36 Books Like A Gentleman's Murder

When I think of the classic mysteries of the Golden Age, I automatically picture an English country house. In Deborah Crombie’s A Bitter Feast, Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, are invited for a fall getaway at Beck House a country estate in the Cotswolds. When a posh charity luncheon catered by brilliant young chef Viv Holland turns deadly, Duncan and Gemma are pulled into the investigation. While I enjoyed the masterful unfolding of the investigation and the fascinating behind-the-scenes look into a high-end restaurant kitchen, it was the iconic setting that hooked me. Worthy of Miss Marple herself.

“‘Well, my dear,’ said Miss Marple, ‘human nature is much the same everywhere, and, of course, one has opportunities of observing it at closer quarters in a village.'” (The Thumb Mark of St. Peter) An Irish village is the setting for Gordon’s fourth Gethsemene Brown mystery. When African-American violinist Gethsemane Brown takes a job leading the orchestra at a boys’ school in the village of Dunmullach, she has no idea her cliffside cottage comes complete with a resident ghost, Eamon McCarthy. Nor does she imagine she’ll become the village’s amateur sleuth—with a little help from Eamon, of course. When a wedding party descends on the village, Gethsemane learns the groom-to-be once jilted her friend Frankie’s new girlfriend, Verna. When the groom turns up dead, Verna is the logical suspect. 

From the days of my youth, I’ve always had an interest in stories relating to the pursuit of murderers by a Sherlock Holmes type of character. Anthony Horowitz excels in this novel with his character, Daniel Hawthorne, an ex-detective who is determined to solve the mystery Horowitz so artfully lays out. While attending a literary festival at an island once held by the Nazis, two murders take place which throw shadows over those attending as they each are faced with Hawthorne, now on loan by the police, to aid in finding the killer. As a former federal investigator, I found myself relating to the characters, their personalities, and how they parlayed back and forth with Hawthorne. As such,  I heartedly recommend it.

For my last pick, I’ve chosen a novel published near the end of the Golden Age (roughly the 1920s through the 1950s). Author and solicitor Michael Gilbert set his novel in the chambers of Horniman, Birley, and Craine. After the death of the firm’s senior partner, a hermetically sealed deed box is opened, revealing the corpse of Marcus Smallbone, a co-trustee with the late Mr. Horniman of the valuable Ichbod Trust. With the help of newly qualified solicitor Henry Bohun, Chief Inspector Hazelrigg sorts through a maze of lies and misdirection to uncover the surprising perpetrator and motive. Martin Edwards, in the foreword to the Poisoned Pen Press edition, said, “The book blends in masterly fashion, an authentic setting, pleasingly differentiated characters, smoothly readable prose, and a clever puzzle.” 

Agatha Christie has got to be considered as one of the master craftsmen of the “whodunnit”. In this novel, she presents us with an intriguing mystery and brings in her famous character, Hercule Poirot to solve it. As always, Poirot faces a varied array of possible suspects and the highly-credible reasons as to why he/she may be the guilty party. The pace is consistent and keeps the reader turning the page and trying to guess until the unmasking at the very end.

This book was a birthday gift from a good friend and fellow writer at The Guardian. It captured my interest immediately because I enjoy Patterson. This exciting action thriller explores the seedy life of Las Vegas, where love and murder are lost and found for a few quick dollars.

I especially enjoyed his tale with wild twists, where his main character, Jack Morgan, is continually beaten down and challenged through incredible odds and tribulations.  

The Three Coffins is legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.

Many get obsessed with cold cases involving Jane and John Does, and Sue Grafton was no exception. After a chance encounter with the forensic pathologist who investigated a Jane Doe who had been discovered near a quarry in Santa Barbara County, California, in 1969, Grafton incorporated the true story into one of her iconic works of fiction.

Peter Lovesey’s detective discovers the power of art in this recent mystery set in Bath, England.

This book in the series is unusual, since most of the story is told through the eyes of a cheap private detective, who views Diamond as a grumpy old man. A body found in an antique sarcophagus and the disappearance of the antique dealer is at the start of the mystery, but the piece of art which was purchased in an antiques roadshow drives the plot.

Greed and ambition, stirred by the provenance of the art, results in several murder attempts which confound Diamond’s and the private detective’s investigation.

Reading a Lindsey Davis novel is a guilty pleasure. Why? She’s wickedly funny. She brings ancient Rome to vivid life, from the fancy fringe on a tunic hem to the steaming pile of donkey dung in the street. Her sleuth, a tough, no-nonsense woman named Flavia Albia, is assisted (whether she likes it or not) by an extended family of eccentric and sometimes meddlesome characters. I also appreciate how Davis adds just enough historical detail to bring the plot to life without bogging down the action. 

In this book, I particularly enjoyed the interplay between Albia and the officious aedile, Manlius Faustus, who turns out to be nicer (and more interesting) than he first appeared. While each novel is stand-alone, I recommend starting here to get the full backstory.