36 Books Like Canary in the Coal Mine

I have a lifelong respect for the true sociopaths among us who just happen to side with the good rather than the bad element in society. From Sherlock Holmes’ disregard for the shackles of Scotland Yard and the totally criminal world of Don Pendleton’s Mack Bolan I have cheered on my champions for half a century. My heroes share a common trait – the willingness to break the law to uphold the law. The 21st century has brought an entire new set of protagonists whom I consider to be arbiters of justice. While I believe in jurisprudence, I also subscribe to the tenet that most often the end justifies the means.

As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions. 

As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions. 

As a screenwriter I’ve always enjoyed noir stories, whether books or movies. Stories where the characters are not your squeaky-clean “good guys.” I like to see “ordinary” people; people who are flawed (like all of us), or maybe with a shady past, who are swayed or manipulated by dire circumstances into doing something they would not ordinarily do. I enjoy stories with unique, interesting characters that are not your run-of-the-mill private eyes, and whose moral compass might be a bit off. I particularly like stories where characters are forced to become investigators because of a situation they are thrust into, whether by accident or by their own dubious actions. 

My love of British crime fiction began when, as a young teen, I discovered Agatha Christie on the shelves of my local library. With Scottish grandparents, I was already well indoctrinated in the “everything British is best” theory, but it was as a student at St. Clare’s College, Oxford, that I fell totally under the spell of the British Isles. No surprise, then, that my Kate Hamilton Mystery series is set in the UK and features an American antiques dealer with a gift for solving crimes. I love to read the classic mysteries of the Golden Age as well as authors today who follow that tradition.

Puzzles intrigued me since I was a three-year-old. Puzzle pieces that fit into pre-sized spaces. Then, disassembling and reassembling small 3-D animal shapes. Crosswords were next. Finally, Nancy Drew entered my life. I was addicted. Sherlock and Agatha became my mentors. But I loved to paint as well, so art was my first major at Michigan State University. Changed it to advertising in my senior year. Shortly after, Leo Burnett hired me to write print and radio media for Buster Brown shoes. Television was next. I solved many advertising puzzles at Foote, Cone & Belding, but after retiring, mystery re-entered my life when I wrote my first book.

My favorite childhood summertime memory is being allowed to choose a stack of Agatha Christies to take with me to summer camp and on vacation. As I moved on to academia and the “serious” study of literature, I quickly discovered that mysteries are every bit as serious as James Joyce—and are a lot more fun to read. Now that I have turned to writing the stories myself, I enjoy diving into a world of afternoon tea, well-read detectives, and impeccably mixed cocktails, and I love to find readers who want to join me there.

I walked to the library every Saturday to find a new mystery. I think I read everyone and read some more than once. As I matured, I discovered the mixture of romance and suspense I was hooked. I literally read every book in the genre’ at my local library. 

Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.

All of the books I’ve listed above have flawed characters. Characters that deal with emotional and/or moral dilemmas. The plots: murder, missing children, or runaway husbands are secondary to me. What I look for in a book and what I write about in my Cole and Callahan series, are characters with flaws. People who struggle with truth. Cops or investigators that hide or skew evidence because the truth would cause more harm than good. It’s the moral dilemma I want. The angst we all feel when we are faced with a particularly painful decision. That’s what real life is and that’s what brings a book and a character to life.