100 Books Like The Mabinogion

This is a huge compendium containing both well-known and rare stories, that have been updated into modern English for easy reading.

While it’s very readable it also maintains a high level of continuity with the source material from which the stories come from, with only minor changes and all the key elements intact. This makes an excellent introduction to Irish mythology and a handy reference book for myths on particular areas of folklore that are widely covered.

This is an incredibly useful and totally indispensable resource that provides excellent translations of well-known and lesser-known writings about the Celts from the Iron Age and the Medieval Era.

Many people don't realize that there are really bad translations of some of these materials floating around the internet, and there's no need for that. The editors and translators of this classic anthology are top-notch, and whether the accounts or texts come from Greek, Latin, Gaulish, Old Irish, or Middle Welsh sources, students and enthusiasts can rely upon them.

Because it is a sourcebook, it doesn't provide any commentary, so that's important to know upfront (and fear not: see below). As such, some of the material may not make sense to some readers - or can lead to erroneous claims and inaccurate conclusions - if one doesn't know the history of the text, the historical context, and the secondary studies that… show more.

This book is over 100 years old but it is still one of the best compilations of mythology about Ireland and Wales.

It gives potted versions of the stories, an excellent summary of what the myths are about, covering a vast number of them. It also has some lovely black and white illustrations.

There are newer versions of this book, often described as the “Illiad/Odyssey” of Irish tradition, but this is the classic translation from 1969.

Kinsella was a poet and a Gaeilgeoir (Irish speaker) so he really understood this text due to his deep knowledge of the source language and of Irish poetic norms, plus he spent 15 years lovingly translating it into the best English facsimile possible.

This is one of (if not the most) important myths of Ireland and is an essential read for those interested in Irish mythology.

M. Wynn Thomas is the foremost literary critic writing in Wales today, and a writer I particularly admire.

He pioneered the concept of ‘Welsh writing in English’ as distinct from ‘Welsh writing’ (in Welsh), honouring the bilingual culture of Wales. Thomas’s twelve poems are selected from three key periods of Welsh history, the Middle Ages, the pre-modern period, and our own time.

Each poem is read in the context of its social and political background, educating us about the politics of Welshness, the cultural assumptions written into the literature, and above all what it means to be Welsh in a nation that is not a state.

This is such an elegant and original way to foreground the creativity of Welsh poets alongside the cultural forces that shaped them.

I’m not particularly a foodie, but this book was an eye-opener.

Carwyn Graves takes us on a historical and topographical journey around Wales uncovering one of its best-kept secrets, its traditional and inventive cuisine. I discovered that there is definitely more to Welsh cooking than the famous Welsh rarebit or even the ubiquitous Welsh cakes (enjoyable though they are).

The book is structured around key foods from the Welsh menu, including Bara/Bread, Caws/Cheese, and Cig Oen/Lamb. The emphasis is on fresh natural foods, though the final chapter on Sglodion/Chips rather gives the game away.

There are a number of anthologies of Welsh poetry in translation, but Tony Conran’s collection remains my favourite.

It is a terrific selection, from the great medieval court poets to the giants of the nineteenth century and the modernist poets of the twentieth century. Well-known poets such as Dafydd ap Gwilym and Waldo Williams rub shoulders with less familiar names, such as Gruffudd ap Maredudd and Alun Llywelyn-Williams.

Some individual poems have their own prefaces explaining their context, while the whole volume begins with a masterly introduction to the Welsh bardic tradition.

As a bonus, the volume concludes with a substantial explanation of the metres of Welsh poetry, so if you are not sure how to tell an englyn from an awdl, this is the book for you.

Pigeon is Alys Conran’s first novel and it exemplifies, for me, the huge energy and potential of the current generation of writers in Wales.

It is not only a powerful story of loss, guilt, and redemption, but a pointed comment on the state of contemporary Wales and its social challenges.

Pigeon’s young adulthood, dominated by a bullying English stepfather, echoes the difficult relationship between the Welsh and the English, while Pigeon’s troubled attitude towards the Welsh language, his birth language, throws up questions about the nature of linguistic identity in a bilingual country.

The novel won the Wales Book of the Year in 2017, has been translated into Welsh, and has been turned into a play, and yet is hardly known outside Wales. Welsh writers like Conran deserve a much wider readership.

Green’s book is a great read, very scholarly, and inclusive of a great deal of comparatively early source material on Arthur. If you want a good discussion of how you could go from a figure of Celtic myth to one of history, again and again in multiple stories, this is the best guide to that journey and deserves a hearing, whether ultimately you agree with it or not. You’ll probably not be surprised to hear that I am not persuaded, despite my considerable respect for the arguments made herein, largely for the same reasons as I noted in looking at Padel’s work above. It is extraordinarily difficult to determine whether Arthur passed from ‘history’ to folk-lore or folk-lore to ‘history’, better in my view to not distinguish these as two separate genres with this much clarity.

As usual, it all comes down to the Historia Brittonum, which is called… show more.

Oliver Padel is a linguist specializing in early Welsh and Cornish and as such the ideal guide to Arthur’s presence in early Celtic literature. While acknowledging that the earliest datable instances come in the Historia Brittonum in 829-30, his view is that Arthur began as a figure of Celtic mythology and was only later converted into a pseudo-historical figure fixed in the past. In that sense, the early Arthur is the individual in the Historia Brittonum in the section called Mirabilia (Wonders), where he is used as a way of explaining landscape features and the names given to them, who has then been adapted to be a British general fighting 12 battles in chapter 56. This has strongly influenced ways of looking at the evidence in recent years and it deserves our attention.

Personally, I don’t agree with it for two reasons. First of all is the whole issue of… show more.