100 Books Like Sarum

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

I was drawn to this book, a ripping and irreverent yarn about Vikings, by the foreword to its new edition written by Michael Chabon.

Our sea-faring hero finds himself in endless scrapes everywhere a Viking ship could go, often brought about by his own foolishness. Of special note are his adventures in Islamic Spain.

And I discovered as I was writing this recommendation that the novel was (sort of) made into a 1964 movie, a British-Yugoslav coproduction starring, among others, Sidney Poitier. You’ve got to love that.

Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.

Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.

Alfred Duggan is one of those authors I stumbled across by accident (a random discovery at my local library) a man whose books I immediately started collecting once I’d finished his first. His novels are impeccably researched and he’s one of the few authors I know who seem to slip effortlessly into the minds of their characters, offering an authentic viewpoint of their world through their eyes. This novel is set in the dying days of Roman Britain and uses what few historical details are known of the period to give us a completely credible tale of the ‘little emperors’ of the Romano-British administration as they attempt to cling to power after the departure of the last legions to the Continent.

A prequel to the famous best-seller The Pillars of the Earth this book follows the fortunes of three disparate characters as they navigate the perilous Viking-riven world of 10th-century England. Although some of Follett’s books are considered ‘light’ reading by many he’s a meticulous author who enjoys his period research and always presents his readers with stories as rich in historical accuracy and verisimilitude as they are in drama and intrigue. A broad cast of characters gives us a view of life from all the strata of English (and Norman) society: from noblewoman to slave; craftsman to monk. A long, long book that will leave you wanting even more.

I like history and dragons, so I was immediately grabbed by a book offering an alternative history with dragons! The story is set during the Napoleonic Wars. Dragons are a major part of the war effort. A dragon chooses his or her captain, and the larger dragons are like warplanes or warships in the air, carrying the captain and a crew, including a medic.

The main human character, naval captain Will Laurence, is picked by a newly hatched dragon, which takes him into Britain’s Aerial Corps. I enjoyed reading how Laurence comes to love Temeraire, and that the dragon is a strong character in his own right. 

I consider this one of the best novels that demonstrates the clash of two cultures that fairly defines the history of our American West. Both sides are examined to reveal the opposing motives of whites and Indians.

The good and the bad emerge on each side of the equation. Almost everything in the book is based on actual events in order to give the reader a sense of history while he/she is entertained by a good story.

This powerful story angered many when it was published, but Styron is asking serious questions: How do you survive a terrible experience, especially one that forces you to make an agonizing choice? Can you, in fact, survive that? He takes what I believe is the most extreme case of survivor guilt imaginable, which is the heart-rending decision that Sophie is forced to make and which is the core of the novel.

That’s in the past–the recent past for the characters–and in the present, the three main people in the novel find themselves in a painful love triangle that arises specifically from those terrible events but which I found to be a very perceptive insight into a situation that many of us find ourselves in.

It’s about a different kind of choice but one which will cause pain, whatever is decided. 

A thrilling read that first sparked my lifelong passion for ancient Egypt with its vivid recreation of a distant past.

Sinuhe’s career as a young Egyptian physician takes him to the center of royal power and secrets and into the lives of unforgettable characters. Like the heartless courtesan Nefernefernefer, a beauty whose name ensured that no man would ever hear it spoken without saying it aloud and remembering it. Just as I remember it today. 

I chose this book as an easy leisure read for a holiday in Greece, and I fell in enduring love with it. Umberto Eco is not only the master of the theory of sign systems (semiotics) but also able to escape from the dry plains of scientific conclusions to the rich landscapes of historical narratives.

In this book, he shows us that Europe’s early development has not just been the linearly ascending advance from ancient Greece, via the Roman Empire, to the Renaissance. The narrator he invented for his book lets us return to the many threats from which the Middle Ages in Europe could emerge.

I started reading it as an entertaining storytelling book, but in the middle of this adventure, I realized how deeply into scientific thought Eco, the specialist in medieval studies, had abducted me.