Books like Celtic Myth in the 21st Century — picked by fans

This classic and unsurpassed study of iconography and literature pertaining to deities and various types of symbolism found in Celtic myth, I think has often been overlooked by students... as well as by enthusiasts, who inexplicably prefer trying to discern the veracities of topics related to Celtic paganism through online chat rooms, where many posts (including heated arguments and mind-boggling claims and posturing) rarely seem to culminate in any kind of helpful or accurate conclusions. And readers and seekers deserve better!

I would highly recommend that people step away from the phone, and pick up this book! So many of the questions that never seem to get answered on social media are both answered and clarified in this excellent work (which I use myself!). The chapters talk about a variety of gods and goddesses, and mythic themes (with examples from Britain, Ireland, Gaul, and the Continent) including horned gods, the… show more.

This is an incredibly useful and totally indispensable resource that provides excellent translations of well-known and lesser-known writings about the Celts from the Iron Age and the Medieval Era.

Many people don't realize that there are really bad translations of some of these materials floating around the internet, and there's no need for that. The editors and translators of this classic anthology are top-notch, and whether the accounts or texts come from Greek, Latin, Gaulish, Old Irish, or Middle Welsh sources, students and enthusiasts can rely upon them.

Because it is a sourcebook, it doesn't provide any commentary, so that's important to know upfront (and fear not: see below). As such, some of the material may not make sense to some readers - or can lead to erroneous claims and inaccurate conclusions - if one doesn't know the history of the text, the historical context, and the secondary studies that… show more.

So how does one interpret early Celtic literature?

Here is a prime example of how it's done, and done right. This anthology contains some of Emeritus Professor Tomás Ó Cathasaigh's most important studies and essays about early Irish literature, including mythic literature... and shows how much training, knowledge, and insight a person needs to not only to make sense of early Irish literature, but to really illuminate and understand it.

Tomás was my Old Irish teacher at Harvard, and it was truly an honour and blessing to sit at the knee of a master, as they say. He would blush to read such a gushing statement, as he was always so humble about his work, and understated in regards to his incredible knowledge and achievements.

His dry wit was unparalleled, as were his classes, which were intense to say the least. We were held to very high standards, and because… show more.

I really think this book has also been underappreciated and overlooked by students and enthusiasts.

It contains a remarkable (and again) unsurpassed collection of written sources from the Iron Age in regard to the history, culture, and religions of the Celtic speaking peoples of ancient Europe. In some places it focuses on interactions between the Celts and population groups from the Mediterranean and other parts of ancient Europe.

But it also goes into a great deal of detail about the Celts themselves; where they lived; the names and activities of many of their leaders, warriors, druids, and others; and fascinating information about their cultures, beliefs, and religions... in accurate historical context which makes for a very engaging - and at times a surprising read.

Without a proper understanding of the historical realities, and the context from which information derives... whether Greek and Roman accounts, inscriptions, other written sources, archeology, and… show more.

This is a fascinating look at the perceptions of Irish mythology at different points throughout our history. There’s always a lot of fuss on the internet about fantasy writers who get our mythology “wrong”, but Mark Williams shows that the legends themselves and their themes have evolved constantly to reflect the concerns and mores of the times and of the storytellers themselves. Ireland’s Immortals is almost an academic proof of the thesis laid out in Robert Holdstock’s brilliant novel, Mythago Wood, which -- it goes without saying -- I also highly recommend.

This book is over 100 years old but it is still one of the best compilations of mythology about Ireland and Wales.

It gives potted versions of the stories, an excellent summary of what the myths are about, covering a vast number of them. It also has some lovely black and white illustrations.

Raymond E Feist takes a Celtic legend, massages it, and transports it to the new world with such ease that I could really believe the Hill of the Elf King existed in New York state. An earth-based fantasy from an author that has a wonderful knack of making his characters jump off the page, the tale hints at an unseen world. A fantastical world of powerful beings that exists deep below the land. 

I love the thought that just below the level of our modern urban world is another world of otherworldly beings where even a simple stroll in nature can take a turn for the worst when we don’t understand the land we are walking on. Throw in an ancient Irish legend and you have the recipe for disaster.

I was attracted to this book as it uses the most up-to-date archaeological evidence together with new work on DNA and other scientific techniques to tell the story of the origins of the British and the Irish peoples, from around 10,000BC to the eve of the Norman Conquest. Whilst there are new archaeological discoveries made every week, one or two of which could potentially challenge some of the ideas in this work, at the moment it is the most up-to-date book on the subject which we have, and as such should be treasured.  

In The Girl of Dorcha Wood Ward leads her readers on an emotional journey of love and loss that is filled with innocence, betrayal, love, pain, bitterness, and revenge.

Her characters are incredibly realistic. She has a way of making you feel like you’ve known them all your life. The setting is well-written and almost feels like home.

In the summer of 1968, I was 20 and spent the summer pretty much banally in Israel and Europe. Around me, the world was on fire, but I was inside my own head.

Eventually, I washed up in Dublin, where I walked in a cold rain to Dorset Street, there to recreate Leopold Bloom’s pork kidney purchase from Dlugacz, the butcher. There was no Dlugacz on Dorset, but there was another butcher who stuffed into stiff pink butcher paper something that glistened and oozed. My plan was to fry it up, as Leopold had, on the hotplate in my rented room. It did not go well. I was felled intestinally in dramatic fashion; pity there was no one to observe. 

Somehow, in my travels, I had obtained a copy of At Swim Two-Birds, and now, my insides recreating The Troubles, I wanly reached for it and read the first paragraph:… show more.