Here are 100 books that Bosman at His Best fans have personally recommended if you like
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Like the character of Wala Kitu in Dr No, I consider myself an expert on nothing. Heroes have to be flawed, right? And you don’t always have to like and admire them. They don’t have to be perfect. With perfect hair and teeth. Because I’m not. And I need someone to identify with. Someone to walk the roads I might or might not walk. A list of Nick Hornby, Michael K, Miles Jupp, Billy Liar, and Wala Kitu shouldn’t belong together. But they do. Right here. It’s absurd, right? The connection of different roads? Different stories? Different hurdles to jump? Different act of heroism I say.
It's not an easy read, but I read this one and Cormac McCarthy’s The Road back-to-back. These are two books about lost souls walking away from something, not knowing where they’re going.
Michael K is another character who invokes more sympathy/pity than admiration. Sometimes, I didn’t overly care about Michael K’s suffering, feeling he’d brought it on himself. Mostly, though, I wanted him to find his simple peace.
JM Coetzee is such a good writer. His sparse but full sentences always deliver something.
From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.
J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.
In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience-the need for an…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This South African classic, written in the 19th century, is set on an isolated farm in the Eastern Cape. It masterfully portrays the hardy existence and rugged mountain landscape of the region, but is also a sophisticated (and surprisingly modern) take on issues such as conservation, ecology, racism, and gender equality. Schreiner has a deep love for the fauna and flora of the region, which shines through in her writing.
Lyndall, Schreiner's articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiner's daring embodiment…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
The Heart of Redness is set in a rural Xhosa village on the Wild Coast of South Africa—a pristine environment threatened by a casino and hotel development. I used to visit this area on holidays as a child and was captivated by the rural way of life, tribal huts, unspoiled beaches, and dreamy lagoons. Mda is a master at capturing the beauty and romance of that coast through his evocative prose. The novel also presents a sober warning about the fragility of these environments and how easily they can be destroyed by unscrupulous development.
A startling novel by the leading writer of the new South Africa
In The Heart of Redness -- shortlisted for the prestigious Commonwealth Writers Prize -- Zakes Mda sets a story of South African village life against a notorious episode from the country's past. The result is a novel of great scope and deep human feeling, of passion and reconciliation.
As the novel opens Camugu, who left for America during apartheid, has returned to Johannesburg. Disillusioned by the problems of the new democracy, he follows his "famous lust" to Qolorha on the remote Eastern Cape. There in the nineteenth century…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I am a South African travel writer and novelist with a particular passion for the sublime landscape, wildlife, oceans, and wilderness of our corner of Africa. Growing up in Cape Town, I have spent the last 25 years travelling around the subcontinent writing and photographing for travel and wildlife magazines, and writing books about the landscape and its people. My two latest novels are set in the Cape, and although they are World War II adventure stories, they are also celebrations of our unique coastline, maritime culture, and the oceans that wash our shores. All my writing, whether fiction or non-fiction, ends up being a love letter to the landscape.
This novel is set in the beautiful, moody rainforests of South Africa’s Garden Route and captures the period of gold rush, ivory hunting, and logging at the end of the 19th century. The hero, Saul Barnard, is increasingly disturbed by the destruction of the ancient forest by miners, hunters, and woodcutters, and develops a relationship with one of the region’s reclusive elephants. It’s a novel that not only celebrates this wild corner of South Africa, but is an implicit cry for its conservation. I have spent time camping and hiking in those forests and have developed a love for their leafy embrace.
Born and bred into the tawny magnificence of Africa, Saul would fight to save the vanishing world of his inheritance. Home of the wild elephants and the fiercely independent families of woodcutters, the Knysna forest is under threat from the exploitative greed of the timber merchants, and the ruthless plundering of the ivory hunters. Saul Barnard is a man with a self imposed mission to halt the wanton destruction. For years he has protected the forest from intruders, finding a strange mystical kinship with the spirit of Old Foot, the indomitable and majestic elephant. Then when the word goes round…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This book has been timely as policymakers in the carbon-intensive economy of South Africa is in the throes of a developing framework and plan for implementing a just transition to a low carbon economy.
It brings some of the best thinkers and doers in science, policy and academia to unpack the key shifts – social, economic, and technological and builds on thinking in earlier works on transitions.
Deliberations on the just transition in South Africa have intensified and will continue to do so for the next few years and decades. Climate change, widening socio-economic inequality, the precarious future of work and emergent approaches to financing arrangements have brought new urgency to the issues. It therefore remains critical to interrogate how South Africa can ensure a just transition to a low carbon economy.
This book underlines the fact that the low carbon transition in South Africa has to grapple with complex historical, social, economic, cultural and political factors. The main message is that the transition to a low-carbon…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.
I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
A great journey through how and why corporate South Africa is responding to the green transition.
It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.
From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green.
This book addresses hot issues pertaining to the manner in which corporate South Africa has engaged the emerging green global economy. Firstly, the book profiles the green and low carbon economy landscape in South Africa and interfaces it with global trends. This way, the book aligns very well in terms of the Rio+20 outcomes on 'The Future We Want' that fully embraces the green global economy in the context of sustainable development and poverty eradication. The rest of the chapters in the book profile breakthroughs from selected companies. The book also comes as the second in a series that is…
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.
The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of…
Shortlisted for The Sunday Times Literary Awards (South Africa)
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists' communes.
When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that…
I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
The late Nick Wood, a science fiction writer, clinical psychologist, former journalist, humanitarian, and anti-apartheid activist born in Zambia and raised in South Africa, was always learning.
This is reflected in all his writing, including most of the stories in his collection. Largely science fiction stories in a variety of settings: from post-apocalyptic worlds, settled moons, and climate-changed earths, these stories are highly focused on the social and environmental aspects of humanity even in the most science fictional scenarios.
These stories, intersectional, emotionally resonant, exciting, thoughtful, and varied. Learning Monkey and Crocodile is a wonderful way to sample some of South Africa’s interesting science fiction corpus from a voice that has now left us, but which will not be forgotten.
“Nick Wood’s short stories are powerful, impassioned visions of worlds and worldviews remade by way of redemptive engagement with the spirits of the earth and the earth of the spirit. Joining ancestral wisdom and transformative technologies, combining searing self-scrutiny with joyous awareness of the Other, Learning Monkey and Crocodile is a book for Africa and for all of us.”
Nick Gevers
Nick’s stories have delighted readers across the world and have appeared in publications such as Interzone, Albedo One, Omenana, among others. His debut novel Azanian Bridges was shortlisted for the BSFA award. Embark on a journey where science meets…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Since a tender age I’ve been fascinated by history and the people who dwelled in and shaped those times. My first two writing awards – at 8 and 12 years of age – were for stories with historical settings. I devoured novels dealing with the past, walked the pages with characters who showed me a life and time of romance and danger and enormous challenge. Every piece of history I research drives me to create characters in my mind, to see how they would fare in those circumstances. Once they become alive to me, they use that background to write their own story. It's especially the lesser-known or “smaller” parts of history that intrigue me.
Because it is about my own, complex country, South Africa, The Covenant is of special interest to me. Michener uses an array of characters from the various population groups to carry the story forward from prehistoric times to the turbulent 1970s, illustrating via storytelling the interaction and conflicts between these groups.
The novel received some criticism for inaccuracies, but I felt it did a sterling job of giving non-South Africans a greater understanding of South Africa and its problems, which remain prevalent to this day. An array of characters ranging from scoundrels to adventurers made this possible, taking us on this journey through history, exposing the reader to an understanding of the daunting ruggedness, beauty, and physical challenges which shaped the formation of this country.
James A. Michener’s masterly chronicle of South Africa is an epic tale of adventurers, scoundrels, and ministers, the best and worst of two continents who carve an empire out of a vast wilderness. From the Java-born Van Doorn family tree springs two great branches: one nurtures lush vineyards, the other settles the interior to become the first Trekboers and Afrikaners. The Nxumalos, inhabitants of a peaceful village unchanged for centuries, unite warrior tribes into the powerful Zulu nation. And the wealthy Saltwoods are missionaries and settlers who join the masses to influence the wars and politics that ravage a nation.…
