Here are 100 books that Boys Come First fans have personally recommended if you like
Boys Come First.
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I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Love him or hate him, it’s undeniable that LeDuff is a tremendously charismatic writer. A Pulitzer Prize winner, a breathtaking reporter, and a denizen of Detroit for decades, this is one of the most compellingly written books on Detroit ever.
This book has a Mustang eight-cylinder engine on it, and I hoovered this up over just a couple of hours. If you want a barn-burning page-turner of a tale, showcasing Detroit as its most broken and beautiful, this is the one for you.
An explosive expose of America's lost prosperity by Pulitzer Prize -winning journalist Charlie LeDuff
"One cannot read Mr. LeDuff's amalgam of memoir and reportage and not be shaken by the cold eye he casts on hard truths . . . A little gonzo, a little gumshoe, some gawker, some good-Samaritan-it is hard to ignore reporting like Mr. LeDuff's." -The Wall Street Journal
"Pultizer-Prize-winning journalist LeDuff . . . writes with honesty and compassion about a city that's destroying itself-and breaking his heart." -Publishers Weekly (starred review)
"A book full of both literary grace and hard-won world-weariness." -Kirkus
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
This book looks toward the future. A friend, leader, and hero to many in Detroit including myself, Grace Lee Boggs is one of the most important philosophers of the 20th and 21st centuries. However, this book is far from the stuffy philosophy you might remember from PHYL 101. Rather, it’s a road map to a better, brighter future, and a new way to live.
A resident of Detroit for almost 80 years, Boggs once wrote, “The most radical thing I ever did was to stay put.” Her thinking and activism underlie almost anything truly transformational happening in Detroit today, and this book will leave you with more hope than a dog looking at the thanksgiving dinner table.
A world dominated by America and driven by cheap oil, easy credit, and conspicuous consumption is unraveling before our eyes. In this powerful, deeply humanistic book, Grace Lee Boggs, a legendary figure in the struggle for justice in America, shrewdly assesses the current crisis - political, economical, and environmental - and shows how to create the radical social change we need to confront new realities. A vibrant, inspirational force, Boggs has participated in all of the twentieth century's major social movements - for civil rights, women's rights, workers' rights, and more. She draws from seven decades of activist experience, and…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
Frankly, I want to be friends with Captain Desiree Quicho. And not just her. I want to be friends with the entire crew of the Aerie, along with their assorted bunch of allies, acquaintances, and hangers-on. These include a street-smart psychic with great hair and an even better ass, a NASA engineer, Saharan troglodyte elves, Atlanteans, Bigfoot, a Hellbilly, and a Giant Pacific Octopus named Bobo the Mag.
This book's unique, omniscient-whacky prose style makes you feel like you’re swimming through every character’s mind, not just reading but experiencing their fears, thoughts, and dreams. This is all to say that reading this book really does make me feel like these characters are my friends—and sisters; it feels good. Except for Bigfoot. That guy’s an asshole.
No one has time for your BS...but Captain Desiree Quicho and crew of utter badasses surely don't. Got a universe to save. Again. Commandeer one piece of out-of-this-world tech and suddenly you have an evil billionaire and a corporate queenpin on your ass, factions scrabbling at the power grab to end all power grabs, and an ultimate AI bent on a rampage of healing.
All a captain wanted was a little chill time, a few tunes, and quality barbecue.
Woe to those blocking her groove.
Four women; One machine goddess; a Hellbilly, Saharan elves, the baddest Pacific Octopus this side…
My taste in music is as eclectic as my bookshelf. I read everything from poetry to Greek tragedies and listen to both historical and contemporary music. When I first imagined Shelby’s story, I aimed to capture how music transforms us, how it shifts our moods and shapes our memories. As I set out to write the first draft, I had never heard of social-emotional learning. However, writing this book, along with my YA novel, A Song for the Road, inspired me to pursue a master’s degree in Humanities focusing on Social-emotional Learning and Creative Writing. I also teach teens and adults how to write compelling emotional fiction.
I have a soft spot for books about writers, the journey to becoming one, and the creative life in general. This book surprised me and delighted my writerly heart, especially when protagonist Dani decides to write letters to her favorite Black women writers about a secret she’s afraid to share with her family. When a DJ friend dares her to fall in love with him in just three days, this gritty, urban, and heart-rending story unexpectedly takes on a rom-com energy that just works.
As a social-emotional learning researcher, I was also wowed by how this writing/music/personal trauma narrative explores various forms of love: platonic, familial, romantic, and self-love.
“Readers won’t be able to get enough of these dope-ass characters.” —Elizabeth Acevedo, author of Clap When You Land
Hitch meets The Sun Is Also a Star in this “mega swoon-worthy, effortlessly cool” (Casey McQuiston, New York Times bestselling author) novel about a self-professed teen love doctor with a popular radio segment who believes he can get a girl who hates all things romance to fall in love with him in only three dates.
Prince Jones is the guy with all the answers—or so it seems. After all, at seventeen, he has his own segment on Detroit’s popular hip-hop show,…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Nature takes on different meanings in the landscape of the post-industrial city. On a city block in the middle of a shrinking city, the return of green space can signify abandonment, disinvestment, and decay instead of healing, flourishing, or balance. Cialdella brings much needed nuance and historical context to the place of nature in postindustrial Detroit, providing a wider range of stories about the ways in which gardens and green, from the wide expanse of Belle Isle to urban potato patches and backyard sunflowers, have helped connect communities to the city and each other. Nature in the city doesn’t replace people; it helps them flourish.
Motor City Green is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city's industrial rise and decline, and racial segregation and economic inequality. As the city's social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I chose these stories because as a Black woman, seeing characters like me in stories as the main character instead of the sidekick or friend is always so refreshing. Like the main characters of my own novels, Black women taking charge is something to be celebrated.
The first time I read this book I was just a teenager. The story of a Black woman escaping domestic abuse and raising children on her own was something I had watched play out in my own family. I could see my grandmother in those pages, my mother in the struggles described, my aunts' resentments, and my uncles' poor choices clearly in the story. It felt like someone had peeked into my own family history and put it to paper.
Although McMillan is often overlooked as a writer, Mama is not a story to be missed.
A “funny [and] touching” novel of an African American woman determined to triumph, by the #1 New York Times–bestselling author of Waiting to Exhale (Detroit Free Press).
Mildred Peacock is fed up with poverty—and with the jealous rampages of her husband, Crook. When Crook runs over her foot with his ’59 Mercury, she finally kicks him out to raise her five kids on her own.
Resourceful and sly, sassy and sexy, she’s willing to do just about anything to pay the bills. But she loses job after job, and one man after another, until alcohol and pills are her only…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?
Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.
I write cozy mysteries about a house flipper turned sleuth in fictional Crocus Heights, Minnesota. My father was a carpenter, and I was his helper. My childhood was spent on a farm, with the biggest event of the week being a trip to the local library, where I checked out seven books. I would prop my library book in front of my school book and read in class whenever I could. My favorites were mysteries, and later romances, and now cozy mysteries, which combine a bit of both. I am always fascinated by people and their motivations, and that is what I enjoy in all the authors I recommend.
I love that Laurie’s main character in her Psychic Eye series is a modern-day psychic and solves a mystery. I love a good psychic theme where Abby Cooper has an office where she books readings, solves mysteries, and has a serious love interest. Laurie has a website with links to a podcast where she and her sister discuss current murder cases. I might even book a reading with her.
Abby Cooper is a P.I., psychic intuitive. But her insight failed her when she didn't foresee the death of one of her clients-or that the lead investigator for the case is the gorgeous blind date she just met. Now, with the police suspicious of her abilities and a killer on the loose, Abby's future looks more uncertain than ever.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’m the author of an award-winning indie book series that focuses on a pretty unusual main character: a middle-aged mother actively parenting three kids in an insane situation. I love unexpected situations and fresh or unusual characters, and the books I recommend here reflect that.
Do you know what makes life-and-death drama better? Throwing it in a pot with a healthy dash of family drama and stirring vigorously. Rachel Aaron understands that, and I love that almost all of her series effortlessly blends the importance of apocalyptic disasters with the difficulty of dysfunctional familial relationships.
And sometimes–just sometimes–the characters get a little healing along the way.
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
