Books like A Gentleman's Murder — picked by fans

When I think of the classic mysteries of the Golden Age, I automatically picture an English country house. In Deborah Crombie’s A Bitter Feast, Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, are invited for a fall getaway at Beck House a country estate in the Cotswolds. When a posh charity luncheon catered by brilliant young chef Viv Holland turns deadly, Duncan and Gemma are pulled into the investigation. While I enjoyed the masterful unfolding of the investigation and the fascinating behind-the-scenes look into a high-end restaurant kitchen, it was the iconic setting that hooked me. Worthy of Miss Marple herself.

“‘Well, my dear,’ said Miss Marple, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village.'” (The Thumb Mark of St. Peter) An Irish village is the setting for Gordon’s fourth Gethsemene Brown mystery. When African-American violinist Gethsemane Brown takes a job leading the orchestra at a boys’ school in the village of Dunmullach, she has no idea her cliffside cottage comes complete with a resident ghost, Eamon McCarthy. Nor does she imagine she’ll become the village’s amateur sleuth—with a little help from Eamon, of course. When a wedding party descends on the village, Gethsemane learns the groom-to-be once jilted her friend Frankie’s new girlfriend, Verna. When the groom turns up dead, Verna is the logical suspect. 

From the days of my youth, I’ve always had an interest in stories relating to the pursuit of murderers by a Sherlock Holmes type of character. Anthony Horowitz excels in this novel with his character, Daniel Hawthorne, an ex-detective who is determined to solve the mystery Horowitz so artfully lays out. While attending a literary festival at an island once held by the Nazis, two murders take place which throw shadows over those attending as they each are faced with Hawthorne, now on loan by the police, to aid in finding the killer. As a former federal investigator, I found myself relating to the characters, their personalities, and how they parlayed back and forth with Hawthorne. As such, I heartedly recommend it.

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.” 

In this book, a murder takes place in a manor house just like in my novel, but during Christmas time. There is a connection to a diamond mine in South Africa, and how that played a part in the murder of the patriarch of the family. Detective Hercule Poirot has to delve into the family’s past to connect the dots and determine the motive and the identity of the killer. For those who like murders set during Christmas time, this is a novel for you.

Intricately woven romantic suspense set in New Orleans.

I love a book where the ending is a surprise, and the characters are entertaining and intelligent. You will fall in love with the secondary characters. Gabe is a chef who father is dead, but the authorities call it a suicide. He doesn’t believe it and hires a private investigator, Molly.

There are good cops and some really bad cops. Fantastic ride. Finished it in one sitting. 

“Absolutely gripping and darkly compelling,” says the blurb—and for once, it’s right! This book is both of those things and so much more. A hell of an introduction to a series that started out as a small-press publication and has gone on to sell in the millions—and deservedly so.

The North of England isn’t all post-industrial urban centres of decay. As well as being home to large and important cities, its green spaces are plentiful and attract numerous tourists to its many attractions. Frances Brody’s PI Kate Shackleton series makes use of Yorkshire’s picturesque and pleasant rural settings, not least the rolling moors leading to the coastal town of Whitby in the series’ eighth outing. Set in the 1920s, Brody’s series is also a reminder of the importance of subverting and challenging social norms, but never at the expense of entertaining the reader.

I absolutely devoured this book in just a few hours. 

This Christian family drama crosses over into mystery/suspense. In a family with three sisters and one brother, no one seems to be able to get it all together. One sister is a writer, but she’s being blackmailed for what she’s writing about. The other sister is notorious for one-night stands, the third sister is mostly stable with a husband and two kids.

Their brother? He’s going through a divorce. Only problem is that when he went to visit his soon-to-be ex-wife, he found her dead. With a shared son and a dying mother-in-law, who should have custody over the child? It seemed simple until the brother was listed as a person of interest for his wife’s death. The sisters all put on their detective hats to help their brother out.

I laughed at the sibling rivalry in this book and… show more.

The Three Coffins is legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.