100 Books Like Bright Shining Moment

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

When I was invited to write a historical fiction that appealed to male readers, I wanted to showcase the struggles and dramas in peacetime rather than in war. Scientists vilifying the fly in order to demonstrate the connection between microbes and disease—and enlisting children to kill the fly—now that was a battle I could get behind. Revenge on the Fly, in all the forty books I’ve written, is my only foray into historical fiction. However, like most writers, I read across the genres voraciously. What I most love to read and write about are strong characters who demonstrate unwavering resilience.

I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.

I love games; board games, card games, head games*; any kind of situation in which employing strategy is the only way forward. And yet, I’m not a big game player—aside from word games. I’m also endlessly fascinated by the mechanisms of power and how societies arrange themselves. The marriage between writing and understanding politics (in the traditional, not the partisan sense) is my true north. Writing a book in which a chess-like game provides the foundation felt inevitable for me, for what game better explores the dynamics of power and strategy? *I don’t play head games, but I do find manipulation fascinating fodder for writing.

I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.

I'm an engineer with a PhD in electrical engineering and have spent more than twenty years of my career in the nanoelectronics industry researching how to create better electronic chips. The need to tell stories has always been there, but I never really envisioned a career as a writer. It wasn't until my 40s that I decided it was time to rekindle that passion for writing. I've always loved the dark atmosphere of Scandinavian noir TV series like The Killing and The Bridge with their often flawed and intriguing characters. So when I decided to write my first novel, it was almost a given that it was going to be a Nordic Noir thriller.

Even as an overachieving student, I struggled with true/false tests, always writing short essays explaining why the answer wasn’t quite clear cut. Some teachers loved my need to blur the lines. Others not so much. But this aversion to boundaries—the idea that something (or someone) must be this or that—it’s part of my blood. I read everything in the library, nonfiction, fiction, all genres. I like books that cross from real to fantasy, history to fiction. I love characters who refuse to be told who and what they can (or can’t) be. I want love to break boundaries, too. That’s what this list is all about.

Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.