44 Books Like The July Guy

This book is a celebration of many things: embracing your visible markers of age, seeking a new kind of relationship with an adult child, and the fabulous music of the 80’s and 90’s.

Any person from Generation X will absolutely see pieces of themselves and their friends in the characters in this book. Originally college friends, our couple finds themselves both back in New York and via a series of missteps and then some forced proximity (not only do they have to work together, they have to work for his daughter), they fall gloriously in love.

This books is a delightful mash-up of romantic suspense, a spy thriller, and a cozy mystery. While I was reading it, I couldn’t help thinking how much more interesting James Bond would have been if he’d been paired with women who challenged him. And it’s funny. If an author can make me laugh out loud while reading, they have me hooked. Sandra does a masterful job of infusing her characters with all the best things we learn are important to a romance as we grow older: equality, mutual respect, and a desire to form true partnerships. 

Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance. 

This is one of my comfort reads. It’s been out a while, so it may be a little dated in terms of technology, but the heat is still there. One of the things I love most about this book is that it blows the perception that we should have everything figured out by the time we reach a certain age or level of success. Isabel thought she had a fool-proof guide to living a successful life free of messes. Well, you know that had to blow up in her face. But I also like Lorenzo Gage’s story as much. As one of the world’s most bankable movie stars, he should be riding high, but he finds himself inexplicably discontented with his career and life choices. This book reminds me it’s okay if I don’t have a handle on every little thing.

This is a classic whole year (or semester) method to learn Spanish. I recommend it both for teachers and students since it is so complete and so well structured, that it can be well profited from both sides. 

The method is designed to fast forward and the new versions have been improved with the help of teachers who already used it, which is so interesting. It’s well organized: 18 units divided in 5 points each (goals; texts-oral and written; grammar; activities for grammar and lexic practice; and a final task to be ideally prepared in group: a script for a radio show).

The pack is completed with audios that show the differences between Spanish language all over the world.

I’ve read the first sentence of The Angel’s Game over and over, never tiring of the simple wisdom—and truth—of protagonist David Martin’s words: “A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story…” And for the rest of the novel, I’m caught in the web of an author whose prose is as pleasurable to read as the story itself. The Angel’s Game is an example of visionary/metaphysical fiction, a little-known genre under the umbrella of speculative fiction containing paranormal and/or supernatural elements that don’t exist in the real world. Carlos Ruiz Zafon, however, makes the unreal seem real and the impossible seem possible, a sign of a truly gifted writer.

Another book which brings the history of a city to life. For years, Nick Lloyd has been leading highly informative guided walks around Barcelona sites associated with the Spanish Civil War, and now he has compiled much of his vast knowledge on the subject in this excellent book. Packed with fascinating details and anecdotes, this is pretty much the last word on the subject.

This is, hands down, the single funniest book I have ever read. What’s amazing is that in addition, it’s really a heartfelt memoir. Harrison Scott Key can take contentious family relationships and use them to simultaneously make your heart ache and your face hurt from laughing so much. He’s also skilled at self-deprecating humor, unabashedly highlighting his own flaws throughout his story. The title refers to the author’s father and the book chronicles interactions from youth onward—all the cringe-worthy moments when a parent and child simply cannot see eye to eye (and you can tell they probably never will). And yet the undercurrent of love throughout is what brings in the heartache that balances out the hilarity. Again, this is the single funniest book I have ever read, and that should count for something! 

This Cemetery of Books series prompted my wife and me to repeatedly interrupt our reading with “Check out this passage” comments. Zafón’s prose and Lucia Graves’ translation are that beautiful. In the final book, they superbly depict repressive, Franco-era Barcelona and characters like Alicia Rico, who carries the pain and scars of the Spanish civil war while uncovering injustices with the help of book lovers who safeguard banned books and deep secrets. We visited Barcelona before reading the series but welcomed this return to Las Ramblas and other locales.

Given the heroic women I portray in Irena’s Gift, I am naturally drawn to stories of resilient women who challenge conventions to reinvent themselves and thrive in new countries. In Kantika, through exquisite prose, Elizabeth Graver transports readers from the vibrant streets of Constantinople to the bustling avenues of Barcelona–where characters based on her own Sephardic family are exiled after losing everything–to Havana and then New York. 

Its glorious cover is an apt description of the kaleidoscope of cultures and places this story allows us to inhabit. Graver's lyrical writing breathes life into each city as if it were a character. Each location bursts with movement and color, such as this description of 1907 Constantinople: “In wordless tunes, nonsense sounds and ballads, in Ladino, French and bits of Turkish, Hebrew, Greek, she sings, as on the street the lemon man sings lemons, the Bulgarian sings pudding, the vegetable… show more.