84 Books Like Boswell's Correspondence With the Honourable Andrew Erskine, and His Journal of a Tour to Corsica

Madame de Boigne describes the same period as Chateaubriand, whom she disliked, from a liberal perspective. Both had their style and mind improved by suffering during the Emigration, which also made both, for a time, feel half-English. Boigne married a French officer who had made a fortune in India, but failed to tell her he had brought back an Indian wife. She took his money and returned to live with her parents. 

Born with what she called a ‘taste for royalty and the instinct for court life’, she described salons and quarrels, royalty and revolution, Paris and England, from 1780 to 1840. Her friend Count Pozzo di Borgo, for example, she says, would have descended into hell to find enemies for Napoleon, whom he had hated since their childhood in Corsica. She blamed the long foretold revolutions of 1830 and 1848 on monarchs’ exaggerated sense of their infallibility. A genius… show more.

I love this adventure travel memoir about hiking across Corsica, a French island in the Mediterranean, because the author and her husband who just turned sixty, inspire me to keep walking and adventuring for as long as possible.

The GR20 is one of the toughest trails in Europe and the author shows us with her determination and honesty how to persist. After reading this book, I’m excited to add the GR20 to my wish list of walks or at least dream about it. 

I like how de Maupassant, in this collection (like Balzac, only more succinctly), runs the gamut of society: two vagrants who live in a rowboat, milkmaids, nuns, soldiers, clerks, seamstresses, shop-owners, the elegant and fashionable, counts and countesses. Likewise he runs the gamut of tone from tragedy to romance to slapstick to farce to sophisticated wit. Each story is so different, one might suspect multiple authors, but for that unmistakable, to-the-point style ̶ and that perfect kicker at the end. De Maupassant is the wizard, some say the originator, of the modern short story. This is real literature in miniature.

This is a fine work of fiction that forms but the first installment of a four-book masterpiece. Max Gallo was a herculean figure in French post-war life. In this volume, he tells the story of Napoleon’s life from his birth in Corsica to the moment in 1799 when he topples the ineffective Directory. I love this book because the author puts us inside Napoleon’s head. We think his thoughts and savour his words. He has put the flesh on the bones of history, conjuring a sympathetic tyro at times plagued by doubts but also willing to take daunting risks. This book made me realise Napoleon was more than an icon or an ogre, an Emperor, or a military genius; he was an outsider, he endured bullying, and he felt the same gamut of emotions as we do. I never looked at historical figures in the same way again.

Much of this book by two psychologists covers familiar ground and some may find their explanation for what they found unpersuasive, but get this: When they brought white male undergraduates into the laboratory on a pretext and called them "asshole," Northern subjects laughed it off or ignored it, but Southern ones bristled. Subsequent tests showed that the Southerners had heightened blood levels of stress-related hormones and testosterone, but the Northerners did not. Moving the study of the South’s “culture of violence” to the physiological level was a remarkable achievement, but hardly anyone seems to have noticed.

Where better to start trying to understand Napoleon than with his own words? If only it was that simple! In total, four of his companions took down Napoleon’s words but he died without editing them. Exiled on St Helena, Bonaparte was determined to counter what he saw as the gross distortions circulating in the English-speaking world. I delight in his confident vision, even after his ultimate defeat. This book gives us insights into his view on the nature of history, his assessment of generals through the ages, including a substantial section on himself, the key events in his career, and a set of final observations in which he attempts to rewrite history to his tastes. Not then a balanced piece of work but no less fascinating for all that. It taught me the importance of putting myself in a character’s shoes before I start writing.

This is a rich, encyclopedic-like collection of brief chapters about various aspects of Etruscan culture by all the major scholars (60!) in the field. If you are looking to gain access to Etruscan civilization by randomly reading about particular aspects—from art (the evidence of the earliest portraiture) to women’s lives to sport to engineering to trading contacts—then this is the book for you. All of the chapters are written very accessibly, and—while short—they are packed with information and helpful suggestions for further reading.

The two most influential writers of the 19th Century, who perfected the art of writing revenge stories were French-born Guy de Maupassant and American Edgar Allan Poe. Maupassant is the quintessential go-to Gothic storyteller for revenge and considered the greatest master of the short story in world literature. This collection has all his classic tales like “La Vendetta,” a tale about a grieving mother’s need for revenge, and my favorite, “The Hand,” about an avenging appendage. Plus, many more tales. 

This relatively recent biography of Napoleon, well researched and written, has Prussia all over it (tangentially), mostly because of the French emperor’s insatiably aggressive appetite, which involved all his neighbors diplomatically, socially, militarily, and economically. Everything Napoleon did had ramifications everywhere else, and it took a united Europe to thwart him. Prussia, along with Great Britain, was in the forefront of this effort. Marshal Blücher's Prussian forces, in fact, provided the last-minute, decisive intervention that led to Napoleon’s defeat at Waterloo in 1814, a pivotal moment in European and Prussia history

Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.