76 Books Like Areopagitica and Other Writings

What I like about Orwell is that he is uncompromising. His fiction, such as Animal Farm and 1984, is very well known, but some of his essays have been just as influential.

This is probably the most important one, in which Orwell makes a case for clarity and concision as the guiding principles of communication. Language is both cause and effect of meaning: it "becomes ugly and inaccurate because our thoughts are foolish, but the slovenliness of our language makes it easier to have foolish thoughts."

Good writing, Orwell suggests, helps us retain freshness of thought; bad writing, conversely, deadens our sensibilities. Linguistic precision, in other words, is "not the exclusive concern of professional writers." We should all be concerned by cliché.

“A woman must have money and a room of her own if she is to write fiction.”

I read A Room of One’s Own after my divorce and having—for the first time in my entire life—a place that was mine alone to decorate as I pleased. While Virginia Woolf was speaking on the macro, sociological struggles that women were facing during that time (the early 20th century), her words resonated with me to the present day.

Likewise, while it might be easier now for a woman to open a bank account or attend college than it was in 1929, the struggle of having our stories told and our identities outside that of mother or wife celebrated is still prevalent. 

Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.

Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’

I recommend this book because it had a great influence on me as a young child. Moving through the world, particularly as a black woman, requires a great deal of self-reliance and resourcefulness. This book/essay speaks to universal truths that are often forgotten.

I found myself equipping my toolbox with quotes that have been relevant to my present day working life. I learned how to relate in a deeper way to myself and society while crafting a value system that, as I age, is allowed to become malleable.

Given I study old books, I wanted to include at least one. I was tempted to recommend either Lawrence Sterne’s Tristram Shandy, for its sheer strangeness, or Christopher Smart’s Jubilate Agno, for including the best poetic lines ever written about a cat, or, otherwise, John Milton’s Paradise Lost. The latter can be read as an early declaration of human freedom in the face of the totalitarianism of nonhuman forces (be they demonic or divine), but, more importantly, one that is sensitive to the pitfalls of such self-assertion (“sufficient to have stood, though free to fall,” is how Adam and Eve are described). Now that thermonuclear weapons exist, this latter truth applies to humankind as a global collective.

But, numinous as Milton is, his work is familiar, so I decided to recommend a writer from his period who, albeit less famous today, is just as searingly good.

That would… show more.

Should an angsty teen girl (or her mom) be relieved when she’s taken under the wing of an eccentric art dealer?

After all, not many people make seventeen-year-old Cera Marlowe feel understood. She’s too into poetry and art and suffers from seizures… The mystery in Mortal Sight is of a much more personal nature than the other books on this list.
While this urban fantasy tale is young adult, the blend of modern-day with ancient mythology drew me in and I was reminded of my own childhood. I enjoyed the concept of a girl with a mysterious past and a dangerous destiny awakening to her true identity – all accompanied by lines of Milton in her head that help her to navigate her strange new world.

The title is taken from the John Milton poem, Paradise Lost: “Better to reign in Hell, then serve in Heav'n,” and tells the story of the War in Heaven before the Creation from the point of view of the bad guys. So basically, we get the Devils’ (not a typo, by the way) point of view, and, like in Milton (arguably), they are the heroes of the story. Instead of the classic two-dimensional villains who exist solely to oppose the hero, Brust flushes them out so well that you can’t help but root for them. Nor can you understand why anybody would like this God dude or his weird ‘son’, Jesus. The devils in question are Satan and Lucifer, curiously split into two characters for this story, which provides further opportunities for plot and character development.

I have a passion for the 17th century and this novel based on actual diaries and letters from IRL people living through the realities of the English Civil War is a favourite. Ms. St. John writes about her own ancestors, and she imbues her characters with so much life, so many contrary opinions. These are difficult times, and especially for mother Lucy St. John whose son is a through-and-through royalist while daughter Luce is head-over-heels in love with Parliamentarian John Hutchinson. Luce is utterly fascinating: intelligent and with a passion to truly reform, she never loses her humanity or her ability for compassion. This novel is a real treat for anyone desiring well-researched historical fiction – with the added benefit of having a spoonful or two of love to complicate things! 

A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.

Set in Cornwall, before and during the Civil War, this is a terrific tale based upon the lives of real people—most notably, perhaps, Sir Richard Grenville the King’s General in the West. It’s the story of the Rashleigh Family and Menabilly—where Daphne du Maurier herself lived.

Well written as one would expect of du Maurier—it’s a beautiful story, beautifully told; absorbing, exciting and hard to put down.