Here are 100 books that Composing Music fans have personally recommended if you like
Composing Music.
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I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
I wanted to learn how to write melodies and countermelodies from the best, and Fux is the legend who taught the greats. Bach, Mozart, Haydn, and Beethoven all carefully studied these sage lessons.
Even though it was written in 1725, the book is enormously approachable, written in a series of conversations between a teacher and student. And yes, you don’t have to read it in Latin; it’s been translated into modern English.
The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
After learning counterpoint from the greatest, why not learn harmony from the genius who took it so far it unraveled? Before diving headfirst into atonality (a mistake), Schoenberg was a master of Harmony (with a capital H!), and this book is filled with nuggets of wisdom that I gobbled up hungrily, albeit in small bites because it’s so dense and profound.
There is a new critical foreword by Walter Frisch, H. Harold Gumm/Harry and Albert von Tilzer Professor of Music at Columbia University, that expands this centennial edition. Frisch puts Schoenberg's masterpiece into historical and ideological context, delineating the connections between music, theory, art, science, and architecture in turn-of-the century Austro-German culture.
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
Something I didn’t realize as a young musician but quickly learned is that it’s called the business of music, and you need to spend as much time on the business side as the music side.
They call this book the music industry bible, and I agree—in its 11th edition, it’s up to date with the latest opportunities and challenges in music (streaming, various platforms). Great music can’t just live on your desk or computer; it needs to get out into the world to fulfill its function: emotionally connecting people.
Dubbed "the industry bible" by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists' songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
I found that once my brain was filled with enough information, I didn’t need more theories. I needed to dive headfirst into the greatest songs ever written and learn from them. A fake book doesn’t have any arrangements; it’s just the melody and chords, but that’s what a song is at its core. Along with recordings, I had everything I needed, and so will you. Feel free to swap in the Ultimate Jazz Fake Book or a classical fake book if you prefer.
(Fake Book). One of the bestselling fake books of all time has just been updated to include an even better assortment of 1001 essential songs from all genres that every musician should have in their library! Includes the melody lines, lyrics, and chords for: ABC * Ac-cent-tchu-ate the Positive * After the Love Has Gone * Aguas De Marco (Waters of March) * Ain't No Mountain High Enough * Another Brick in the Wall * Another One Bites the Dust * We Will Rock You * Autumn Leaves * Baby, It's Cold Outside * Begin the Beguine * Big Yellow…
Music has always been a thread that’s connected me to people and events my whole life. It’s a universal language and one that can bring you closer to people. Playing, singing, or listening to music can transport you, keep you in the moment, or change your mood. It’s a love I’ve had all my life, and it helped me meet my husband! I was lucky enough to join his band on tour in our younger days, and many of those experiences have shaped the picture books I’ve made.
This encyclopedia is a brilliant, deeper dive into many instruments. There’s a selection of more unconventional ones from all over the world too. It includes a range of vocal voices and even the computer as an instrument!
Each instrument is given a gloriously characterful illustration of an animal playing it and is accompanied by a description and interesting facts alongside. You can even scan a QR code that links to a short video meaning you can hear the instrument too, so you can listen and learn at the same time.
An interactive introduction to musical instruments with 50 original compositions to listen to―from the kazoo to the bassoon.
What does a double bass or a sitar sound like? What's the difference between bongos and congas? Which instrument has only one note? Which one takes just 30 seconds to learn?
This book engagingly presents 50 common and uncommon musical instruments with practical and curious facts that will spark interest in music of all kinds. Each instrument features a piece of music composed by an award-winning musician, accessed via QR code.
With instruments presented outside conventional categories, the book is open to…
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it provides not only specific techniques for film scoring but also an overview of the lifestyle and business considerations of the film composer. This book reads like a novel but still presents a multitude of valuable information in a well-organized and anecdotal manner. It’s not an exhaustive textbook, but is a great place to start to get a feel for what it means to be a film composer.
I read the whole thing (132 pages) on a 5-hour flight from LA to New York. I love the fact that there are appendices (film/music schools, professional societies, and organizations, suggested scores to study, suggested reading, and websites) as well as a glossary of technical terms.
Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn about the cast of professionals you’ll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers’ block. Understand how to preview…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
My last choice is about a musical girl who finds a very different kind of “instrument” to play!
Twelve-year-old Emmy just moved from Wisconsin to San Francisco for her dad’s big break as a pianist. Emmy wants to be a musician, too, but can’t find the right instrument to play (I can relate!).
Notes and classical terms are in her head, but not her fingers in this novel-in-verse. Instead of music as an elective, Emmy ends up in computer science and makes friends with a quiet girl named Abigail.
Emmy learns java script, and the reader learns along with her. In the end, Emmy finds a way to make her own kind of music through computer coding.
In this innovative middle grade novel, coding and music take center stage as new girl Emmy tries to find her place in a new school. Perfect for fans of the Girls Who Code series and The Crossover.
In a new city, at a new school, twelve-year-old Emmy has never felt more out of tune.
Things start to look up when she takes her first coding class, unexpectedly connecting with the material—and Abigail, a new friend—through a shared language: music. But when Emmy gets bad news about their computer teacher, and finds out Abigail isn’t being entirely honest about their friendship,…
I’ve been fascinated by jazz, classical, and film music since I was in junior high school. As I grew older, I came to believe that music was a unique form of expression and that through music, I could attain a high level of spiritual awareness. While studying privately in Philadelphia and New York, I began searching for books that could help me attain greater facility with my craft. As I found myself pursuing a full-time career as a jazz musician and composer, I was drawn to the books on my list. These books became invaluable resources for me as a professional musician and educator at the Manhattan School of Music.
I love this book because it is a truly comprehensive textbook on contemporary film scoring, covering invaluable sections on musical techniques, the relation of music to film, the technology of film scoring, and the business and lifestyle of film composers. It features references to 150 films as well as interviews with many film composers.
The extensive practical information on musical techniques and technology, as well as the relation of music to picture and drama, are timeless and still valid in today’s world. I also love the way this book presents a wealth of information on the relation and interaction of the composer and filmmaker.
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
I am passionate about raising each human being for lifelong wellbeing and a full set of intelligences. High-income nations don’t do this so much anymore. I conduct empirical studies with children, parents, and other adults to examine how early experience affects capacities for getting along in life and with others. My book has won awards for its holistic view, integrating neuroscience, anthropology, and developmental science. This work led me to start the Evolved Nest website with lots of resources for parents and for all who care about human wellbeing. Humanity is facing many challenges and we need everyone’s gifts to be well grown to help us solve the problems we face.
This book is full of fun ideas for learning to play with your children at different ages, letting them lead the play. Play is a fundamental way to grow the brain at any age. So the approach is beneficial for parents as well as kids. Imagine playing as a way to solve behavior problems!
Have you ever stepped back to watch what really goes on when your children play? As psychologist Lawrence J. Cohen points out, play is children’s way of exploring the world, communicating deep feelings, getting close to those they care about, working through stressful situations, and simply blowing off steam. That’s why “playful parenting” is so important and so successful in building strong, close bonds between parents and children. Through play we join our kids in their world–and help them to
• Express and understand complex emotions • Break through shyness, anger, and fear • Empower themselves and respect diversity •…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this book because it shows how economic forces are pushing us in the direction of a ‘winner takes all’ economy, both in the creative industries and more generally.
The scalability of digital creations, the impact of algorithms, bandwagon effects, network effects, and economies of scale are resulting in 1 percent of artists owning the majority of the pie. This has big implications for those working in the creative industries.
Alan Krueger, a former chairman of the president's Council of Economic Advisers, uses the music industry, from superstar artists to music executives, from managers to promoters, as a way in to explain key principles of economics, and the forces shaping our economic lives.
The music industry is a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries…
