Here are 100 books that Afro Puffs Are the Antennae of the Universe fans have personally recommended if you like
Afro Puffs Are the Antennae of the Universe.
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I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
Lady astronauts are all the rage these days, but what would it have taken to get women into spaceships in the notably more misogynist 1950s? According to this book, it would take the threat of a world-destroying cataclysm—which sounds about right.
This book doesn’t stop at sexism, though. It tackles a variety of -isms, and doesn’t hold back in showing how absurd it would be to hold onto them as the world burns. Some critics have even suggested that there are too many types of bigotry on display here, to which I would reply, “Dude, wait ‘till you hear about real life.”
Ignore all the yucky, uncomfortable stuff if it pleases you, though, and this will still be a fascinating look at mid-century America, but with ladies in space.
A meteor decimates the U.S. government and paves the way for a climate cataclysm that will eventually render the earth inhospitable to humanity. This looming threat calls for a radically accelerated timeline in the earth's efforts to colonize space, as well as an unprecedented opportunity for a much larger share of humanity to take part.
One of these new entrants in the space race is Elma York, whose experience as a WASP pilot and mathematician earns her a place in the International Aerospace Coalition's attempts to put man on the moon. But with so many skilled and experienced women pilots…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Love him or hate him, it’s undeniable that LeDuff is a tremendously charismatic writer. A Pulitzer Prize winner, a breathtaking reporter, and a denizen of Detroit for decades, this is one of the most compellingly written books on Detroit ever.
This book has a Mustang eight-cylinder engine on it, and I hoovered this up over just a couple of hours. If you want a barn-burning page-turner of a tale, showcasing Detroit as its most broken and beautiful, this is the one for you.
An explosive expose of America's lost prosperity by Pulitzer Prize -winning journalist Charlie LeDuff
"One cannot read Mr. LeDuff's amalgam of memoir and reportage and not be shaken by the cold eye he casts on hard truths . . . A little gonzo, a little gumshoe, some gawker, some good-Samaritan-it is hard to ignore reporting like Mr. LeDuff's." -The Wall Street Journal
"Pultizer-Prize-winning journalist LeDuff . . . writes with honesty and compassion about a city that's destroying itself-and breaking his heart." -Publishers Weekly (starred review)
"A book full of both literary grace and hard-won world-weariness." -Kirkus
I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
Reading the first couple of chapters of this book is like being thrown into the deep end of a pool and asked not just to swim but to do some calculus homework while you’re at it. The setting just doesn’t seem to make any sense, physically or morally. But I kept treading water until this book had a grip on me that wouldn’t let go. By the time the concept of “Calendrical Heresy” came up, I couldn’t put it down.
In this book, spaceships (and their horrifying, inhumane weapons) run on forces that depend on the calendar. Change the calendar and you change the rules of reality itself. This unique bit of worldbuilding lays the foundations for a gritty, unwavering exploration of personal identity under the heels of oppression, and holy crap, is it a wild, profound journey.
New York Times Best-Selling Author - Nominated for the 2019 Hugo Award for Best Series - Winner of the 2016 Locus Award - Nominated for the Hugo, Nebula and Arthur C. Clarke Awards
When Captain Kel Cheris of the hexarchate is disgraced for her unconventional tactics, Kel Command gives her a chance to redeem herself, by retaking the Fortress of Scattered Needles from the heretics. Cheris's career isn't the only thing at stake: if the fortress falls, the hexarchate itself might be next.
Cheris's best hope is to ally with the undead tactician Shuos Jedao. The good news is that…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
This book looks toward the future. A friend, leader, and hero to many in Detroit including myself, Grace Lee Boggs is one of the most important philosophers of the 20th and 21st centuries. However, this book is far from the stuffy philosophy you might remember from PHYL 101. Rather, it’s a road map to a better, brighter future, and a new way to live.
A resident of Detroit for almost 80 years, Boggs once wrote, “The most radical thing I ever did was to stay put.” Her thinking and activism underlie almost anything truly transformational happening in Detroit today, and this book will leave you with more hope than a dog looking at the thanksgiving dinner table.
A world dominated by America and driven by cheap oil, easy credit, and conspicuous consumption is unraveling before our eyes. In this powerful, deeply humanistic book, Grace Lee Boggs, a legendary figure in the struggle for justice in America, shrewdly assesses the current crisis - political, economical, and environmental - and shows how to create the radical social change we need to confront new realities. A vibrant, inspirational force, Boggs has participated in all of the twentieth century's major social movements - for civil rights, women's rights, workers' rights, and more. She draws from seven decades of activist experience, and…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Perhaps from the outside Detroit might look like a humorless place. A native of the city, Foley shows us just how untrue that is. Boys follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City, with a narrative both hilarious and touching.
Published by Belt Publishing, a relatively new publisher focusing on the Rust Belt, Boys gives readers an inside view of the city and Black culture that can be radically different from the ones often portrayed in the media. This book can take you to a world much more beautiful and strange.
This hilarious, touching debut novel by Aaron Foley, author of How to Live in Detroit Without Being a Jackass, follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City.
Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try and get back on track in his hometown of Detroit. He’s got one objective — exit the shallow dating pool ASAP and get married by thirty-five — and the deadline’s approaching fast.
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
AI has been coming for my day job for a while now, so I was honestly conflicted when I heard that the talented Megan E. O'Keefe wrote a book about a rogue machine intelligence controlling a deserted spaceship. However, the first few chapters of this spooky, thoughtful, riveting novel made me think again. After finishing… well, I don’t want to spoil it, but let’s just say the themes rang very, very true to someone on the sharp end of the AI revolution.
Storytelling like this embodies the best of science fiction: using a futuristic setting to explore the issues most relevant to the present. That’s why I’m a science fiction fan, and it’s why I adore this book.
NOMINATED FOR THE PHILIP K. DICK AWARD FOR BEST NOVEL * Dazzling space battles, intergalactic politics, and rogue AI collide in Velocity Weapon, the first book in this epic space opera trilogy by award-winning author Megan O'Keefe. Sanda and Biran Greeve were siblings destined for greatness. A high-flying sergeant, Sanda has the skills to take down any enemy combatant. Biran is a savvy politician who aims to use his new political position to prevent conflict from escalating to total destruction. However, on a routine maneuver, Sanda loses consciousness when her gunship is blown out of the sky. Instead of finding…
I have wanted to live on a spaceship since I was eight years old, watching reruns of Star Trek on the local UHF channel. At eight, I couldn’t have told you why. The Enterprise, by the twin miracles of sci-fi tech and TV budget, has the same gravity, air, and people (mostly) we have right here on Earth. Later, I came to understand the appeal: on the Enterprise, the only true enemy is space itself, unfeeling and impersonal in its hostility. The only hate in space is what we bring with us, and the silent, empty gulfs between worlds remind us that we can choose to leave it behind.
For someone who’s read every book in the Hornblower and Aubrey-Maturin series, it’s hard to find an age-of-sail book that has anything truly new to add.
Or so I thought until I picked up this book. It asks the question, what if Jack Aubrey could have sailed a wooden frigate to a Barsoomian version of Mars? The obvious answer, of course (and the one in this book) is that Britain would have extracted every plank of Marswood, ounce of Marsspice, and bag of Marstatoes it could get its imperialistic little hands on.
That’s Arabella’s world, where cannons boom in the interplanetary air currents, and spaceships are driven by sail power. As a fan of both sea stories and space operas, I’m there for it.
From David D. Levine comes Arabella the Traitor of Mars, the newest book in the Adventures of Arabella Ashby series.
Hail the conquering heroes!
The tyrant, Napoleon, has been defeated with Arabella and the crew of the Diana leading the final charge. But, victory has come at a tremendous cost. Britain’s savior, Lord Nelson, has not survived the final battle and the good people of the Diana must now return to London as both heroes and pallbearers.
At last husband and wife, Arabella and Captain Singh seem to have earned the attention of great men, ones who have new uses…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Nature takes on different meanings in the landscape of the post-industrial city. On a city block in the middle of a shrinking city, the return of green space can signify abandonment, disinvestment, and decay instead of healing, flourishing, or balance. Cialdella brings much needed nuance and historical context to the place of nature in postindustrial Detroit, providing a wider range of stories about the ways in which gardens and green, from the wide expanse of Belle Isle to urban potato patches and backyard sunflowers, have helped connect communities to the city and each other. Nature in the city doesn’t replace people; it helps them flourish.
Motor City Green is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city's industrial rise and decline, and racial segregation and economic inequality. As the city's social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
A powerful, riveting, and unputdownable tale of three women from different eras (Civil War to present) that frames the issue of race relations within the context of family relationships, making the subject immensely relatable and deeply touching. Bartels spins this masterful tale with a deft touch and a caring heart to create a stunning debut. Because the characters were so vivid and the emotions so real, this book opened my eyes in new ways to an issue that remains a hot button in today’s society.
A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist
***
"In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review
"A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans…
