Here are 100 books that Theory of Harmony fans have personally recommended if you like
Theory of Harmony.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
I wanted to learn how to write melodies and countermelodies from the best, and Fux is the legend who taught the greats. Bach, Mozart, Haydn, and Beethoven all carefully studied these sage lessons.
Even though it was written in 1725, the book is enormously approachable, written in a series of conversations between a teacher and student. And yes, you don’t have to read it in Latin; it’s been translated into modern English.
The most celebrated book on counterpoint is Fux's great theoretical work Gradus ad Parnassum. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J.S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference. An impressive list of nineteenth-century composers subscribed to its second edition, and in more recent times Paul Hindemith said, "Perhaps the craft of composition would really have fallen into decline…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
After filling my head with theories and practices, it was time for me to break everything down, which this book does brilliantly, and start writing my own melodies and harmonies.
Designed almost like a workbook, these very thoughtful and insightful steps helped me understand the fundamental process of writing. They started with exercises such as creating a simple five-note melody and built until I was crafting entire songs.
Aimed at those who have some knowledge of music but not formal training in composition, this concise introduction to composing starts right in with a brief composition exercise, then proceeds step by step through a series of increasingly complex and challenging problems, gradually expanding the student's musical grammar. "This is a wonderful book for anyone who is developing improvising skills or who would like a fun way to explore music."--Jim Stockford, Co-Evolution Quarterly
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
Something I didn’t realize as a young musician but quickly learned is that it’s called the business of music, and you need to spend as much time on the business side as the music side.
They call this book the music industry bible, and I agree—in its 11th edition, it’s up to date with the latest opportunities and challenges in music (streaming, various platforms). Great music can’t just live on your desk or computer; it needs to get out into the world to fulfill its function: emotionally connecting people.
Dubbed "the industry bible" by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists' songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been singing since before I could speak, and I found myself drawn to music even though there were no musicians in my family. From church choir to the SF Boys Chorus, through every choir and musical I could join, then onto the New England Conservatory of Music and the Tufts Beelzebubs, I hungrily digested every bit of music knowledge I could find, with a deep desire to become a musician upon graduation. These books are the best I have come across in more than 50 years, and I hope you’ll find great knowledge and insight in their pages.
I found that once my brain was filled with enough information, I didn’t need more theories. I needed to dive headfirst into the greatest songs ever written and learn from them. A fake book doesn’t have any arrangements; it’s just the melody and chords, but that’s what a song is at its core. Along with recordings, I had everything I needed, and so will you. Feel free to swap in the Ultimate Jazz Fake Book or a classical fake book if you prefer.
(Fake Book). One of the bestselling fake books of all time has just been updated to include an even better assortment of 1001 essential songs from all genres that every musician should have in their library! Includes the melody lines, lyrics, and chords for: ABC * Ac-cent-tchu-ate the Positive * After the Love Has Gone * Aguas De Marco (Waters of March) * Ain't No Mountain High Enough * Another Brick in the Wall * Another One Bites the Dust * We Will Rock You * Autumn Leaves * Baby, It's Cold Outside * Begin the Beguine * Big Yellow…
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.
Composing the sounds beforethe record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Whilst not strictly a book about popular music, but rather two separate but related essays on the modern composers Igor Stravinsky and Arnold Schoenberg, Adorno’s study has been utterly formative for how I understand music and its relationship to its social conditions.
I can’t even fathom how I could think about music without Adorno, and this book is by far his most concerted and concise statement on the subject.
An indispensable key to Adorno's influential oeuvre-now in paperback
In 1949, Theodor W. Adorno's Philosophy of New Music was published, coinciding with the prominent philosopher's return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it.
Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
Phil Ramone has been involved in producing records for some of the biggest acts in music, including Bob Dylan, Frank Sinatra, Ray Charles, and Paul Simon. Ostensibly, his book is about record production, but really it’s about people. Yes, Ramone worked with some big names over the course of his long career, but at the end of the day (as he emphasizes throughout the book), they’re all human beings, and while some degree of technical expertise is necessary when it comes to making music, what really matters is knowing how to talk to people. At the end of the day, making music is all about making human connections.
Sinatra. Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone.
For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.
Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days…
I’m a musician – singer/composer/educator/researcher – based in Northern England, and I’ve become fascinated through my community music work to see how music can change people’s experience – of themselves, of other people, of their community and their relationship to the world around them. With all of the complex challenges we currently face as a species, I’m interested in the potential of music-making as a resource to help us navigate toward a more hopeful future. Making music is an important part of our unique collective history as humans – and we need to draw on it now to help us evolve into a species that can live more harmoniously and sustainably on our fragile planet.
There are lots of great books about music in human evolution, but this one conjures up such beautiful images and makes such a strong argument that it’s still my favourite.
The human species is over 230,000 years old, and we’ve probably been using singing as a form of social bonding for that whole time, and previous hominid species probably were as well. The book makes the point really well that singing is something we take for granted, but is really quite a remarkable human evolutionary adaptation.
The propensity to make music is the most mysterious, wonderful, and neglected feature of humankind: this is where Steven Mithen began, drawing together strands from archaeology, anthropology, psychology, neuroscience--and, of course, musicology--to explain why we are so compelled to make and hear music. But music could not be explained without addressing language, and could not be accounted for without understanding the evolution of the human body and mind. Thus Mithen arrived at the wildly ambitious project that unfolds in this book: an exploration of music as a fundamental aspect of the human condition, encoded into the human genome during the…
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I knew that Phil Spector had a reputation for being mercurial (and that he was in prison for murder), but I never realized how off the rails he really was. I also never realized how many people he’d worked with—both as a producer and just as a guy who was trying to network his way into the business. I knew about his “girl groups,” about his work with the Beatles and some of their solo projects, and about his work with the Ramones, but I didn’t realize that he was very good friends with Ahmet Ertegun of Atlantic Records and that he saw Berry Gordy of Motown as one of his biggest competitors. Overall, a bizarre, tragic life, but an interesting read with a lot of information about some of the big names in rock history that Spector encountered.
A stunning biography of "pure self-interest and cruelty, tempered only slightly by the great musical achievements of Mr. Spector's golden age in the early 1960s" (The New York Times).
He had a number one hit at eighteen. He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
After dabbling in music in my youth, I returned to playing roots music over fifteen years ago. I’ve joined music circles, jammed, made new friends, and learned a lot. My husband Gene and I have recorded three albums and played at bars, festivals, weddings, and listening rooms. Professionally, I’ve spent years as a writing teacher and writer, and I also teach at an annual folk music camp. I wanted to share the joys of music with others, so I talked with dozens of musicians, dug down to find rare resources, and pulled it together into Making Music for Life to make it easier for others to pursue their own musical journey.
Madeline Bruser is a professional musician and teacher focused on teaching dedicated music students of all ages. She brings her own meditation practice and fresh insights into improving music practice through mindfulness, attention to the sounds and sensations one experiences while practicing or performing, and increased awareness of the joys of music. Although I haven’t attended music school or spent a career as a professional musician, I still picked up useful tools and insights that have improved my practice time. If you’re finding practice to be boring, painful, or unproductive, this book can help you reorient your approach and savor music more fully.
An illustrated guide for the amateur and professional musician that teaches us how to transform practicing from an often laborious activity into an exhilarating and rewarding experience
Foreword by Yehudi Menuhin • “Give this book to any musician you love and to any person who loves what music does for them and for the world.”—Richard Stoltzman, clarinetist
In The Art of Practicing, acclaimed pianist and teacher Madeline Bruser combines physiological and meditative principles to help musicians release physical and mental tension and unleash their innate musical talent. She offers practical techniques for cultivating free and natural movement, a keen enjoyment…
