Here are 100 books that Iggy Pop fans have personally recommended if you like
Iggy Pop.
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Ever since childhood, I’ve been interested in dark stories, and this led me to writing dark fantasy. To this day, my main inspirations as a writer are Robert E. Howard and Michael Moorcock, both dark fantasists. I think it is only through understanding evil that we can appreciate goodness. As such, I strive to explore the darker parts of my characters’ psyches. I also write a fair deal about racism, which is a socially accepted, even celebrated form of evil. Fiction, because it has so few limits as far as subject matter, is, in my opinion, the best medium to have these conversations. Thank you for reading my list!
I’m reluctant to recommend it because these guys don’t need the money. Four raging narcissists/rapists/drug addicts create a band and proceed to destroy themselves and everything around them. I remember reading it and thinking, “This is the stuff they admit to.”
This book is the very definition of “If they were black, they’d be locked up.” By the point I was reading Vince Neil whine about not being able to tour Japan because he was on probation for drunkenly killing his friend, I realized I was witnessing pure evil. However, evil can be fascinating.
This book is so singularly revolting that it completely spoiled my already low interest in stories about entitled people growing more entitled. It was adapted into a very whitewashed Netflix movie.
Celebrate thirty years of the world's most notorious rock band with the deluxe collectors' edition of The Dirt-the outrageous, legendary, no-holds-barred autobiography of Motley Crue. Fans have gotten glimpses into the band's crazy world of backstage scandals, celebrity love affairs, rollercoaster drug addictions, and immortal music in Motley Crue books like Tommyland and The Heroin Diaries, but now the full spectrum of sin and success by Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars is an open book in The Dirt. Even fans already familiar with earlier editions of the bestselling expose will treasure this gorgeous deluxe edition. Joe…
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
Viv Albertine’s memoir is raw and completely unfiltered, just like punk itself. I was hooked from the first page because it lives and breathes punk while also documenting its history.
Having photographed the New York and Boston punk scene firsthand, I connected deeply with her storytelling. It reminded me of the energy I felt photographing the bands back in the late 1970s.
SUNDAY TIMES MUSIC BOOK OF THE YEAR ROUGH TRADE BOOK OF THE YEAR MOJO BOOK OF THE YEAR
A new edition as part of the Faber Greatest Hits - books that have taken writing about music in new and exciting directions for the twenty-first century.
In 1975, Viv Albertine was obsessed with music but it never occurred to her she could be in a band as she couldn't play an instrument and she'd never seen a girl play electric guitar.
A year later, she was the guitarist in the hugely influential all-girl band the Slits, who fearlessly took on the…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
I was surprised at how funny this book is. It had me chuckling and giggling and even guffawing!
I am aware that autobiographies by celebrity musicians at this level are composed by ghost writers, but I hoped that Elton’s voice—and some of his quirky, witty, often self-deprecating but also often wickedly catty personality—would be evident. And I was delighted by how much that is the case here. There is no shortage of poignant moments as well.
Perhaps it is a tad unfair to place an autobiography above biographies and other books. After all, how can you compete with Sir Elton himself? But it seemed appropriate here, as Me is such a hoot and such a delight.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
Debauch, cathartic music memoirs are not limited to rock and metal stars. Former boy band member Robbie Williams was at the pinnacle of his British-pop imperial period when he gave unlimited access to the peerless Chris Heath to pen this unforgettable biography. Heath spent a full two years with Williams, capturing an impulsive, wayward yet fragile star whose chronically short attention span did not allow him even to rehearse properly for his world tours. You closed Feel feeling that you knew Williams intimately—the litmus test of a biography—and liking him a whole lot more than you had before.
The publication of Feel: Robbie Williams by Chris Heath in September 2004 caused shockwaves of controversy and delight. Not only was its publication trumpeted in tabloids, on TV and the radio, but it was also critically lauded by the broadsheets. Finally, a book had been written on the subject of celebrity and the modern world which had intelligence, honesty and humour.
Written by Chris Heath, who spent nearly two years working with Robbie on this book, every word is imbued with Robbie's humour, charisma, talent, memories and complexity. But more than ever before, this book tells the truth about his…
Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
At a time when anything that smacked of “punk rock” was dismissed as prurient, insignificant, and, ultimately, irrelevant, Greil hit me as something of a philosopher king.
He lent legitimacy and heft to the premise that I intuitively felt—but couldn’t articulate—that punk rock was more than offending the masses with loud music, torn clothes, and spiky hair. Rather, it was a deeper phenomenon that reverberated throughout our cultural landscape with a rich history behind it.
This was a welcome affirmation for me that this music, this lifestyle, could be a genuine agent of lasting social change.
This book is about a single, serpentine fact: late in 1976 a record called 'Anarchy in the UK' was issued in London, and this event launched a transformation of pop music all over the world. The song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris intellectuals.
In Lipstick Traces, Greil Marcus's classic book on punk, Dadaism, the situationists, medieval heretics and the Knights of the Round Table (amongst others), the greatest cultural critic of our times unravels the secret history of the twentieth century.
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
DIY. Do-it-yourself. An ethos that seems simple enough now, but it was a revolution that started in underground music and eventually changed popular culture.
These in-the-trenches perspectives by bands that were immensely influential spoke directly to the eco-system of clubs, stores, bands, labels, and artists that I later tapped into with my label.
An almost inadvertent “How-To” primer for someone like me, who was disinterested in what the arbiters of popular culture were trying to sell.
Finally in paperback, the story of the musical revolution that happened right under the nose of the Reagan Eighties - when a small but sprawling network of bands, labels, fanzines, radio stations and other subversives re-energised American rock with punk rock's d-I-y credo and created music that was deeply personal, often brilliant, always challenging and immensely influential. OUR BAND COULD BE YOUR LIFE is a sweeping chronicle of music, politics, drugs, fear, loathing and faith that is already being recognized as an indie rock classic in its own right.
Among the legendary bands featured are: Black Flag, the Minutement, Mission…
I've written about a dozen books, all about football (or soccer, depending on your denomination), but that was never the plan. The plan was always to write about music. The first piece I ever published in a proper magazine was a profile of Wayne Kramer, formerly of the MC5. It ran in the German edition of Rolling Stone. The honeymoon didn't last long, though, as I gradually ran out of ideas what to pitch to the magazine, until one day I asked: "Would you be interested in a non-music piece about how football has grown out of the Dark Eighties and become hip?" They said yes, and that was that.
Monte Melnick was the band's tour manager for a staggering 22 years, but his book is not the first-person, behind-the-scenes account you might be expecting.
Oh, it does look behind the scenes – pulling only few punches in the process – and is written in the first person, or rather persons. See, Monte collected accounts and anecdotes from a great many people, not just band members. It makes for a very lively, fast-paced, and effortless read, like all the best oral-history books do.
Of course Monte nicked the concept from Please Kill Me (which in turn stole it from the baseball classic The Glory Of Their Times), but there's nothing wrong with borrowing a good idea. Ten years after this came out, I did my own oral-history book.
This is a new updated edition of "On The Road With The Ramones", with new pages, photos and info on what's been happening to the legacy of the Ramones. This is a must-have book for all Ramones fans. It is based around the story of Monte A. Melnick who was the Ramones tour manager (and much more) throughout their entire career (1974-1996, and 2,263 live shows). It's an insider's look from the people who were actually there witnessing and experiencing all the extreme highs and lows of one of rock's greatest bands. The book is packed with interviews from the…
I used my first chemicals at age nine. Why? To change the way I felt about myself and my life. It was the beginning of using externals to fix an internal problem.
A 74-year old Native American found me at ten months in recovery. He showed me a path to follow, including opening a house of healing for other women. His teachings, spiritual principles, and a lot of work helped me achieve 32 years in recovery.
In 1992, Mishka Shubaly survived a mass shooting at his school, his parents divorced, his father abandoned him, and he swore he would right all the wrongs for his mother. Instead, he began a love affair with the bottle and barely crawled out, but he did, and we cheer him on at each twist and turn in his journey.
An odyssey of family, heartbreak, violence, punk rock, brokenness, broke-ness, sex, love, loss, drinking, drinking, drinking, and an unlikely savior: distance running.A misfit kid at the best of times, Mishka Shubaly had his world shattered when, in a twenty-four-hour span in 1992, he survived a mass shooting on his school's campus, then learned that his parents were getting divorced. His father, a prominent rocket scientist, abandoned the family and their home was lost to foreclosure. Shubaly swore to avenge the wrongs against his mother, but instead plunged into a magnificently toxic love affair with alcohol.Almost two decades later, Shubaly's life…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
The definitive, authorised Johnny Thunders biography, beautifully written by a beloved confidant of the late New York Doll. With a star like Thunders, lesser writers would give in to the temptation to mythologise, but Antonia is a balanced, clear-eyed biographer, presenting her friend’s complex story with style, compassion, grace, and honesty. Nina is the bohemian queen of decadence and rock ‘n’ roll’s darker side, and this book is one of many jewels in her crown.
The official biography of the New York Dolls and Heartbreakers' guitarist. ‘Johnny Thunders: In Cold Blood’ is the cult bible of all things Thunders. It is the definitive portrait of the condemned man of rock'n'roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers and beyond. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent. Johnny was a hugely influential figure in both the glam-rock and punk eras and his music and style still resonates today.
