Here are 94 books that Changing Heaven fans have personally recommended if you like
Changing Heaven.
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For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Jan Morris’s book is a fantastic discussion about the evolution of Venice. It explores why the city looks as it does, why the inhabitants behave in a particular manner, it explains how the buildings are constructed, why the boats are shaped as they are, how the navy constructed their Arsenale, what is best to eat, and when, what the climate is like and how this has informed behaviour and so much more...
Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life.
Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes…
To Do Justice is the first book in the White Winter Trilogy. The other books are To Love Kindness and To Walk Humbly. The Trilogy follows the same set of characters through eight tumultuous years in their lives and in the history of the world. To Do Justice starts…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Venice is a Fish is the book to carry to Venice so that you can sit in a campo somewhere (or at a café with a spritz) and read it during your stay. A funny, fun, and informative book about Venice as it is now, as well as over its long history. Then you can follow in the book’s footsteps and go for a walk and get lost.
'Every year, hundreds of books on the city are published, but none resembles this one' - Independent
'This gem of a book offers practical advice but in a distinctly lyrical tone. If you are lucky enough to be going there, take Venice is a Fish and you will want for nothing' - Sunday Telegraph
Built on an inverted forest, paved with a tortoiseshell of boulders, Venice is a maze of tiny alleys, bridges and squares. Tiziano Scarpa wanders through the city, recounting the customs and secrets that only Venetians know. With everything from practical advice for aspiring Venetian lovers to…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Toso Fei is a Venetian author who writes about the quirks and mysteries of Venice. He has several books about ghost stories, strange events, and inventions. All his books are great because he not only writes well but is knowledgeable as only an insider can be.
To Do Justice is the first book in the White Winter Trilogy. The other books are To Love Kindness and To Walk Humbly. The Trilogy follows the same set of characters through eight tumultuous years in their lives and in the history of the world. To Do Justice starts…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
This creative non-fiction book is both the real history of a couple in love and the story of di Robilant discovering their letters in the family palazzo. The drama plays out during the 18th century, a time when Venice is heading for decline. His other books are also wonderful, especially Irresistible North about the Zen brothers exploring the North Sea.
In the waning days of Venice’s glory in the mid-1700s, Andrea Memmo was scion to one the city’s oldest patrician families. At the age of twenty-four he fell passionately in love with sixteen-year-old Giustiniana Wynne, the beautiful, illegitimate daughter of a Venetian mother and British father. Because of their dramatically different positions in society, they could not marry. And Giustiniana’s mother, afraid that an affair would ruin her daughter’s chances to form a more suitable union, forbade them to see each other. Her prohibition only fueled their desire and so began their torrid, secret seven-year-affair, enlisting the aid of a…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Here you get McCarthy’s whit and her fine descriptions about living in Venice. Although her stay happened long ago, her stories about interacting with her landlord and other Venetians, and all the adjustments one must make when living in a water-bound city, ring true today as well.
A penetrating work of reportage on Venice. “Searching observations and astonishing comprehension of the Venetian taste and character” (New York Herald Tribune).
I fell in love with Italy when I traveled there with my family in 2013. While touring through this fascinating country, I felt inspired to write about it. When I came home, I threw myself into research. That research spawned my debut novel, Into the Lion’s Mouth, which is set in Renaissance Venice. I am always on the lookout for all things Italian, podcasts, TV shows, and definitely books. Since middle grade is my sweet spot, I am a sucker for a middle grade book set in Italy. Here are some of my favorites that will have you browsing airplane tickets to Italy and beyond.
Here’s another magical adventure that has such potential to be a series. Set in a Venice that is full of actual magic this book will appeal to the Harry Potter lovers in your life. Aribella must use her newly found magic to save the city from a grim future at the hands of the villain Zio. Although a fantastical Venice there are plenty of true-to-life details like the Lion’s Mouth, gondolas, and a ruling doge. I really loved the twists at the end. Middle grade readers will be captivated.
Aribella lives in Venice, the daughter of an impoverished lace-maker. But she has a deadly secret: when angered, sparks shoot from her fingertips. Unable to keep her power hidden, she flees - but when dark spectres rise from the lagoon, the fire in her hands saves her life. A stranger witnesses the attack - and through him, Aribella leaves her old life behind and discovers the world of the Cannovacci, magical warriors sworn to defeat the strange spectres menacing the city ...
WINNER of the North Somerset Teachers' Quality Fiction Award 2020
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Speaking of movies, as I’m afraid I often am, it’s not just the novels of Daphne du Maurier (like Rebecca) that have made great films; her short stories have inspired them, too. And they’re weirder and darker than her full-length works.
Don’t Look Now and Other Stories is a recent collection curated by Patrick McGrath, another excellent horror-adjacent author. It features the title story, source of Nicolas Roeg’s famously frightening 1973 film, and “The Birds,” on which Hitchcock based his notoriously gory (for 1963) film.
While the movies are swell, these brief, insidious, and ambiguous tales can make them seem a little lumbering and obvious by comparison.
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
How could I not love a book set in an alternate Renaissance Venice? When modern-day teenager Lucien “stravagates” in his sleep to Belezza, he discovers a world of gondolas and bridges, spies and alchemy. I love the way Venetian customs are ramped up to fantasy proportions—for example, the traditional “marriage with the sea” involves the ruling Duchessa actually plunging into the lagoon—or does it?
The book moves between the fantastical Bellezza and the “real world” of modern-day Britain, where Lucien is a teenage cancer patient. Lucien’s increasing illness in our world provides added jeopardy to the adventures in Belezza, where Lucien teams up with Ariana—a plucky girl who wants to become the city’s first female mandolier (gondolier)—to save Belezza from the machinations of Rinaldo di Chimici.
Set in Talia, a parallel world very similar to 16th-century Italy, the narrative follows Lucien, who in our world is very ill. Given a marbled notebook to use as a diary, the notebook is the unexpected means that transports Lucien to this dangerous new world; a world that thrills to the delight of political intrigue and where a life can be snuffed out with a flash of a merlino blade. The city of Bellezza (Venice in our world) is astonishingly evoked, with a filmic eye to detail, from the sensuousness of silks and velvets, to the thrill and danger of…
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
Every visitor, regardless of how often he or she has been somewhere, needs an engaging, accurate, and timely guidebook. Hugh Honour’s Companion Guide to Venice is my choice because it was written by an art historian who lived in Italy (he died sadly in 2016) and because it falls into that rarified category of guides that not only describe what you are seeing and how to get there but also places the artwork, building or site in a broader context. Thus, the book functions as a history of Venice and Venetian culture and an insight into its unique society. It is also beautifully written in carefully crafted and modulated sections that evoke the grandeur of the city and its lagoon.
Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES
The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER
There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum, in the Piazza San Marco. It is especially agreeable on those nights when the Venetian city band thunders away at some throbbingly romantic piece... And all the while the younger inhabitants parade around the square, chattering,…
My first encounter with Venice was as a PhD student consulting the state archives in the former monastery attached to the basilica of the Frari, a place redolent of the history and culture of the city, lined with the tombs of doges. This inspired me to learn more about this improbable city, a curiosity that has never waned. Since then, I have visited the city more times than I can count, taking students, cultural tours, and visiting my many friends. Consequently, I was invited to produce my Essential Italy for Smithsonian Journeys and later their first virtual reality tour of the city. I can never tire of Venice nor completely know it.
The greatest travel writer of her generation (she died in November of 2020) produced a popular introduction to the city, mixing fact and story in her uniquely engaging style. It is a book that rivals Honour’s guide but focuses more on the patterns and rituals of life in Venice, linked by a profound appreciation for that unusual place, a city where the “streets are full of water”. If you like Morris, you might also be interested in her old but still engaging Venice, written when she was still James Morris.
A fascinating exploration of the history, sights, seasons, arts, food, and people of an incomparable city. “A highly intelligent portrait of an eccentric city, written in powerful prose and enlivened by many curious mosaics of information...a beautiful book to read and to possess” (The Observer). New Foreword by the Author. Index.
