Here are 93 books that Breathing Room fans have personally recommended if you like
Breathing Room.
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I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending.
This book is a celebration of many things: embracing your visible markers of age, seeking a new kind of relationship with an adult child, and the fabulous music of the 80’s and 90’s.
Any person from Generation X will absolutely see pieces of themselves and their friends in the characters in this book. Originally college friends, our couple finds themselves both back in New York and via a series of missteps and then some forced proximity (not only do they have to work together, they have to work for his daughter), they fall gloriously in love.
“Get ready to embrace the force that is Lela Bennett in this sassy, funny romance that will suck you in right from the first wedding crasher moment!” –Wall Street Journal and USA Today bestselling author Avery Flynn
Everything went wrong. And then she went gray.
At 47, newly divorced makeup artist Lela Bennett is dreading her next steps. Dating. Meeting people. Not letting herself go. But then she runs into Donovan James and tries something different—sleeping with her sexy crush from college. Unfortunately, in a post-orgasm stupor, Lela confesses she was in love with Donovan all those years ago. He…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
This was the first book in Natasha’s Men of Lakeside series. Most people don’t realize that this book was one of the launch titles for an entire line of romances geared to readers who are looking for “older” characters. Personally, I loved The July Guy for the heroine. Anita is an independent, sexually-confident woman who makes no apologies for her life choices. In other words, she is like many of the women I know. And Noah is not your typical romance hero. He is a widower whose only experience had been with his wife. I love how skillfully Natasha flipped the near-virgin widow(er) trope.
Art professor Anita Delgado spends eleven months of the year working. July is her month to cut loose, paint, and pick a guy to make the summer memorable. But this year she isn’t in a tropical location with an exotic man like she'd planned. She’s stuck in small-town USA dealing with a lake house she doesn’t want, inherited from a grandmother she never knew. A summer fling might be the only thing to get her through the next few weeks.
Salvage specialist Noah Colburn is running for mayor. If he doesn’t, an absolute idiot is going to ruin his beloved…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
This books is a delightful mash-up of romantic suspense, a spy thriller, and a cozy mystery. While I was reading it, I couldn’t help thinking how much more interesting James Bond would have been if he’d been paired with women who challenged him. And it’s funny. If an author can make me laugh out loud while reading, they have me hooked. Sandra does a masterful job of infusing her characters with all the best things we learn are important to a romance as we grow older: equality, mutual respect, and a desire to form true partnerships.
A butler. A spy. A toilet brush. A romantic suspense cosy spy-thriller-mystery with a dash of grittiness and humour. It's Charade meets Remains of the Day.
After three years in the employ of a former British army officer turned Risk Assessment Specialist, widowed butler Mae Valentine is familiar with Major Kitt’s taste for scrambled eggs, bourbon, and brawling. Kitt knows of Mae’s fondness for order, her beloved dead husband, and the millions the man left her in trust. Their easy bond is tested the day Mae kills the man sent to murder her and the trust fund vanishes.
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance.
In this heartwarming second-chance romance, a woman returns home and discovers that, when it comes to finding love, there's no place like home.
Since leaving her North Carolina town and the boy who broke her heart, Dakota Jones has focused on making it big as a journalist. But when a mistake in her personal life gets splashed across the tabloids and causes her to lose her job, she has no choice but to return home until she can figure out what to do next.
Dexter Roberts never forgot Dakota, and he's always regretted the way things ended between them. Now…
I grew up fascinated by and terrified of Hollywood in equal measure, fascinated because my mother was once married to a movie star and terrified because she refused to talk about that time in her life, saying she preferred to “pretend it never happened.” Accordingly, I’ve always been drawn to stories that involve characters who live in the orbit of stage and screen stars, people whose lives are touched, and in many cases forever changed by fame even if their face is not the one people recognize. These novels all offer glimpses into the heady rush of fame and its many foibles.
This book includes so many of my favorite things: an inn on the coast of Italy, a young innkeeper with outsized dreams, movie stars, an almost-romance, and a chance for rekindled love.
I clung to every page as the story moved back and forth from the 1960s to the present day, from the set of Cleopatra in Rome to Hollywood backlots. This book is like a vacation full of interesting people you want to know better, the kind of vacation you never want to end.
I read this novel just as I was starting to write in earnest, and before I fully understood how hard it is to pull off a feat of complex storytelling as elegantly as Walter does in this novel. It’s a marvel.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
As a film studies scholar from a working-class background (which is pretty rare in UK academia!), I’ve long been fascinated by the Hollywood Left and the prospect of what they could have achieved had they not been expunged from the scene. Many of the social justice causes they embraced—anti-fascism, anti-racism, workers’ rights, etc.—resonate very strongly with contemporary concerns. The persecution of these creative workers also serves as an ever-timely warning from history about the importance of maintaining vigilance in the face of totalitarian thinking and systems of oppression.
Rebecca Prime is one of the contributors to my book and her book is a fascinating sequel to that volume. It covers the careers of several blacklisted filmmakers who fled Hollywood and America, seeking to find new work and life opportunities in Europe. Impeccably researched and elegantly written, Prime’s study tells the story of a generation of creative workers that was lost to the USA but which made a vital contribution to European and British cinemas. As she details, many of the exiled filmmakers faced almighty personal and professional struggles to adjust to their new circumstances, and while a few (e.g. Joseph Losey and Jules Dassin) would eventually achieve fabulous success, many other exiles found it difficult to secure regular and fulfilling work opportunities or personal happiness.
Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood emigres directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American "lost generation" and…
I have loved classic Hollywood movies since childhood, especially the legendary actresses of the era. My grandmother nurtured this love, taking me to the video stores to rent movies and the library to read biographies and books about actresses and Old Hollywood. Now, I am a professor of film history at Chapman University, where I teach classes on American cinema and women in film. Still, my passion for female-centered classic Hollywood movies remains strong. I have compiled a list showing the multi-faceted ways that women have participated in Hollywood cinema during its first century.
When you think of Method acting—which actors come to mind? Marlon Brando, James Dean, Robert De Niro…in other words, all men? This is where Keri Walsh’s landmark book comes in, challenging the cultural presumption that Method acting is a male craft.
This book is a revelation for both my teaching and research. Walsh argues that actresses like Kim Stanley, Shelley Winters, and Jane Fonda developed a feminist Method of acting that synthesized with second-wave feminism. Even more striking is their omission from American cinema histories because Walsh underscores how critics praised these women and their films, won Oscars, and/or they were popular with audiences in their contemporary moment.
This book sets the historical record straight by showing that Method acting was equally the domain of Hollywood women and men.
Women, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film.
While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method-the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning…
A confession: I don’t read a great many books anymore, especially about the region and issue that I focus on. My preferred format for analysis of contemporary events is the long essay supplemented by social media and op-eds. So, rather than offer a selection ripped from today’s Asia headlines, I’ve tried to choose books that I read years (sometimes decades) ago and which stuck with me, books that formed the foundations for my intellectual development, or which just surprised me with their novelty and contrarianism.
This is not an Asia book at all, but to understand Asia’s geopolitical future, one needs empathy with both China (already discussed) and the US.
To imbibe the spirit of America, I recommend historian Edmund Morris’ highly controversial and unusual portrait of Ronald Reagan. “Dutch” sympathetically recounts Reagan’s quintessentially American story. Morris reveals a quixotic character who dominates the global stage.
The authorized life of Ronald Reagan written by America's most innovative and Pulitzer Prize-winning political biographer. This unprecedented book breaks through all conventional definitions of biography.
'Poor dear. There's nothing between his ears.' So Margaret Thatcher described Ronald Reagan. But the Iron Lady, when in the 'poor dear's' presence, giggled like a schoolgirl. 'One could not talk to him for more than a few minutes without being aware of the ordinariness of his mind,' says Helmut Schmidt. But Mikhail Gorbachev, deconstructor of communism, is now despised by his people, while the most popular boys' name in the former USSR…
As an editor, I worked with many authors before deciding to become one myself. Most of my twenty-five published books cover theatre and film, but I was especially excited to work on biographies of actors and try to get to the truth behind the public figures.
I wrote three books about my father, who became a star of the silent films during the 1920s and eventually appeared in 172 films over nearly six decades. In researching his life and work, I was astonished to find a very different man from the one I had lived with and known during my childhood and youth.
Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.
He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.
In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.
Michael Redgrave was a great actor in an age of great acting. His contemporaries were Edith Evans and Laurence Olivier, Peggy Ashcroft and John Gielgud, Alec Guinness and Ralph Richardson. He shared seasons with them at the Old Vic, Stratford and the National Theatre. More than all his contemporaries except Olivier and Guinness he succeeded both in the classical theatre and as a popular leading actor, starring in such films as "The Lady Vanishes", "The Way To The Stars" and "The Browning Version". Corin Redgrave has written about a complicated life, using his actor's knowledge of his father's work and…
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Isabel Rosario Cooper was not just a movie starlet during the golden age of Hollywood; she was also preyed on by General MacArthur. The book shows just how difficult it was for Asian American actors to make it in Hollywood and leads one to wonder if things have really changed that much today.
In Empire's Mistress Vernadette Vicuna Gonzalez follows the life of Filipina vaudeville and film actress Isabel Rosario Cooper, who was the mistress of General Douglas MacArthur. If mentioned at all, their relationship exists only as a salacious footnote in MacArthur's biography-a failed love affair between a venerated war hero and a young woman of Filipino and American heritage. Following Cooper from the Philippines to Washington, D.C. to Hollywood, where she died penniless, Gonzalez frames her not as a tragic heroine, but as someone caught within the violent histories of U.S. imperialism. In this way, Gonzalez uses Cooper's life as a…
