Here are 100 books that Becoming Beauvoir fans have personally recommended if you like
Becoming Beauvoir.
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At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Iâve read and written a lot on Wollstonecraft, so I donât surprise easily.
But I was surprised when I found out that Mary Wollstonecraft was a theatre buff who knew Shakespeare inside out, and that her favourite opera was Handelâs Judas Maccabeus and she would sometimes sing arias from it, that she loved swimming and horse riding.
The picture of Wollstonecraft that emerges from this book is that of a philosopher whose love and knowledge of humanity fed into her theories of human progress.Â
A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and work
Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive appreciation of Wollstonecraft herself, as a philosopher and moralist who deftly tackled major social and political issues and the arguments of such figures as Edmund Burke, Jean-Jacques Rousseau, and Adam Smith. Reading Wollstonecraft through the lens of the politics and culture of herâŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to runâŚ
I read (and write) biography as much for history as for an individual life story. Itâs a way of getting a personalized look at an historical period. When the book is a family biography, the history is amplified by different family members' perspectives, almost like a kaleidoscope, and it stretches over generations, allowing the historical story to blossom over time. The genre also opens a window into the ethos that animated this unique group of individuals who are bound together by blood. Whether it's a desire for wealth or power, the zeal for a cause, or the need to survive adversity, I found it in these family stories.
We all know of Sarah and Angelina GrimkĂŠ, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.
But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld GrimkĂŠ, made a name for herself as a poet during the Harlem Renaissance.
In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today.Â
Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a cafĂŠ terrace in Paris watching the world go by.
They drink coffee for hours while they are talking. French people like to argue, to talk, and even to fight for their opinions. This phenomenon so French comes from Le salon.
Benedetta Craveri, Italian historian, explains how the art of conversation was invented by witty Parisian women as Madame de Rambouillet or Madeleine de ScudĂŠry who were ruling literary salons in the 17th century. Those women taught men how to be gentlemen and not smelling garlic.
I'm a fan of Benedetta Craveri. She explains well how the past lightens the present. Everything Mrs. Craveri writes is smart, clear, and she is never pedantic.
In one word, she masters the French Art of conversation.
Now in paperback, an award-winning look at French salons and the women who presided over them
In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners.
Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modernâŚ
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother hadâŚ
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a cafĂŠ terrace in Paris watching the world go by.
When you read the incredible life of some people you don't really need to read fictional stories.
What a life Elisabeth VigĂŠe - Le Brun had! It looks like a wonderful novel. She was a great French portrait painter (she painted 660 portraits!) during an age of revolution.
In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette.Â
Elisabeth VigĂŠe- Le Brun became one of the rare woman to be member of the prestigious French Royal Academy of paintings. After being exploited by an unfaithful husband she had to face the French Revolution.
She left France and traveled to Europe until the cold and far away Russia.Â
How much talent and energy did Elisabeth VigĂŠe - Le Brun have to develop to be one of the best portraits painter of her time?
If you like art, the refined 18th century and audacious women, youâŚ
Elisabeth Louise Vige´e-Le Brun (1755-1842) was a French portrait painter during an age of revolution. In 1778, at the age of 23, she painted her first portrait of Queen Marie Antoinette. She left France in 1789 and travelled and painted through-out Europe. According to a detailed list she provided in her memoirs, she painted a total of 660 portraits, 15 paintings, and nearly 200 landscapes from both Switzerland and England. Her memoirs were published in Paris in 1869 by Charpentier et Cie. The first unabridged version of her memoirs in English, this book is a mine of information for readersâŚ
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a cafĂŠ terrace in Paris watching the world go by.
You should meet her. She is a great woman. She is even the chapter four of my book written in French about 5 inspirational Parisian women.
Unfortunately my book is not translated in English yet. So in the meantime, don't miss this biography of George Sand, famous French writer from Romantic era who took a male nom de plume.
George Sand inspired Charlotte BrontĂŤ, she was lover and muse of Chopin and Alfred de Musset.
In the rigid 19th century she did not care to have younger lovers, to wear trousers, when it was illegal for women to wear trousers, and smoking cigars in public. How shocking!
The romantic and rebellious novelist George Sand, born in 1804 as Amantine Lucile Aurore Dupin, remains one of France's most infamous and beloved literary figures. Thanks to a peerless translation by Gretchen van Slyke, Martine Reid's acclaimed biography of Sand is now available in English.
Drawing on recent French and English biographies of Sand as well as her novels, plays, autobiographical texts, and correspondence, Reid creates the most complete portrait possible of a writer who was both celebrated and vilified. Reid contextualizes Sand within the literature of the nineteenth century, unfolds the meaning and importance of her chosen pen name,âŚ
Edith de Belleville is a native Parisian woman who was an attorney for many years. Her passion for Paris led her back to university to get her official tour guide license. Deeply inspired by great Parisian women of the past, Edith decided to write a book, in French, entitled The Beautiful Rebels of Paris (Belles et Rebelles Editions du 81). She just published her memoirs in English to share her literary & dreamy adventures in Paris, Parisian Life, adventures in the City of Light. When she's not at Versailles or the Louvre Museum to do her 'Beautiful Rebels of Paris Tour' Edith is sitting on a cafĂŠ terrace in Paris watching the world go by.
If I tell you I'm coming from Roaring Twenties and I have fascinating conversations with great characters who lived in Paris in 1920s, you will maybe think I'm a bit weird. And you will be right.
That's my Parisian life. In front of a cafÊ crème at La Rotonde cafÊ in Montparnasse, I fight with Picasso and I flirt with the young Hemingway.
And my best friend is called Kiki de Montparnasse. I know how to choose my best friend. Kiki was friendly with a strong temper and beautiful. She posed for painters and sculpters whose art now costs a fortune.
And of course Kiki was elected queen of Montparnasse, the place where modern art was created and the navel of the world, according Henry Miller. And like Miller, Kiki's book was censured in USA because it was too spicy.
She even has an introduction written by Ernest Hemingwayâa rareâŚ
In the bohemian and brilliant Montparnasse of the 1920s, Kiki managed to escape poverty to become one of the most charismatic figures of the avant-garde years between the wars. Partner to Man Ray - whose most legendary photos she inspired - she would be immortalised by Kisling, Foujita, Per Krohg, Calder, Utrillo and Leger. Kiki was the muse of a generation that seeks to escape the hangover of the Great War, but she was above all one of the first emancipated women of the 20th century.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man sheâŚ
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.
Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, womenâs rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.
But until recently getting hold of her writings wasnât terribly easy, unless you were willing to read online, or had access to a good academic library.
This beautiful and cheap edition is a godsend and everyone should buy it.Â
A collection of essential writings from the iconic foremother of Black intellectual history, feminism and activism
The Portable Anna Julia Cooper will introduce a new generation of readers to an educator, public intellectual and community activist whose prescient insights and eloquent prose underlie some of the most important developments in modern American intellectual thought and African-American social and political activism.
This volume brings together, for the first time, Anna Julia Cooper's major collection of essays, A Voice from the South, along with several previously unpublished poems, plays, journalism and selected correspondences, including over thirty previously unpublished letters between Anna JuliaâŚ
At school I fell in love philosophy. But at university, as I grew older, I started to feel out of place: all the authors we read were men. I loved Plato, but there was something missing. It didnât occur to me until I was in my thirties to look for women in the history of philosophy! I read Wollstonecraft first, then Olympe de Gouges, and the other women I wrote about in my book, and now Iâm looking at women philosophers from the tenth to the nineteenth century. There is a wealth of work by women philosophers out there. Reading their works has made philosophy come alive for me, all over again.
We know that there were women in Ancient Greece who did philosophy like Diotima and Aspasia (Socratesâs teachers) or Hypatia (who was murdered by Christians in Alexandria) or Lasthenia and Axiothea (students at Platoâs Academy).
There are also ancient texts signed with womenâs names like Perictione (Platoâs mum), or Theano (Pythagorasâs wife). But we canât always trust that those texts were written by these actual women.
Do we really think that if Platoâs mother had written philosophy, her work would have turned up a century later with a bunch of fake letters in Alexandria? What Dutschâs book does is much more exciting than trying to prove that Platoâs mum was a philosopher.
It looks at the texts that these women supposedly wrote, and the stories that were told about them, so that we get to find out what it would have been like to be a woman and a philosopherâŚ
Women played an important part in Pythagorean communities, so Greek sources from the Classical era to Byzantium consistently maintain. Pseudonymous philosophical texts by Theano, Pythagoras' disciple or wife, his daughter Myia, and other female Pythagoreans, circulated in Greek and Syriac. Far from being individual creations, these texts rework and revise a standard Pythagorean script.
What can we learn from this network of sayings, philosophical treatises, and letters about gender and knowledge in the Greek intellectual tradition? Can these writings represent the work of historical Pythagorean women? If so, can we find in them a critique of the dominant order orâŚ
The most important formative experiences of my life were contained in the years I spent living and traveling with Brenin, a wolfdog. I can safely say that just about every worthwhile idea I have had â I am a professor of philosophy and ideas are supposed to be my thing â stemmed from those years. I have written many books since Brenin died, all of them, in one way or another, concerned with the question of what it is to be human. I am convinced that we can only understand this if we begin with the idea that we are animals and work from there.
Sartre was not a good philosopher in the classical sense. He wasnât great at constructing arguments. But what he was unquestionably great at was intuitions. He had them, and they were usually spot on, and as a result he was right about most things. In this large book, we find a sustained development of a single brilliant, intuition: anything you are aware of is not you. You are the awareness rather than anything you are aware of. You are nothingness. One implication of this helped me get through the second half of my first marathon. Experiential unpleasantness is a motive to stop, but not part of me, and it is up to me how I interpret it. My motives can never compel me. I am in this sense free.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the worldâs most famous heart surgeon.
In these and other intimate conversations, the bookâŚ
Because of some early life-challenges, I have long been fascinated with human behavior and experience (my own and others). In this light questions about meaning and purpose in life, the big questions, have long been a passion of mine. I want to do everything I can to promote these inquiries, and the books I recommend are integral to that calling.
Tillichâs work is foundational for any âmystery-basedâ religiosity, or to put it another way, âawe-basedâ spirituality, and The Courage to Be is one of his most accessible and popular works. The Courage to Be, which influenced generations of humanistic and existential-oriented thinkers and therapists is about the willingness to face the anxieties of existence in the service of maximal participation in the life-space we are granted. It is all about boldness and risk-taking, with full awareness of limitation and fragility, to meet the demands of creative participation in love and work.Â
Selected as one of the Books of the Century by the New York Public Library
"The Courage to Be changed my life. It also profoundly impacted the lives of many others from my generation. Now Harvey Cox's fresh introduction helps to open up this powerful reading experience to the current generation."-Robert N. Bellah, University of California, Berkeley
Originally published more than fifty years ago, The Courage to Be has become a classic of twentieth-century religious and philosophical thought. The great Christian existentialist thinker Paul Tillich describes the dilemma of modern man and points a way to the conquest of theâŚ
