36 Books Like The Silkworm

Gone Baby Gone is book 4 in Lehane’s Patrick Kenzie and Angela Gennaro series. As private detectives, Gennaro and Kenzie are a top-notch investigative team and the story itself is one that will suck you in from the start. It keeps you guessing with its mix of characters, reliable, and unreliable, upfront and in the shadows. It’s my kind of story and one I often referred to while writing my book. Beyond the story of a missing girl, Lehane uses the relationship between Gennaro and Kenzie as a subplot. The friction, the conflict, the barriers in their personal life continue to give the reader angst even after the facts are uncovered. Gone Baby Gone is a suspense story that doesn’t just solve a crime, but also takes the reader into the lives of the investigators, questioning their morality, their decisions and ultimately asking the reader, is the truth always worth… show more.

Coffin is a retired detective sergeant out of Portland, Maine. I love books by authors who write what they know and, obviously, write it well.

This book is the first in a series involving Portland PD Detective Sergeant John Byron. Coffin draws on his life experience to create an exhilarating, believable suspense novel and a likable character I want to continue to read. 

I love an intriguing premise and an unexpected twist. This book promised both, and it really delivered!

I think we are all curious about what goes on behind the closed doors of our neighbors, though the truth is usually incredibly mundane…especially when compared to this story! From the first page to the last, I couldn’t put down this psychological thriller.

Because I love a tale of great suspense, I find myself growing impatient whenever a story starts to peter out without any satisfying resolution. That was not the case with this book. It delivered great, well-developed characters and an unexpected ending. Bravo!

Not A Happy Family is a Domestic Suspense novel. The Mertons have everything, money, a beautiful home, and plenty of vacations. So why, after Easter dinner with their three children are they found dead? The kids are distraught. Or are they? What childhood secrets do each of them carry and is one of them murderously vindictive? I come from a big family and always enjoy reading about dysfunctional families. Luckily, my own family was only semi-dysfunctional for the most part. Nothing I needed to kill my parents over.

I fell in love with Miss Phryne Fisher on TV first, then in all of the books only after binge-watching all the seasons in short order. Her attitude, her clothes, her wit—all of it makes her adventures so fun to read. Besides, what list of Jazz Age mysteries is complete without this bobbed-hair socialite and her gaggle of misfits helping her to solve mysteries? Add in a spa vacation for Phyrne and I was hooked to see how she solved a murder while on holiday in some fabulous resort town. After 7 years, my Phryne drought is over!

The North of England isn’t all post-industrial urban centres of decay. As well as being home to large and important cities, its green spaces are plentiful and attract numerous tourists to its many attractions. Frances Brody’s PI Kate Shackleton series makes use of Yorkshire’s picturesque and pleasant rural settings, not least the rolling moors leading to the coastal town of Whitby in the series’ eighth outing. Set in the 1920s, Brody’s series is also a reminder of the importance of subverting and challenging social norms, but never at the expense of entertaining the reader.

This twisty, hypnotic story by the great Ross Macdonald focuses on the dark side of the Hollywood dream.

Private detective Lew Archer is drawn into the search for a missing woman, Hester Campbell-Wall, who seemed poised on the cusp of success via an oblique connection to Helio-Graff Studios when she vanished after a frantic phone call to her estranged husband.

Against his better judgment Archer agrees to look for Hester, a quest that pits him against the powerful and corrupt studio head, Simon Graff. The book is full of complex characters who are neither all good nor all bad, despite their acts of betrayal, deceit, and even murder.

That’s what makes them so poignant and believable: in various ways, they are all broken by dreams that didn’t come true. 

Brad Ricca's book is a fascinating look at the difference one person can make in an unsolved case. In February 1917, eighteen-year-old Ruth Cruger disappeared after she left home to pick up a pair of ice skates at a local repair shop.

In his expertly researched book, Ricca recounts the story of Grace Humiston—the lawyer, detective, and one-time U.S. District Attorney—who eventually solved the case of the missing girl.

This book has all the elements I love—a historical case, a compelling mystery, and a strong female who trusts her instincts and fights for the missing when no one else will. 

Reading a Lindsey Davis novel is a guilty pleasure. Why? She’s wickedly funny. She brings ancient Rome to vivid life, from the fancy fringe on a tunic hem to the steaming pile of donkey dung in the street. Her sleuth, a tough, no-nonsense woman named Flavia Albia, is assisted (whether she likes it or not) by an extended family of eccentric and sometimes meddlesome characters. I also appreciate how Davis adds just enough historical detail to bring the plot to life without bogging down the action. 

In this book, I particularly enjoyed the interplay between Albia and the officious aedile, Manlius Faustus, who turns out to be nicer (and more interesting) than he first appeared. While each novel is stand-alone, I recommend starting here to get the full backstory.

The Three Coffins is legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.