Here are 100 books that Chuco Punk fans have personally recommended if you like
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As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
This is one of the books that had me inserting an unsolicited “did you know that...” into just about every conversation I had while reading it. Terry Allen is a singular visual and musical artist whose story exemplifies what a rich and contrarian place Texas is.
I knew something of what I might find in a Terry Allen biography, and yet there’s so much more: 1950s Lubbock wrestling promoters and Thai psychedelic bands, David Byrne and Marcel Duchamp, and, most compellingly, the lifelong love of partners Terry and Jo Harvey Allen. I cannot imagine many authors up for the task.
Brendan Greaves expertly delivers as one of those rare characters who understands that Allen’s roles in fine art and country music are not only on equal footing but of a piece. Greaves also oversaw the masterful reissue of Allen’s iconic albums Juarez and Lubbock on Everything, which makes it all…
Drawing on hundreds of interviews with Allen himself, his family members (including actor and poet Jo Harvey Allen, his wife and artistic partner of more than sixty years), and his many notable friends, colleagues, and collaborators (from musicians like David Byrne and Kurt Vile to artists such as Bruce Nauman and Kiki Smith); full access to the artist's home, studio, and voluminous journals and archives; and over twenty years of collaboration and friendship with Allen, author Brendan Greaves limns a revealing portrait, as deeply researched as it is intimate, as provocative as it is poetic, of a singularly multivalent storyteller…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
I met Eddie Wilson in the early 2000s, and hearing his stories over a meal at his restaurant Threadgill’s (the spot where Janis Joplin got her start) put me on the road to becoming a Texas music historian. With a glint in his eye, he would describe the unbelievable goings-on at the Armadillo World Headquarters, the Austin venue he created in 1970: Willie Nelson’s transformation on finding hippie audiences, Bruce Springsteen trying to prove himself in Central Texas, Australian rockers AC/DC in their first American appearance, live recordings of Frank Zappa and Freddie King.
This book, a history of the Armadillo and a memoir of Wilson’s time in it, is as comforting, funny, and engaging as sitting down over a chicken-fried steak and hearing those stories firsthand. Wilson’s writing partner, Jesse Sublett, expertly shapes Wilson’s speaking voice for the printed page. Stir in a gallery of the Armadillo’s vibrant poster…
"Eddie's story is by turns hilarious, informative, and the living spirit of its age...[He] piles the most unlikely anecdotes on top of one another, creating a land of enchantment and an order of chemically altered consciousness that rescues an era I'd thought not so much lost as forgotten. Not only am I thrilled I've read this story and wish I was in it, I wish I'd written it." -Dave Marsh, from the foreword "The Armadillo World Headquarters ...was one of the most exciting, and remained one of the most exciting, places in the United States for the years that it…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelson’s Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willie’s picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
Lead Belly is a ghost that haunts all of American music. His voice is at the center of Bob Dylan’s folk revival as much as it is behind the Beatles’ British Invasion. When Nirvana made their final live recording, they closed with a Lead Belly tune, Kurt proclaiming that Lead Belly was his favorite artist. And yet, when most people talk about Lead Belly, they are repeating lore propagated by a small group of white folklorists and gatekeepers rather than seeing Lead Belly—that is, Huddie Ledbetter—as a full historical individual with agency in his own story.
In this deeply researched account, Curran corrects the record. I was riveted by her ability to re-center Ledbetter and draw a complex portrait of the man while also placing him within the wider context of racial exclusions and white supremacy in the midcentury music industry and academy. Much of the world’s popular and vernacular…
Known worldwide as Lead Belly, Huddie Ledbetter (1889-1949) is an American icon whose influence on modern music was tremendous - as was, according to legend, the temper that landed him in two of the South's most brutal prisons, while his immense talent twice won him pardons. But, as this deeply researched book shows, these stories were shaped by the white folklorists who 'discovered' Lead Belly and, along with reporters, recording executives, and radio and film producers, introduced him to audiences beyond the South. Through a revelatory examination of arrest, trial, and prison records; sharecropping reports; oral histories; newspaper articles; and…
I’ve published eleven classic-style space opera novels, a novella, and many short stories. Before becoming a writer, I spent twenty years in US Air Force in space operations; even though my books are light on science, I really was a rocket scientist! Plus, I’ve read science fiction since I was barely a teen, starting with Heinlein and McCaffery, and am always looking for my next favorite author!
Clair Johnson is determined to prove herself and find out what really happened to her mother. Neither of those things happen the way she expects.
This is an easy read, with interesting world building, and a realistic set of characters. I enjoyed the setting, the friend group, and the intrigue a lot!
In a world of music videos on television, punk rock, and roller derby, the race for space is finally on in this young adult SF adventure!
The United Federation has set a goal of sending a manned rocket to the moon; but rival countries will stop at nothing to plant their flags first—no matter the cost.
For Claire Johnson, that cost might be her life.
The seventeen-year-old spunky waitress wants nothing more than to honor her mother's memory by gaining entrance to the United Federation Space Program and doing her part for the mission. Yet her father wants Claire as…
I've written about a dozen books, all about football (or soccer, depending on your denomination), but that was never the plan. The plan was always to write about music. The first piece I ever published in a proper magazine was a profile of Wayne Kramer, formerly of the MC5. It ran in the German edition of Rolling Stone. The honeymoon didn't last long, though, as I gradually ran out of ideas what to pitch to the magazine, until one day I asked: "Would you be interested in a non-music piece about how football has grown out of the Dark Eighties and become hip?" They said yes, and that was that.
Marky's drinking almost managed to do what even the hate-love-hate triangle between Joey, Johnny and Dee Dee couldn't do, namely derail the band.
But what makes his book truly special for me is not so much his account of what he calls his "dog days" but his life before becoming a Ramone. He was in a hard rock band called Dust, he played in Richard Hell's Voidoids and he auditioned for the New York Dolls. If he had gotten this job, and he came very close, he would have been in no less than three seminal and legendary New York bands.
When punk rock reared its spiky head in the early seventies, Marc Bell had the best seat in the house. Already a young veteran of the prototype American metal band Dust, Bell took residence in artistic, seedy Lower Manhattan, where he played drums in bands that would shape rock music for decades to come, including Wayne County, who pioneered transsexual rock, and Richard Hell and the Voidoids, who directly inspired the entire early British punk scene. If punk has royalty, Marc became part of it in 1978 when he was anointed 'Marky Ramone' by Johnny, Joey, and Dee Dee of…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I reread this book recently and was fascinated to see how accurate (if perhaps overly optimistic) Egan was about the rise of social media and its role in our lives.
Egan resisted calling this book either a novel or a short story collection; in a June 2010 interview in Salon, she said, “You might say that discontinuity is the book’s organizing principle.” One of the book’s most commented-on chapters, “Great Rock and Roll Pauses by Alison Blake,” is presented as slides in a PowerPoint presentation.
Though Alison Blake’s mother, Sasha, and her record company executive boss Bennie Salazar appear at various points in the book, the chapters, or stories, stand alone, moving back and forth in time from the 1970s to a near future.
WINNER OF THE PULITZER PRIZE FOR FICTION NEW YORK TIMES TOP 10 BOOKS OF 2010
Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other's pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Africa.
We first meet Sasha in her mid-thirties, on her therapist's couch in…
My two passions in life are music (especially punk rock) and history, so obviously books about music history really hit the spot for me. As both a fan and a writer / performer, learning about the history of the music I love is very important (not to mention entertaining) for me. Here are some of my favourites.
Tells the story of the further development of punk in Washington DC, and the birth of a thousand subgenres, from emo to post-hardcore and beyond, and punk's embracing of a more aware political consciousness, as well as a broader musical spectrum.
The nation's capital gave birth to the most influential punk underground of the '80s and '90s. Dance of Days recounts the rise of trailblazing artists such as Bad Brains, Henry Rollins, Minor Threat, Rites of Spring, Fugazi, and Bikini Kill.
My two passions in life are music (especially punk rock) and history, so obviously books about music history really hit the spot for me. As both a fan and a writer / performer, learning about the history of the music I love is very important (not to mention entertaining) for me. Here are some of my favourites.
This book has been my bible for most of my adult life - reading it as a teenager changed everything. Rollins' diaries from the gruelling years of grunt level touring with arguably the most important punk band of them all (Black Flag), it has to be read to be believed, and will make you grateful for everything you have in life, whilst also tweaking your hunger for the road.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
It’s not an easy task to convey the carnal intensity and animal abandon of a performer whose default mode has always been unadulterated excess, but Paul Trynka’s masterful study of Iggy Pop hit the motherlode. Trynka went the extra mile and then some, tracking down hundreds of key witnesses to, and victims of, Pop’s creative chaos, and even attending his high school reunion (which is more than Iggy did). Jaw-dropping anecdotes were legion (taking a mid-gig dump behind the speakers, anyone?) and Trynka captured the driven essence of this brittle soul, perennially fighting the world while never even knowing why.
“Fellow rock stars, casual members of the public, lords and media magnates, countless thousands of people will talk of their encounters with this driven, talented, indomitable creature, a man who has plumbed the depths of depravity, yet emerged with an indisputable nobility. Each of them will share an admiration and appreciation of the contradictions and ironies of his incredible life. Even so, they are unlikely to fully comprehend both the heights and the depths of his experience, for the extremes are simply beyond the realms of most people’s understanding.”
