100 Books Like Mistress Masham's Repose

Mervyn Peake’s writing is unusual. In Gormenghast he creates a bizarre world of weird hierarchical rituals, peopled by eccentric characters, each one singular in a different way. What really brings this novel to life is Peake’s wonderfully rich prose, as he describes the destruction of an ancient social structure.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.

When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.

As a “forever fan” of King Arthur, I have read many books pertaining to the Arthurian saga: serious fantasy, historical novels, and various stories from different characters’ points of view.

I’ll admit I approached this one with some trepidation. I was dubious about the concept (since I wasn’t sure just how my beloved king could morph successfully into a girl). However, I had enjoyed K.M. Shea’s retelling of classic fairy tales (her Timeless Fairy Tales series), so, based on her clever interpretations and delightful characters, I decided to take a chance and waded into the first book which is an interesting mix of magic and time travel.

My initial reaction was “Hmm, this works. Think I’ll read some more.” Britt, the young woman of the modern era chosen by Excalibur to take the real King Arthur’s place, is an appealing character who must navigate a new identity in the distant… show more.

Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.

The Guinevere Deception is a brilliant Camelot retelling that drew me in for many reasons, the main one being the friendships between the women in White’s book. Guinevere has strong connections to the women close to her and this helps her take on her new rule as Camelot’s queen. I also loved how White made the famous knight Lancelot a woman, which further plays with the King Arthur legend. As if that wasn’t enough to recommend this book, White kept readers guessing with the romance in this book. Who will Guinevere choose? Morded? Arthur? Someone else? You have to keep reading the trilogy to find out!

I loved this take on the classic fairytale, with the addition of the thirteenth princess hidden from the rest of the world and living as a servant. And despite all this, she still fought to save her sisters, taking on the role of the hero of the story instead of the soldier character in the original tale. It’s a fast and fun read, and one of the reasons I fell in love with The Twelve Dancing Princesses fairytale.

I adored this book. I loved its clever fairy tale reimagining of Beauty and Beast set in 1940s Germany under the Third Reich. I enjoyed the transformation of this classic fairy tale into a historical novel that was rich in detail and unique characters and revealed much of the hidden voices of resistance within Germany during this time.

Forsyth is a fellow Australian fairytale, fantasy, and historical author who writes fantasy, history, fairy tale, and myth retellings reimagined into new settings that I find inspiring and the power of the fairy tale to be retold and made new and to endure. 

I absolutely loved the way that Emma wrote these characters. I related to Seraphina and fell for Rafe’s charm time and time again. They’re a couple that’s perfect for each other.

Some book couples you read and think they may not make it past the last page, but I could see these two together forever. The whole book made me swoon and laugh.