talent and energy did Elisabeth Vigée - Le Brun have to develop to be one of the best portraits painter of her time?

If you like art, the refined 18th century and audacious women, you… show more.

Maybe you don't know George Sand. 

You should meet her. She is a great woman. She is even the chapter four of my book written in French about 5 inspirational Parisian women.

Unfortunately my book is not translated in English yet. So in the meantime, don't miss this biography of George Sand, famous French writer from Romantic era who took a male nom de plume.

George Sand inspired Charlotte Brontë, she was lover and muse of Chopin and Alfred de Musset.

In the rigid 19th century she did not care to have younger lovers, to wear trousers, when it was illegal for women to wear trousers, and smoking cigars in public. How shocking!

If I tell you I'm coming from Roaring Twenties and I have fascinating conversations with great characters who lived in Paris in 1920s, you will maybe think I'm a bit weird. And you will be right.

That's my Parisian life. In front of a café crème at La Rotonde café in Montparnasse, I fight with Picasso and I flirt with the young Hemingway.

And my best friend is called Kiki de Montparnasse. I know how to choose my best friend. Kiki was friendly with a strong temper and beautiful. She posed for painters and sculpters whose art now costs a fortune.

And of course Kiki was elected queen of Montparnasse, the place where modern art was created and the navel of the world, according Henry Miller. And like Miller, Kiki's book was censured in USA because it was too spicy.

She even has an introduction written by Ernest Hemingway—a rare… show more.

Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.

Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.

But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.

This beautiful and cheap edition is a godsend and everyone should buy it. 

We know that there were women in Ancient Greece who did philosophy like Diotima and Aspasia (Socrates’s teachers) or Hypatia (who was murdered by Christians in Alexandria) or Lasthenia and Axiothea (students at Plato’s Academy).

There are also ancient texts signed with women’s names like Perictione (Plato’s mum), or Theano (Pythagoras’s wife). But we can’t always trust that those texts were written by these actual women.

Do we really think that if Plato’s mother had written philosophy, her work would have turned up a century later with a bunch of fake letters in Alexandria? What Dutsch’s book does is much more exciting than trying to prove that Plato’s mum was a philosopher.

It looks at the texts that these women supposedly wrote, and the stories that were told about them, so that we get to find out what it would have been like to be a woman and a philosopher… show more.

Sartre was not a good philosopher in the classical sense. He wasn’t great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.

Embracing the absurdist nature of this work (which is, of course, a play vs. a novel) is key to both understanding and enjoying it. I personally love how the story holds a mirror up to one of the central themes in Hamlet. The moral question of “should he act?” is replaced by the more existential question: are they (R & G) even capable of acting? Is control of one’s life even an option? 

The destiny vs. free will debate rings strong throughout, resonating with anyone like me who often wonders if outside forces are in charge. With wit and charm, this story can have you contemplating those aspects of your life in which you are more pawn than you’d like to be.