Books like The Minutemen's Double Nickels on the Dime — picked by fans

If Andrew Hunt’s book covers swaths of American popular culture to reveal levels of public dissent, Martin’s book takes a similar approach, but with a particular focus on grassroots activism. Across the U.S., activism took many forms. The Nuclear Freeze campaign, with its simple call to halt the arms race, inspired (in June 1982) the largest public protest in American history. Others rebelled against Reagan’s painfully slow response to even recognize the AIDS epidemic, while on college campuses students rallied against Reagan’s policies towards apartheid-era South Africa. Martin’s examination of how various strands of feminism reacted to the conservative backlash of the Reagan Era is an especially welcome addition to the decade’s historiography.

Albeit about Britain more than America, the authors collected together here show how easy it was for young punks to move from just listening to music to political engagement. Most of it being direct action: squatting abandoned buildings or civil disobedience against the nuclear arms race. The most accomplished band here was Crass who had an immense impact in the United States and who drew from different sources, including, I quote, “Ghandian principles, radical philosophy, the aesthetic of the Beat and Bohemian poets, and the words of Rimbaud and Baudelaire, as much as… the formal anarchist tradition.” It’s unfair that many believe punk just to be nihilistic and violent – and the authors here show why (it should be pointed out that Worley has his own book on this, which is also quite good: No Future)

Known mostly as the bassist for the noise band, Sonic Youth, Gordon was also a sophisticated critic and supporter of the growing punk movement in America during the 1980s. In this collection of essays (many of them originally published in art magazines), she explains one of the most distinct movements within 1980s punk – “straight edge,” refusing drugs and alcohol, thereby disassociating the classic mantra of sex, drugs, and rock n roll. With a sharp eye, she explains, “These kids are antidrugs, antidrinking, anti-Reagan, and antisex – not so much out of puritanism as from a desire to be in control, and to avoid being manipulated by the consumerist system.” She praises the Do it Yourself (DIY) spirit of 1980s punk, enjoying watching bands “jam econo” (that’s a Minutemen term). She also holds this sort of activity in contrast with the blasé spirit she gets from observing new wave nightclubs… show more.

DIY. Do-it-yourself. An ethos that seems simple enough now, but it was a revolution that started in underground music and eventually changed popular culture.

These in-the-trenches perspectives by bands that were immensely influential spoke directly to the eco-system of clubs, stores, bands, labels, and artists that I later tapped into with my label.

An almost inadvertent “How-To” primer for someone like me, who was disinterested in what the arbiters of popular culture were trying to sell.

This book has been my bible for most of my adult life - reading it as a teenager changed everything. Rollins' diaries from the gruelling years of grunt level touring with arguably the most important punk band of them all (Black Flag), it has to be read to be believed, and will make you grateful for everything you have in life, whilst also tweaking your hunger for the road.

Loser girl turned punk rock superhero... Those six words should sell you on The Gospel According to St. Rage alone. But that still doesn't do this book any sort of justice because this isn't really a superhero book. Sure, Barbara may have the powers to cause flocks of birds to release their...um...payload onto her enemies with the simple flick of a finger, but she's not out to save the world, she's just out to finally live the life she's been hiding from.

Eisenbrey brought me back to my own high school days with this book that feels like a punk rock song. To those days of trying to make friends, of trying to define who I am. And she does so with rock star class.

Clair Johnson is determined to prove herself and find out what really happened to her mother. Neither of those things happen the way she expects. 

This is an easy read, with interesting world building, and a realistic set of characters. I enjoyed the setting, the friend group, and the intrigue a lot!

Tara Lopez suggests something new, prioritizing punk’s diverse expression over its tired origin myths. By turning our attention to the 1990s El Paso scene that produced bands like At the Drive-In, Lopez gives us a granular, expressive take on all the things that draw us to punk: its liberatory potential, DIY ethos, and ability to impact individual lives.

Through accessible oral histories, we get a sense of how vital punk rock could be against the backdrop of border politics and in a scene off the beaten path where DIY takes on new meanings. As a punk-curious 90s adolescent myself who listened in on El Paso from Austin, Dallas, and South Texas, this account resonated deeply—there was much that was familiar, but even more to learn. 

In her life and in her writing, Lydia Lunch is able to alchemize the agony of existence into euphoria more effectively than any artist that I can think of. I could have put any of her titles (Paradoxia, Will Work for Drugs, The Gun is Loaded, etc.) on this list. Her narratives – all true stories from her past – hit like a ton of bricks and leave your own blood on the page. Lydia views the world through carnage visors and takes no prisoners on her journey, weaponizing the abuse she experienced in childhood against authority as an adult. The seamy underbelly of her world is black and white with thunder strokes of red. While reading this collection of personal essays and interviews, you can viscerally hear her spooky, cigarette-burned voice as if she is whispering the prose directly into your ear from behind.

Tells the story of the further development of punk in Washington DC, and the birth of a thousand subgenres, from emo to post-hardcore and beyond, and punk's embracing of a more aware political consciousness, as well as a broader musical spectrum.