Here are 100 books that Mistress Masham's Repose fans have personally recommended if you like
Mistress Masham's Repose.
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An avid reader when young, I made the transition from reading to writing relatively late in life. It happened unexpectedly, but once I started writing I found it impossible to stop and have had twenty-eight novels published so far. Fortunately I found a publisher within weeks of completing my first novel, which was shortlisted for several major awards. Currently I am writing the 20th novel in my Geraldine Steel detective series, which has sold over a million copies in the UK alone. As well as writing detective novels, I also support up and coming crime writers as chair of judges for the Crime Writers Association’s Debut Dagger Award.
Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.
Enter the world of Gormenghast...the vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder.
Gormenghast is more than a sequel to Titus Groan - it is an enrichment and deepening of that book.The fertility of incident, character and rich atmosphere combine in a tour de force that ranks as one of the twentieth century's most…
The wolves of the Wood do more than hunt you… they know your name.
When Red’s life collides with the royal family of Alameth, she is drawn into the haunting mystery of the wolves and the shadowed Wood that preys on her and her people. But as darkness closes in,…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
Upon the Corner of the Moon begins the story of real people who’ve been rewritten into emblems of evil. Macbeth is raised in the royal court, immersed in Christian teachings and guided toward leadership alongside his foster-brother and rival, Duncan. Gruach is raised in the traditions of a Goddess religion…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.
Raised as a noble scion, Heinregard comes to the House of Silveria for their famous Spring Song festival, but when he hears the voice of stable lad Clayten, he's overthrown in more ways than one. As they spend time together overseeing Heinregard’s troublesome younger cousins, the two grow close. Is Heinregard prepared to risk everything for someone of a different station?
As the Dowager Duchess’ daughter, Viraya is safely past marriageable age and responsible for Spring Song celebrations. This year, their guests include a formidable Capitán who has the gall to set his…
When I was very small, bedtime was the high point of the day; for that was when my parents read to me. My father favored adventure tales with knights and heroes, while my mother shared her own beloved Oz books with me. To this day, there is nothing so satisfying as finding a new story in which to be immersed. Although I enjoy reading many types of books, my first love remains fantasy; especially those stories with appealing characters and a defined world built from the author’s imagination. I hope these recommendations provide you with a gateway to discover new and enchanting reading experiences of your own.
As a “forever fan” of King Arthur, I have read many books pertaining to the Arthurian saga: serious fantasy, historical novels, and various stories from different characters’ points of view.
I’ll admit I approached this one with some trepidation. I was dubious about the concept (since I wasn’t sure just how my beloved king could morph successfully into a girl). However, I had enjoyed K.M. Shea’s retelling of classic fairy tales (her Timeless Fairy Tales series), so, based on her clever interpretations and delightful characters, I decided to take a chance and waded into the first book which is an interesting mix of magic and time travel.
My initial reaction was “Hmm, this works. Think I’ll read some more.” Britt, the young woman of the modern era chosen by Excalibur to take the real King Arthur’s place, is an appealing character who must navigate a new identity in the distant…
In a place and time not her own, one woman must risk everything to protect her life, her kingdom, and her heart.
Britt doesn’t want to be a leader, and she definitely doesn’t want to pretend she is the legendary King Arthur. But history has other plans.
A magical summons back through time lands Britt into the schemes of the surprisingly young and handsome wizard Merlin. He has some bad news: the real Arthur has disappeared, and the sword in the stone has chosen Britt to take his place.
But life in ancient Britain isn’t safe. The kingdom is fragmented,…
I have loved fairy tales since I was a little girl and watched my first Disney movie. Over the years, I’ve read many fairy tale retellings, as well as the original versions. I love how writers can see a story like Beauty and the Beast and find ways to make an almost completely new story, but still hold true to the original concepts of the fairy tale. Fairy tales connect us to our childhood and when we read these new versions, it lets us relive a part of our childhood. Not many books can do that!
The Guinevere Deception is a brilliant Camelot retelling that drew me in for many reasons, the main one being the friendships between the women in White’s book. Guinevere has strong connections to the women close to her and this helps her take on her new rule as Camelot’s queen. I also loved how White made the famous knight Lancelot a woman, which further plays with the King Arthur legend. As if that wasn’t enough to recommend this book, White kept readers guessing with the romance in this book. Who will Guinevere choose? Morded? Arthur? Someone else? You have to keep reading the trilogy to find out!
"Fascinating. . . . Kiersten White has taken the best parts of the Arthurian legend and made them all her own."--Renée Ahdieh, #1 New York Times bestselling author of The Wrath and the Dawn series.
A new fantasy series set in the world of Camelot that bestselling author Christina Lauren calls "brilliant," reimagining the Arthurian legend . . . where nothing is as magical and terrifying as a girl.
Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution--send in Guinevere to…
I’ve been in love with fairytales since childhood when I picked up a collection of fairytales by Hans Christian Anderson. These stories shaped my imagination, so much so that I longed for distant mysterious lands full of magic, wonder, and mystical creatures. Though in a way, I guess I did live a bit of a fairytale, having grown up surrounded by thick woods and open fields, as one of twelve siblings. Now as an adult, I still wish I could escape to distant fantastical lands, but I’ll just have to stick with the ones I find between the pages of books and the ones in my own head!
I loved this take on the classic fairytale, with the addition of the thirteenth princess hidden from the rest of the world and living as a servant. And despite all this, she still fought to save her sisters, taking on the role of the hero of the story instead of the soldier character in the original tale. It’s a fast and fun read, and one of the reasons I fell in love with The Twelve Dancing Princesses fairytale.
My name is Zita,and I am the thirteenth princess.My twelve sisters are legendary, even infaraway kingdoms, but I am sure thatyou have never heard of me.
Zita is not just any servant—she’s the thirteenth daughterof a king who wanted only sons. When all her royal sisters fallmysteriously ill, the only clue is their strangely worn and tatteredshoes. Something sinister is afoot—and Zita must find the sourceof the enchantment and break the curse, or the twelve princesseswill surely dance to their deaths.
I’ve always loved fairytales. What little girl with a growing romantic heart doesn’t? By the time I was eight, I told people I was Cinderella because of all the work I did at home. An exaggeration, even for the oldest child, but still. My first prom dress, during a year I won’t mention, was reminiscent of Cinderella’s blue ballgown. As I became a writer myself, I noticed my stories held themes I learned from fairytales. Love, loyalty, courage, and a dose of magic. I simply add space or aliens to the mix.
I love when an author takes a character you think you know and adds layers of depth you never would have imagined. That’s what Shea does with Elle here. We all picture the Disney Belle--smart but with that feeling of needing to be rescued. This Elle is not that kind of beauty. I don’t want to spoil the surprise, but I really appreciated the heartbreaking strength this woman had. She literally gives everything for her family, and once she knows his heart, Prince Severin.
A small miscalculation sends her through the roof of an enchanted chateau. Stranded until her broken leg mends, Elle is unwillingly forced to rely on the good will of the sour chateau owner —the cursed Prince Severin.
Prince Severin—the commanding general and staunch supporter of his brother the crown prince—is cursed to look like a beast until a maiden falls in love with him. He has given up all hope of shattering the curse, and has only disdain for Elle.
Unfortunately, the pair can’t seem to avoid each other thanks to the…
I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.
In this story, Swanson seeks to answer the question: what would happen if Peter Pan was stranded in modern-day London? And what if he started to age? And what if he met a girl who didn’t realize she could create pixie dust? It captures the spirit of the original tale while also delving deeper into the lore of both Peter and Neverland itself. It was an exciting and creative read from beginning to end. I loved how it felt simultaneously nostalgic and new.
The truth about Neverland is far more dangerous than a fairy tale.
Claire Kenton believes the world is too dark for magic to be real—since her twin brother was stolen away as a child. Now Claire’s desperate search points to London... and a boy who shouldn't exist.
Peter Pan is having a beastly time getting back to Neverland. Grounded in London and hunted by his own Lost Boys, Peter searches for the last hope of restoring his crumbling island: a lass with magic in her veins.
The girl who fears her own destiny is on a collision course with the…
