Here are 100 books that Bullet Train fans have personally recommended if you like
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I consider myself a disruptor of sorts, both in my life and in the art I make (I’m an actor, too). So I am by nature drawn to novels that bend and reshape (and sometimes ignore altogether) the rules and conventions that are supposed to govern the novelist’s craft and lead me to experience the world—and often the art of writing fiction itself—in ways I have never experienced either before. The novels on my list do just that.
Not exactly literary fiction, I know. And it breaks none of the rules governing the novelist’s craft. And we all read it back when it came out, didn't we? Or saw the movie, there've been a couple of versions...
So why is it on my list, you ask?
The Day of the Jackal is quite simply the greatest thriller ever written, and should be read by anyone who writes fiction, literary or otherwise—and by the rest of us as well.
Think for a moment: We follow The Jackal’s relentless quest to corner and kill French President Charles DeGaulle for 380 pages, waiting with breath bated to see whether he will succeed even though we know before we ever open the cover of the book (if we know even the slightest bit of history) that DeGaulle was never assassinated—ever!—not by The Jackal and not by anyone in…
The Day of the Jackal is the electrifying story of the struggle to catch a killer before it's too late.
It is 1963 and an anonymous Englishman has been hired by the Operations Chief of the O.A.S. to murder General De Gaulle. A failed attempt in the previous year means the target will be nearly impossible to get to. But this latest plot involves a lethal weapon: an assassin of legendary talent.
Known only as The Jackal, this remorseless and deadly killer must be stopped, but how do you track a man who exists in name alone?
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
Angoe didn’t just write a ripping thriller; she offered another unique look at the genre by centering the story around Aninyeh, a woman born in a village in Ghana who was captured and sold into captivity as a teen.
She’s adopted and trained by the Tribe, a business group uniting various African countries into a strong economic force. Assassin stories tend to be US-centric, but these types of characters flourish on an international stage. Moreover, it’s a deeply affecting story about the reclamation of power and identity.
A smash debut novel from rising star Yasmin Angoe, Her Name Is Knight features an elite assassin heroine on a mission to topple a human trafficking ring and avenge her family.
Stolen from her Ghanaian village as a child, Nena Knight has plenty of motives to kill. Now an elite assassin for a powerful business syndicate called the Tribe, she gets plenty of chances.
But while on assignment in Miami, Nena ends up saving a life, not taking one. She emerges from the experience a changed woman, finally hopeful for a life beyond rage and revenge. Tasked with killing a…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
This book is a unique spin on the classic assassin story. It follows four women in their 60s, retired from their careers as killers, who are now targeted and trying to survive.
Raybourn’s book is funny and action-packed, but it does incredible work with the characters. It explores a traditionally macho genre from a female perspective, which offers a whole host of new opportunities and insights.
Older women often feel invisible, but sometimes that's their secret weapon.
Billie, Mary Alice, Helen and Natalie have worked for the Museum, an elite network of assassins, for forty years. But now their talents are considered old-school and no one appreciates their real-world resourcefulness in an age of technology.
When the foursome is sent on an all-expenses-paid trip to mark their retirement, they are targeted by one of their own. Only the Board, the top-level members of the Museum, can order the termination of field agents, and the women realise they've been marked for death.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Assassins are always compelling characters. They fit within that archetype of the gunslinger and the private eye and the ronin samurai, highly-skilled characters with a strict moral code who take the law into their own hands to deliver justice in an unjust world. But more than that, they’re fantastic vehicles for exploring the moral gray areas of the world. As a concept, it’s pretty straightforward: kill someone and collect a paycheck. But I’m always looking for books that do something new and special with the genre.
Michael Hendricks is a hitman with a very particular skillset—if you can afford him, he’ll kill the person who is trying to kill you.
Holm’s book is riddled with pulse-pounding action and excellent character work, but at the core of it is an incredibly engaging protagonist…who happens to be sparring with a deliciously evil antagonist.
I fell in love with magical realism and stories that have a sense of whimsy after hearing my grandparents tell stories of their lives. They always embellished a bit, making a simple detail of a bread line or a penny found on the ground feel massive. Then I read Tom Robbins’s Fierce Invalids Home from Hot Climates. I didn’t understand at the time that the light touches of magic or moments that felt magical, even if not truly enchantment, were uplifting in stories both light and dark. I quickly fell under the spell and have placed elements of magic or whimsy in my own writing ever since.
Three Assassins almost feels like the movie Bullet Train with Brad Pitt.
It’s a series of seemingly unrelated events that connect a network of assassins together and pit them against one another, knowingly or unknowingly. The novel itself is less about the action and pace and unfurls like a twisted puzzle, making every piece lean into a seemingly surreal universe.
We see all the characters, good and bad, their flaws, good and bad, and the ones we can stand up for, good and bad. “All the knowledge and science that human beings have, it only helps humans.” But even when we’re cheering, I didn’t necessarily know what to believe until I reached the end. Even then, I walked away holding doubts and a smile.
SUZUKI IS JUST AN ORDINARY MATHS TEACHER...UNTIL HIS WIFE IS MURDERED.
Seeking justice, he leaves his old life behind to infiltrate the criminal gang responsible. What he doesn't realise is that he's about to get drawn into a web of the most unusual professional assassins, each with their own agenda:
THE WHALE convinces his victims to take their own lives using just his words.
THE CICADA is a talkative and deadly knife expert.
THE PUSHER dispatches his targets in deadly traffic 'accidents'.
Suzuki must take on the three assassins to avenge his wife - but can he keep his innocence…
I've lived in Asia for more than 22 years and have extensively traveled around the region, both for work and pleasure, from the Middle East and central Asia to Japan, and Australia, New Zealand, and every country in between. Asia is the perfect setting for a thriller, as a region that’s deeply rooted in traditions, but where modernity and growth are also breathless. There can be political instability at times, and even corruption, unsurpassed wealth and shocking poverty, bankers, and prostitutes. I worked for many years as an investment banker and my experiences inspired me to write my debut thriller, Hard Underwriting, in Hong Kong, and uncover the dark side of Asia’s financial capital.
This is one of the best books in Eisler’s John Rain series, featuring half-American, half-Japanese assassin and Vietnam veteran John Rain.
Eisler himself was a covert operative with the CIA’s Directorate of Operations, and his descriptions of fieldcraft, surveillance, torture, and killing techniques all ring so true, as does his extensive knowledge of modern Japan.
Tokyo is, of course, a fascinating playground for Rain’s adventures. Eisler’s books and unputdownable, and well worth discovering.
Name: John Rain. Vocation: Assassin. Specialty: Natural Causes. Base of operations: Tokyo. Availability: Worldwide.
Half American, half Japanese, expert in both worlds but at home in neither, John Rain is the best killer money can buy. You tell him who. You tell him where. He doesn’t care about why…
Until he gets involved with Midori Kawamura, a beautiful jazz pianist—and the daughter of his latest kill.
A Clean Kill in Tokyo was previously published as Rain Fall, the first in the bestselling John Rain assassin series.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I quit my job in 1994 to write. Fiction. It took me a while to find my niche, but what I realized is that I wanted to write political thrillers that were about more than how to stop the bad guys from killing the good guys by killing them first. There is another way. Starting with Priority One, and continuing to what is currently my tenth novel in the series, I imagine an American foreign policy that promotes the building of a more peaceful world through a combination of economic justice and humanitarianism, applied practically and pragmatically. It’s my dream for my fiction, as well as the real world.
As I set about the task of writing political thrillers, I read many gifted novelists in this genre. I found that the plots often revolved around shoot-‘em-ups and egregiously evil militant groups. Barry Eisler is an exception. He is a superb writer who casts a talented and likeable character into a career as an assassin. John Rain chooses this life because his actions deter greater acts of violence. And isn’t that the choice many of us face in the modern world? Isn’t going to war about saving lives by killing the bad guys? In my books, I try to be sensitive to the issue that peace does not come easy in a violent world, and sometimes the trade-offs to secure peace are not at all pleasant.
Previously published as Hard Rain and Blood from BloodAll John Rain wants is to get out of the killing business. But with his discretion, his reliability, and his unique talent for death by "natural causes," no one is willing to let him just retire. So when an old nemesis from the Japanese national police force comes to him with a new job-eliminate Murakami, a killer even more fearsome than Rain himself-Rain knows he can't refuse.Aided by an achingly desirable half Brazilian, half Japanese exotic dancer he knows he shouldn't trust, Rain pursues his quarry through underground no-holds-barred fight clubs, mobbed-up…
I’ve been interested in Japanese culture, mythology, and martial arts since I was a teenager. My favorite books are those where I become completely submerged, losing myself in the story and forgetting where the main character ends and I begin. Stories that focus on an ordinary person who gets pulled into another world while remaining firmly planted in their current world. Stories where the character has to learn new skills or discover special talents; a connection to the past or to another realm; or becomes part of some mysterious group operating outside of society. When I couldn’t find enough books that fulfilled my hunger for this specific genre, I decided to write some myself!
This was the first novel I read that had everything I craved: a setting in Japan, both rural and urban, cool ninja training, ancient Japanese mythology, a half-Japanese kid who’s never been to Japan but must go to fulfill her destiny, and a bit of spy intrigue as well. Yes, it’s the classic tale of “kid who was taught fighting skills but was never told what or why.” However, because of the Japanese angle, especially the descriptions of Japan and its culture which is so different than the western world, I thought the story was fresh. I do think the main character took too long to find herself, but my only real complaint is that the authors didn’t continue the series or write more books like this.
**Winner of the 2013-2014 Asian/Pacific American Award for Young Adult Literature** **2015 Sakura Medal Nominee** **Shortlisted for the 2014 SCBWI Crystal Kite Award** **Nominated for the Cybils Young Adult Bloggers Literary Award**
Seventeen-year-old Jet Black is a ninja. There's only one problem-she doesn't know it.
Jet has never lived a so-called normal life. Raised by her single Japanese mother on a Navajo reservation in the Southwest, Jet's life was a constant litany of mysterious physical and mental training. For as long as Jet can remember, every Saturday night she and her mother played "the game" on the local mountain. But…
My passion for historical fiction writing stems from a lifelong interest in history and a love for creating stories that have rich characters, with deep and meaningful personalities. My interest in history led me to study the subject at university, which has worked hand-in-hand with the pleasure I get from writing. Researching stories is another aspect that I enjoy, and it has seen me travel to destinations all over the world, where I have made some wonderful friendships.
Shame and the Captives is by the award-winning Tom Keneally.
I have had the pleasure of meeting Tom, and the edition that I have is signed by him. The novel is set in World War Two and based on the escape of Japanese prisoners of war at Cowra, Australia. The story moves between the camp itself and residents of the town, which gives the narrative a strong base for dramatic tension.
Throughout the novel, Keneally displays his ability to convey the subtleties of each character, which adds depth to the story and feeds questions about the choices made under situations of stress and uncertainty.
On the edge of a small town in New South Wales, far from the battlefields of the Second World War, lies a prisoner-of-war camp housing Italian, Korean and Japanese soldiers. For their guards and the locals, many with loved ones away fighting, captive or dead, it is hard to know how to treat them - with disdain, hatred or compassion?
Alice, a young woman leading a dull life on her father-in-law's farm, is one of those with a husband held prisoner in Europe. When Giancarlo, an Italian POW and anarchist, is assigned to work on the farm, she hopes that…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Horror was never something that appealed to me when I was younger. However, in adulthood, I realised the fascination of the unsettling. As I began writing, I realised that true horror is not all about monsters and gore but about breaking our everyday complacency and realising the possibility that the world is bigger than us and how we are unprepared to deal with it. This is why I write horror. Not to shock you with a jump-scare, but you leave you thinking about my words long after the lights have gone out.
His storytelling and artwork combined create books which even the strongest stomached would find uncomfortable. And yet, we are drawn to them, unable to look away. And he understands that the most terrifying thing is not an invasion by something outside of our world but the realisation that the everyday world around us might turn against us.
Uzumaki is a story about incomprehensible obsession and how it can take over a society to the point of destruction. One by one, the people of a small Japanese town become obsessed with spirals. Not a monster or a ghost, but a shape, until the power behind it destroys everything.
Kurozu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurozu-cho are pulled ever deeper into a whirlpool from which there is…
