100 Books Like Memoirs of the Comtesse de Boigne 1815 - 1819

Born a German princess, married to Louis XIV’s gay younger brother, ‘Liselotte’, as the Duchesse d’Orleans was often known, was an outsider who also, by her rank, was an insider. She put her venom and her frustrations into her letter-writing, denouncing the French court’s morals, policies, and personnel to her German relations. Versailles made her prefer dogs to people: she called Madame de Maintenon, the king’s second wife, ‘the old whore’. Her letters make us feel we are living at Versailles, when it was at the heart of European politics and culture.

Saint-Simon was another passionate outsider. He compensated for his lack of position and favour under Louis XIV by putting his fantasies of omniscience and his psychological perception into his memoirs. One of the great stylists of the French language, he leads readers into a universe where class, personality, and ambition are more important than public issues. He blamed French defeats on Louis XIV’s pride and ignorance. He called Versailles ’the saddest and most unrewarding place in the world’ and the King’s Revocation of the Edict of Nantes, heightening persecution of Protestants, ‘a general abomination born of flattery and cruelty’. At the same time, he praised the King’s ‘incomparable grace and majesty’. ‘Never was a man so naturally polite.’

In his memoirs Chateaubriand combined private life and public events, the autobiography of a Romantic with the history of the French revolution. A royalist writer, ambassador, and minister, he believed that ‘legitimate, constitutional monarchy’ was the ‘gentlest and surest path to complete freedom’. His memoirs give brilliant descriptions of the Bourbons, of whom he often despaired, including the ‘infernal vision’ of Talleyrand and Fouché entering Louis XVIII’s study, ‘vice leaning on the arm of crime’; and the bedsheets which royalist ladies converted into white Bourbon flags, to salute the entry of the allies into Paris in 1814.  For him the Hundred Days was the  ‘irredeemable crime and capital error’ of Napoleon; marriage, especially Chateaubriand’s own, was ‘the high road to all misfortunes’. Disabused of everyone, he asks: ‘is life anything but a lie?’

In this dazzling panorama, using many unpublished sources, Vial brilliantly brings to life the French court as it reinvented and redefined itself after 1789. Because of the feeling of insecurity generated by revolutions, coups, and invasions, Napoleon I and III, the restored Bourbons, and Louis-Philippe tried harder, through public ceremonies, court entertainments, artistic patronage, and good works, to win the popularity which they all knew they needed. In its last, and in some ways most splendid century, the French court had to decide what to retain, what to change, whom to trust and whom to invade. Only after trying many different kinds of monarchy, and suffering the military debacle of 1870-71, did the French finally, and in many cases with extreme distaste, accept a republic.

This is a fine work of fiction that forms but the first installment of a four-book masterpiece. Max Gallo was a herculean figure in French post-war life. In this volume, he tells the story of Napoleon’s life from his birth in Corsica to the moment in 1799 when he topples the ineffective Directory. I love this book because the author puts us inside Napoleon’s head. We think his thoughts and savour his words. He has put the flesh on the bones of history, conjuring a sympathetic tyro at times plagued by doubts but also willing to take daunting risks. This book made me realise Napoleon was more than an icon or an ogre, an Emperor, or a military genius; he was an outsider, he endured bullying, and he felt the same gamut of emotions as we do. I never looked at historical figures in the same way again.

This relatively recent biography of Napoleon, well researched and written, has Prussia all over it (tangentially), mostly because of the French emperor’s insatiably aggressive appetite, which involved all his neighbors diplomatically, socially, militarily, and economically. Everything Napoleon did had ramifications everywhere else, and it took a united Europe to thwart him. Prussia, along with Great Britain, was in the forefront of this effort. Marshal Blücher's Prussian forces, in fact, provided the last-minute, decisive intervention that led to Napoleon’s defeat at Waterloo in 1814, a pivotal moment in European and Prussia history

I love this adventure travel memoir about hiking across Corsica, a French island in the Mediterranean, because the author and her husband who just turned sixty, inspire me to keep walking and adventuring for as long as possible.

The GR20 is one of the toughest trails in Europe and the author shows us with her determination and honesty how to persist. After reading this book, I’m excited to add the GR20 to my wish list of walks or at least dream about it. 

The two most influential writers of the 19th Century, who perfected the art of writing revenge stories were French-born Guy de Maupassant and American Edgar Allan Poe. Maupassant is the quintessential go-to Gothic storyteller for revenge and considered the greatest master of the short story in world literature. This collection has all his classic tales like “La Vendetta,” a tale about a grieving mother’s need for revenge, and my favorite, “The Hand,” about an avenging appendage. Plus, many more tales. 

Where better to start trying to understand Napoleon than with his own words? If only it was that simple! In total, four of his companions took down Napoleon’s words but he died without editing them. Exiled on St Helena, Bonaparte was determined to counter what he saw as the gross distortions circulating in the English-speaking world. I delight in his confident vision, even after his ultimate defeat. This book gives us insights into his view on the nature of history, his assessment of generals through the ages, including a substantial section on himself, the key events in his career, and a set of final observations in which he attempts to rewrite history to his tastes. Not then a balanced piece of work but no less fascinating for all that. It taught me the importance of putting myself in a character’s shoes before I start writing.

I like how de Maupassant, in this collection (like Balzac, only more succinctly), runs the gamut of society: two vagrants who live in a rowboat, milkmaids, nuns, soldiers, clerks, seamstresses, shop-owners, the elegant and fashionable, counts and countesses. Likewise he runs the gamut of tone from tragedy to romance to slapstick to farce to sophisticated wit. Each story is so different, one might suspect multiple authors, but for that unmistakable, to-the-point style ̶ and that perfect kicker at the end. De Maupassant is the wizard, some say the originator, of the modern short story. This is real literature in miniature.