100 Books Like Celts and the Classical World

This classic and unsurpassed study of iconography and literature pertaining to deities and various types of symbolism found in Celtic myth, I think has often been overlooked by students... as well as by enthusiasts, who inexplicably prefer trying to discern the veracities of topics related to Celtic paganism through online chat rooms, where many posts (including heated arguments and mind-boggling claims and posturing) rarely seem to culminate in any kind of helpful or accurate conclusions. And readers and seekers deserve better!

I would highly recommend that people step away from the phone, and pick up this book! So many of the questions that never seem to get answered on social media are both answered and clarified in this excellent work (which I use myself!). The chapters talk about a variety of gods and goddesses, and mythic themes (with examples from Britain, Ireland, Gaul, and the Continent) including horned gods, the… show more.

This is an incredibly useful and totally indispensable resource that provides excellent translations of well-known and lesser-known writings about the Celts from the Iron Age and the Medieval Era.

Many people don't realize that there are really bad translations of some of these materials floating around the internet, and there's no need for that. The editors and translators of this classic anthology are top-notch, and whether the accounts or texts come from Greek, Latin, Gaulish, Old Irish, or Middle Welsh sources, students and enthusiasts can rely upon them.

Because it is a sourcebook, it doesn't provide any commentary, so that's important to know upfront (and fear not: see below). As such, some of the material may not make sense to some readers - or can lead to erroneous claims and inaccurate conclusions - if one doesn't know the history of the text, the historical context, and the secondary studies that… show more.

So how does one interpret early Celtic literature?

Here is a prime example of how it's done, and done right. This anthology contains some of Emeritus Professor Tomás Ó Cathasaigh's most important studies and essays about early Irish literature, including mythic literature... and shows how much training, knowledge, and insight a person needs to not only to make sense of early Irish literature, but to really illuminate and understand it.

Tomás was my Old Irish teacher at Harvard, and it was truly an honour and blessing to sit at the knee of a master, as they say. He would blush to read such a gushing statement, as he was always so humble about his work, and understated in regards to his incredible knowledge and achievements.

His dry wit was unparalleled, as were his classes, which were intense to say the least. We were held to very high standards, and because… show more.

This recent and very unique release from University of Wales Press presents a wide range of academic studies about different aspects of Celtic mythology, showcasing what kinds of perspectives and methodologies are being used these days at the cutting edge of the study of Celtic mythology.

It also provides readers and students with an introduction to some important topics, and well-grounded and insightful interpretations, as well as the work and approaches of a wide range of Celticists from a variety of countries.

Some of my favourite mentors and colleagues are in the book, as well as an essay by yours truly about the possible use of entheogens in early Ireland. This is a shorter version of a larger body of research I'm currently editing for publication, but it shows how a knowledge of Old Irish and the wide range of early Irish literature can provide a deep pathway into topics… show more.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.

My interest in history once again comes to the fore in this book by Edward Rutherfurd. It is an epic saga that takes readers into the lives of five families in Salisbury, beginning in the Ice Age to 1985.

It follows two rival families who sought revenge on each other for over 400 years, whilst a stonemason’s family’s constructions spanned from the creation of Stonehenge to Salisbury Cathedral. It touches on the family of an exiled Roman soldier and an aristocrat who fell from grace, taking many generations for the family fortune to be revived.

This is a fascinating read, showing how the families, the land, and the buildings around them evolved and the skills that brought Salisbury to its intriguing place today. I found it a little heavy going at times, but it was well worth my perseverance. 

In seventeenth-century Rome, a talented young woman artist, Artemesia Gentileschi, is put on trial for accusing her painting instructor of rape. Unwilling to bow to convention, Artemesia pours her rage into her art, inventing an aesthetic against the voyeurism and female submissiveness found in traditional artistic representations of women.

Fremantle heightens the drama and contemporary relevance of Artemisia’s life and art by telling her story in the present tense. Drawing subtle connections between women’s struggles for autonomy and dignity in the past and those in the present, this page-turner of a novel is a searing, nuanced portrait of a woman’s passion for art, determination to right being wronged, and steadfast resolve to be recognized as a great artist. 

Pasolini’s films, Mamma Roma and Accattone, were among the reasons I decided to move to Rome in the first place.

Their blend of poetry and wretchedness chimed with my own vision of life at that time and I seized the chance to improve my knowledge of the city, of Italian and of Roman dialect, by reading his first novel Ragazzi di Vita, as soon as I arrived in the city.

Ragazzi di vita are hustlers, doomed from birth by circumstances outside their control, and I was drawn to the novel’s dark non-conformist romanticism, its refusal to compromise and the sheer texture of the language, which I only partly understood. It’s like Kerouac, but for real.

Caracalla was described by Gibbon in his Decline and Fall of the Roman Empire as the “Common Enemy of Mankind.”

But much of what is known about this third-century Emperor was written by Cassius Dio, a Senator who served under him, and hated him. Caracalla certainly committed his fair share of evil deeds, but arguably not to any greater extent than some Emperors who are lauded today such as Augustus, Marcus Aurelius, and Constantine.

Ilkka Syvanne, a Finnish history professor, attempts to rehabilitate Caracalla’s reputation, with mixed success. You may not agree with all his arguments and conclusions, but you will learn a lot about a fascinating Emperor.

My own copy is covered with notes and highlights as a vital source for my Imperial Assassin series. 

This is one of the best books on life in the ancient Roman world – about life for the 99% rather than kings, queens and aristocrats.

In it, Robert Knapp seeks to rescue the invisible majority of ‘ordinary people’, their activities, beliefs, and dreams, from relative obscurity. The book draws on a huge range of sources and every page reveals something interesting. Women form a large proportion of the Roman invisible, and Knapp explores the lives of all kinds of subaltern women, free and enslaved.

Sometimes, as with prostitutes or the poor, the stories are grim – but they are as valid as any discussion of a Cleopatra or a Livia. I really liked Knapp’s idea of historians making invisible people visible again and it really chimed with my work on ancient women.