Books like Funny You Should Ask — picked by fans

This novel utterly gripped me, and when I finished it, I wrote an eight-word review: “I think this book might actually be perfect.” It’s got everything I could ever want in a story: beautiful writing, sizzling scenes, glamorous locations, and an emotionally resonant exploration of themes like age, fame, and motherhood, as well as, of course, love.

I’ve long since lost count of the number of times I’ve recommended it to people who are looking for a book they won’t be able to put down.

Want to spend 10 glorious hours with Meryl Streep?

I loved her audiobook performance of Tom Lake. Her intonation mirrors the exact qualities that the main characters, who are actors, strive for: neither underacted nor overacted. Just genuine. 

Ann Patchett is a treasure, and in Tom Lake, she effortlessly navigates two timelines: one in which Lara tells her daughters about meeting famous actor Peter Duke in a long-ago play. These scenes are just as compelling as the flashbacks in which we learn about her time with Duke before he became a famous movie star.

It's a talent, the ability to tell a mostly ordinary life in a page-turning way. Her imagery is magnificent. Every scene is wondrous. Touching. So real.

Talk about swoon-worthy: recently divorced regular gal Nora is a Hallmark-style screenwriter until her latest script is tapped for the big screen starring the “sexiest man alive,” Leo.

I was drawn in by the fantasy of crushing on a movie star, but I stayed for the relatability and depth of the main character. This was one I read in about twenty-four hours because I needed to know whether Nora would find her happy ending.

I also appreciated that this book left some things to the imagination. It was heavier on the romance than the sex.

There are three things about Romantic Comedy that put it on my favorites list and make it a book that has stayed with me.

First, the development of the relationship between the main characters is adorable and features some of the wittiest flirtatious emails I’ve read. Second, the book is based on a fictional version of a late-night show, and as an SNL fan, it really resonated.

Third, the majority of the novel is set during the pandemic and evoked memories of that time that were both relatable and evocative.

Katherine Center has been a favourite of mine since I read What You Wish For. Her writing is gorgeous, with a great rhythm and use of language. It’s also emotionally intelligent and infuses what can be the harsh realities of life with deep hope.

So, I was delighted to see she’d written about a theme I love so much, and I wasn’t disappointed! 

This novel is a blend of fact and fiction and informed speculation, centered on the relationship between two mammoth film stars of Hollywood’s Golden Age: Loretta Young and Clark Gable. While the deeper truths of their relationship during the filming of Call of the Wild might be disputed, what is certain is that they produced a daughter whose identity was kept secret—even from her father. Loretta is sympathetically portrayed, often from the perspective of an Italian nun (the author’s creation). A whole galaxy of film celebrities passes through the pages of this book, which for fans of 20th century cinema, is a plus. One touching and poignant aspect of the story, for me, is the danger Loretta’s beloved child poses to her reputation and career.

Stinger is one of the most original love stories I've ever read, and it's written in Mia's characteristic, heartfelt way.

Carson and Grace were both so easy to like, and they felt real. I'll never forget the scene where they're trapped in the elevator because I felt like an interloper trapped with them. Carson called Grace “Buttercup,” which is, of course, one of the romantic names out there, thanks to The Princess Bride.

When you read Mia Sheridan’s books, it feels like a possible wish–she doesn't write just happy ever afters; she writes dreams come true. 

In many ways, this book is a precursor to Audrey Hepburn in Paris. Both books were conceived by Audrey’s son, Luca Dotti. I used Audrey at Home as a guide while writing my book. I was moved by Luca’s personal anecdotes and the private photos from his family albums.

Although the two books differ in subject—one is about Audrey’s home life, and the other is about her fashionable career—one concept I borrowed was the exploration of the woman behind the actress. Luca’s book changed the field for Audrey biographies. By inviting us into the intimate setting of his mother’s kitchen, we are given access to a rarely-shown side of Audrey. This book tenderly examines the actress, the mother, the wife, and the friend. 

For those who don’t know, Errol Flynn was the “bad boy” of Hollywood’s golden era in addition to serving as the king of adventure pictures from 1935, when he appeared as Captain Blood, to 1953, when he made The Master of Ballantrae. In between, he starred in 40 other films, wrote two books, married three times, survived a spurious rape charge and trial, and debauched himself with booze and drugs.

Just a year before his death at age 50, Flynn sat down with a ghostwriter to create a memoir both candid and poignant. This book has gone on to sell millions of copies since its release in 1959 and remains in print today—a testament to the power of Flynn’s personal history and narrative.

This murder mystery novel is one that really stayed with me. It has a noir quality that fits the 1940s era, and a realistic depiction of the difficulties of employment at various levels in Hollywood. Suspicion falls on the protagonist when her roommate turns up dead on the set of a Barbara Stanwyck film, and through the course of the novel various scandals, mysteries, and cover-ups collide. Though the main character isn’t herself a star, far from it, she offers a particular perspective on the stars she knows and the industry as a whole. Stanwyck is one of Hollywood’s great talents and true survivors, as forceful on the page and as desperate to salvage her personal life as any of her movie characters.