Here are 94 books that Breathing Room fans have personally recommended if you like
Breathing Room.
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I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This book is a celebration of many things: embracing your visible markers of age, seeking a new kind of relationship with an adult child, and the fabulous music of the 80’s and 90’s.
Any person from Generation X will absolutely see pieces of themselves and their friends in the characters in this book. Originally college friends, our couple finds themselves both back in New York and via a series of missteps and then some forced proximity (not only do they have to work together, they have to work for his daughter), they fall gloriously in love.
“Get ready to embrace the force that is Lela Bennett in this sassy, funny romance that will suck you in right from the first wedding crasher moment!” –Wall Street Journal and USA Today bestselling author Avery Flynn
Everything went wrong. And then she went gray.
At 47, newly divorced makeup artist Lela Bennett is dreading her next steps. Dating. Meeting people. Not letting herself go. But then she runs into Donovan James and tries something different—sleeping with her sexy crush from college. Unfortunately, in a post-orgasm stupor, Lela confesses she was in love with Donovan all those years ago. He…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
This was the first book in Natasha’s Men of Lakeside series. Most people don’t realize that this book was one of the launch titles for an entire line of romances geared to readers who are looking for “older” characters. Personally, I loved The July Guy for the heroine. Anita is an independent, sexually-confident woman who makes no apologies for her life choices. In other words, she is like many of the women I know. And Noah is not your typical romance hero. He is a widower whose only experience had been with his wife. I love how skillfully Natasha flipped the near-virgin widow(er) trope.
Art professor Anita Delgado spends eleven months of the year working. July is her month to cut loose, paint, and pick a guy to make the summer memorable. But this year she isn’t in a tropical location with an exotic man like she'd planned. She’s stuck in small-town USA dealing with a lake house she doesn’t want, inherited from a grandmother she never knew. A summer fling might be the only thing to get her through the next few weeks.
Salvage specialist Noah Colburn is running for mayor. If he doesn’t, an absolute idiot is going to ruin his beloved…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
This books is a delightful mash-up of romantic suspense, a spy thriller, and a cozy mystery. While I was reading it, I couldn’t help thinking how much more interesting James Bond would have been if he’d been paired with women who challenged him. And it’s funny. If an author can make me laugh out loud while reading, they have me hooked. Sandra does a masterful job of infusing her characters with all the best things we learn are important to a romance as we grow older: equality, mutual respect, and a desire to form true partnerships.
A butler. A spy. A toilet brush. A romantic suspense cosy spy-thriller-mystery with a dash of grittiness and humour. It's Charade meets Remains of the Day.
After three years in the employ of a former British army officer turned Risk Assessment Specialist, widowed butler Mae Valentine is familiar with Major Kitt’s taste for scrambled eggs, bourbon, and brawling. Kitt knows of Mae’s fondness for order, her beloved dead husband, and the millions the man left her in trust. Their easy bond is tested the day Mae kills the man sent to murder her and the trust fund vanishes.
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance.
In this heartwarming second-chance romance, a woman returns home and discovers that, when it comes to finding love, there's no place like home.
Since leaving her North Carolina town and the boy who broke her heart, Dakota Jones has focused on making it big as a journalist. But when a mistake in her personal life gets splashed across the tabloids and causes her to lose her job, she has no choice but to return home until she can figure out what to do next.
Dexter Roberts never forgot Dakota, and he's always regretted the way things ended between them. Now…
I grew up fascinated by and terrified of Hollywood in equal measure, fascinated because my mother was once married to a movie star and terrified because she refused to talk about that time in her life, saying she preferred to “pretend it never happened.” Accordingly, I’ve always been drawn to stories that involve characters who live in the orbit of stage and screen stars, people whose lives are touched, and in many cases forever changed by fame even if their face is not the one people recognize. These novels all offer glimpses into the heady rush of fame and its many foibles.
This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.
I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.
I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
As a film studies scholar from a working-class background (which is pretty rare in UK academia!), I’ve long been fascinated by the Hollywood Left and the prospect of what they could have achieved had they not been expunged from the scene. Many of the social justice causes they embraced—anti-fascism, anti-racism, workers’ rights, etc.—resonate very strongly with contemporary concerns. The persecution of these creative workers also serves as an ever-timely warning from history about the importance of maintaining vigilance in the face of totalitarian thinking and systems of oppression.
Rebecca Prime is one of the contributors to my book and her book is a fascinating sequel to that volume. It covers the careers of several blacklisted filmmakers who fled Hollywood and America, seeking to find new work and life opportunities in Europe. Impeccably researched and elegantly written, Prime’s study tells the story of a generation of creative workers that was lost to the USA but which made a vital contribution to European and British cinemas. As she details, many of the exiled filmmakers faced almighty personal and professional struggles to adjust to their new circumstances, and while a few (e.g. Joseph Losey and Jules Dassin) would eventually achieve fabulous success, many other exiles found it difficult to secure regular and fulfilling work opportunities or personal happiness.
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood emigres directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American "lost generation" and…
I love being by the water. Most of my vacations are spent at tropical destinations. There’s something pretty amazing about reading a book at the water’s edge, near a palm tree, with the breeze and the salty smell of the wonderful warm air as pelicans swoop across the surface.
I’ve added this book to this list because I love Joan Crawford. I love Hollywood and all the gossip, glitz, and glamor that goes along with it.
This particular story is told by her daughter Christina about how a photograph is perceived to be happy, but what really happened, as told by the author, is two different stories.
A true vaudeville legend personality exposed, which makes it a great beach read.
The 40th anniversary edition of the "shocking" #1 New York Times bestseller with an exclusive new introduction by the author (Los Angeles Times).
When Christina Crawford's harrowing chronicle of child abuse was first published in 1978, it brought global attention to the previously closeted subject. It also shed light on the guarded world of Hollywood and stripped away the facade of Christina's relentless, alcoholic abuser: her adoptive mother, movie star Joan Crawford.
Christina was a young girl shown off to the world as a fortunate little princess. But at home, her lonely, controlling, even ruthless mother made her…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.
I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.
Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.
Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man…
Drawing on his unprecedented access to Grace Kelly, bestselling biographer Donald Spoto at last offers an intimate, honest, and authoritative portrait of one of Hollywood’s legendary actresses.
In just seven years–from 1950 through 1956–Grace Kelly embarked on a whirlwind career that included roles in eleven movies. From the principled Amy Fowler Kane in High Noon to the thrill-seeking Frances Stevens of To Catch a Thief, Grace established herself as one of Hollywood’s most talented actresses and iconic beauties. Her astonishing career lasted until her retirement at age twenty-six, when she withdrew from stage and screen to marry a European monarch…
Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.
A lush, dramatic biographical novel of one of the most glamorous and alluring legends of Hollywood's golden age, Marlene Dietrich-from the gender-bending cabarets of Weimar Berlin to the lush film studios of Hollywood, a sweeping story of passion, glamour, ambition, art, and war from the author of Mademoiselle Chanel. Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper, middle-class society for the free-spirited, louche world of Weimar Berlin's…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.
His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices.
The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”
Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of…
