Here are 97 books that Not After Midnight, and Other Stories fans have personally recommended if you like
Not After Midnight, and Other Stories.
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
When former police detective Michael McLaren is given an old photograph and newspaper article, an inquiry begins that seems straight forward enough: a deadly accident fifteen years ago in a millpond. But when it’s apparent that other deaths in the area are not only similar in their method but also…
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
In Midwinter of the Spirit, Rickman’s excellent prose superbly evokes Herefordshire settings as a backdrop to his protagonist’s, (parish priest, rooky exorcist, and single mum Merrily Watkins), foray into a twilight world. Merrily’s character is painted by Rickman as vulnerable but driven, qualities that eventually lead her into mortal danger, with evil pursuing her in the most personal way through her daughter, and also manifesting itself at the heart of the religious establishment that should be her ultimate protector. Midwinter of the Spiritwas subsequently made into an excellent TV serial, and the cathedral scenes were coincidentally filmed at Chester Cathedral, which features in my novel (and is where I was standing when the mug shot shown on this page was taken!).
THE SECOND INSTALMENT IN THE MERRILY WATKINS SERIES
'They'll follow you home... breathe down your phone at night... a prime target for every psychotic grinder of the dark satanic mills that ever sacrificed a chicken...'
Diocesan Exorcist: a job viewed by the Church of England with such extreme suspicion that they changed the name.
It's Deliverance Consultant now. Still, it seems, no job for a woman. But when the Bishop offers it to Merrily Watkins, parish priest and single mum, she's in no position to refuse.
It starts badly for Merrily and gets no easier. As an early winter slices…
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
I think I am probably the last person in the world to read this book!
I know it’s received a lot of attention, but somehow it never appealed to me when it first came out. After reading it, I love the way the author blends art history and cryptography within a complex (and believable) conspiracy. It was such a unique plotline when it came out, and now it’s almost its own genre.
I’m drawn to books that have a real setting that you can visit today, and this one takes place at The Louvre.
Harvard professor Robert Langdon receives an urgent late-night phone call while on business in Paris: the elderly curator of the Louvre has been brutally murdered inside the museum. Alongside the body, police have found a series of baffling codes.
As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of Leonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vault of history.
Unless Langdon and Neveu can decipher the labyrinthine code and quickly assemble the…
If you’re intrigued by the psychology of relationships this is the novel for you.
Described as a modern-day Rebecca, this is a story of a bereaved man’s obsession with his deceased married lover, Michelle. Determined to find out all he can about Michelle’s life when she wasn’t with him,…
I am fascinated by the myth, legend, and the supernatural, and love to link them with a particular setting. The books listed all inspired my writing from their pace, elegant prose, great characterisation, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). And I am lucky enough to have lived in Cornwall by the River Fal, a place so steeped in legend and natural beauty that Angel’s Blade almost wrote itself.
The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him…
Why did the solitary girl leave her rented house on the French Riviera only for short walks at night? Why was she so frightened? Why did animals shrink away from her? The girl herself didn't know, and was certainly not aware of the terrible appointment which had been made for her long ago and was now drawing close. Molly Fountain, the tough-minded Englishwoman living next door, was determined to find the answer. She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined. Dennis Wheatley returned in this…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
Speaking of movies, as I’m afraid I often am, it’s not just the novels of Daphne du Maurier (like Rebecca) that have made great films; her short stories have inspired them, too. And they’re weirder and darker than her full-length works.
Don’t Look Now and Other Stories is a recent collection curated by Patrick McGrath, another excellent horror-adjacent author. It features the title story, source of Nicolas Roeg’s famously frightening 1973 film, and “The Birds,” on which Hitchcock based his notoriously gory (for 1963) film.
While the movies are swell, these brief, insidious, and ambiguous tales can make them seem a little lumbering and obvious by comparison.
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
I am fascinated by the supernatural and love to link it with a particular setting. The books listed all inspired my writing from their pace, elegant prose, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). I was lucky enough to spend my early years in southwest Wirral, with its red sandstone hills, heathland, and views across the Dee estuary to Wales. This was a perfect setting for The Face Stone, with the atmosphere of the local woodlands, especially at dusk, making it easy to imagine that ancient spirits still guarded rock and tree.
Hill’s minimalist style, ability to evoke despair, and superb descriptions, combined with the most vivid of imaginations, make her a compelling writer of ghost stories. Hill generally includes all my favourite elements in her ghost stories, starting in familiar surroundings, then moving to more exotic locations, often delivering a shocking twist at the end. In The Man in the Picture, a story set in Venice during Carnival is told to the narrator by an aging professor in his Cambridge rooms on a winter’s night. You don’t read a Susan Hill book to come out feeling better afterwards, but… if you like to be left with a feeling of disquiet, even though you know it’s only a story you just read,The Man in the Picture’s definitely for you.
A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty ...
Award-winning writer Laurence Klavan's newest collection of stories features twenty darkly comic and largely speculative tales.
People deal with aging parents, a world out of kilter, and their own arrested development today and in the near future, as Klavan weaves together threads of humanity and strangeness to dizzying and heartfelt…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Here you get McCarthy’s whit and her fine descriptions about living in Venice. Although her stay happened long ago, her stories about interacting with her landlord and other Venetians, and all the adjustments one must make when living in a water-bound city, ring true today as well.
A penetrating work of reportage on Venice. “Searching observations and astonishing comprehension of the Venetian taste and character” (New York Herald Tribune).
I have been a fan of the horror genre since I was a kid. Even though sometimes I was so scared, I had to sleep with the light on or not sleep at all. Something about the darkness and the unknown has always seemed so alluring. I can't even count the number of horror movies I've watched or books I've read. That feel of the hair standing up on your arms or the back of your neck is a thrill like no other.
Most people know Anson from The Amityville Horror, but this is a whole other horror, and gratefully, totally fictional this time. A couple moves into their dream home (sound familiar?), soon, strange and frightening things begin to happen at the house with the ominous address. Things that have happened in the same house, at other locations, in other times. I read this book years ago and the imagery of the final chapters still unnerves me.
An innocent-looking but evil-filled house mysteriously appears at different times in different cities, each time waiting for the unwitting victim to rent it and then unleashing the terrifying force of the devil
For more than thirty years I have been discussing, formulating ideas, and writing about Architecture, Building Reuse, and Interiors. I lead the MA Architecture and Adaptive Reuse programme and direct graduate atelier Continuity in Architecture at the Manchester School of Architecture. I am currently the Visiting Professor at the University IUAV of Venice where I am conducting research on the sustainable adaptation of existing buildings with particular emphasis on the environmental concerns within the inherently fragile city of Venice.
Jan Morris’s book is a fantastic discussion about the evolution of Venice. It explores why the city looks as it does, why the inhabitants behave in a particular manner, it explains how the buildings are constructed, why the boats are shaped as they are, how the navy constructed their Arsenale, what is best to eat, and when, what the climate is like and how this has informed behaviour and so much more...
Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life.
Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes…
I am an anthropologist who became attached to Venice after spending time in Italian language school there and returning over and over, often staying for months. What tourists see is the superficial beauty of the city. But Venice is a place of incredible depth and complexity, both historically and today. During my many visits, I began to hear (on the street) and read (in museums) of the many inventions that happened in Venice. I soon started making a list and, with additional reading, this list grew to 220 inventions—such as quarantine and the paperback book—and realized how much we owe to Venice for how we navigate the world today.
Toso Fei is a Venetian author who writes about the quirks and mysteries of Venice. He has several books about ghost stories, strange events, and inventions. All his books are great because he not only writes well but is knowledgeable as only an insider can be.
