Here are 100 books that Learning Monkey and Crocodile fans have personally recommended if you like
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I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
I really enjoyed this playful, ethereal, experimental collection of seventeen stories from prolific Tanzania-Australian author Eugen Bacon.
Her work often defies genre, spanning science fiction, horror, fantasy with a strong literary sensibility. These are poetic, evocative stories, about migration and displacement, about climate change and technology, about blackness and womanhood, about politics and community.
Adding up to more than just the sum of its parts, I could not help but be impressed. As a whole, with each story allowed to resonate with the other, it’s an excellent, inventive collection.
Danged Black Thing is an extraordinary collection of stories about love and migration, gender and class, patriarchy and womanhood, from a remarkable and original voice. Traversing the West and Africa, they celebrate the author’s own hybridity with breathtaking sensuousness and lyricism.
Simbiyu wins a scholarship to study in Australia, but cannot leave behind a world of walking barefoot, orange sun and his longing for a ‘once pillow-soft mother’. In his past, a darkness rose from the river, and something nameless and mystical continues to envelop his life. In ‘A Taste of Unguja’ sweet taarab music, full of want, seeps into…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
Tobi Ogundiran’s Shirley Jackson Award-winning collection puts new wine into old skins.
Jackal, Jackal is an assured assemblage for the reader prepared to be astonished. The highly-imaginative stories and invented worlds take fairytales that we know and boldly recast them in an African yet universal culture that woos a far-reaching readership.
From Shirley Jackson award-nominated author Tobi Ogundiran, comes a highly anticipated debut collection of stories full of magic and wonder and breathtaking imagination!
In "The Lady of the Yellow-Painted Library" -- featured in Levar Burton Reads -- a hapless salesman flees the otherworldly librarian hell-bent on retrieving her lost library book.
"The Tale of Jaja and Canti" sees Ogundiran riffing off of Pinocchio. But this wooden boy doesn't seek to become real. Wanting to be loved, he journeys the world in search of his mother-an ancient and powerful entity who is best not sought out.
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
Dare Segun Falowo is an unusual storyteller, writing with levity and a sense of humour, even for sombre topics.
Caged Ocean Dub is an inventively-structured collection of short stories tiered with African hue. It blends sudden fiction and novelette-length stories that are all dark and spellbinding in a dream-like lure that keeps the reader enthralled. For lovers of culturally-tinted speculative fiction.
There are dragons in Lagos and witches who wear their sons’ skins, while a cabal of otherworldly beings are collecting intelligent life forms in the depths of the universe.
Nigerian author Dare Segun Falowo’s poetically precise language and spine-tingling plot twists are reminiscent of both Poe and Kafka as they tackle themes of belonging, abusive maternal relationships, and tragic love in an unforgettable literary adventure.
This collection features some of Falowo’s most notable previously published stories alongside new tales of magic and terror. Ngozi Ugegbe Nwa was longlisted for the 2021 NOMMO for short stories and Vain Knife was longlisted…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
I’m an engineer, writer, and editor. And I love short stories. I love writing them and reading them too. I’ve written for major science fiction and fantasy magazines, and my stories have even been nominated for the Hugo, Nebula, and Locus awards. But when short stories are put together in a single author collection, they can truly come alive, revealing running themes and ideas explored through the imagination of the author. My own collections Incomplete Solutions and Convergence Problems do just this – exploring potential futures for Africa. I previously shared five of the best single-author collections of African speculative fiction and now, here are five more.
As a Zimbabwean sarungano, Ndlovu is an expert storyteller, and that skill truly shows in this collection of fourteen stories chronicling the strangeness and surrealism of the lives of African women at home and abroad.
Exploring everything from the legacy of colonization to cultural appropriation and from literalized metaphors to exploring the nature of time in African thought, this is a collection that is clever and funny and emotionally astute, rendered in poetic and clear prose.
As a collection, the stories reinforce each other making this an experience to read. I highly recommend it.
"Even in death, who has ownership over Black women's bodies?"
Questions like this sit between the lines of this stunning collection of stories that engage the nuance of African women's histories. Their history is not just one thing, there is heartbreak and pain, and joy, and flying and magic, so much magic. An avenging spirit takes on the patriarchy from beyond the grave.
An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most to be allowed to stay. A first-generation Zimbabwean-American woman haunted by…
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
A great journey through how and why corporate South Africa is responding to the green transition.
It features case studies of leading national and multi-national corporations charting the sometimes bumpy road to integrating sustainability in business models.
From retail, energy, finance, insurance, and banking sectors businesses share the highs and lows of going green.
This book addresses hot issues pertaining to the manner in which corporate South Africa has engaged the emerging green global economy. Firstly, the book profiles the green and low carbon economy landscape in South Africa and interfaces it with global trends. This way, the book aligns very well in terms of the Rio+20 outcomes on 'The Future We Want' that fully embraces the green global economy in the context of sustainable development and poverty eradication. The rest of the chapters in the book profile breakthroughs from selected companies. The book also comes as the second in a series that is…
As an African author, I find that my books end up on the ‘African fiction’ shelf in the bookstore, which can be a disadvantage if my novel is, say, about Henry James or the Trojan War, both of which I've written novels about. As a lecturer in English literature, I've become acquainted with a vast and varied array of literature. So, whereas of course there are many wonderful African novels that deal with specifically African themes, I think the label African novel can be constricting and commercially disadvantageous. Many African novelists see themselves as part of a larger community, and their novels reflect that perspective, even though they are nominally set in Africa.
The ex-pat novel has become something of a South African genre, what with many young people searching for new opportunities overseas, in flight from the old repressive racist regime or, latterly, the corrupt, inefficient new regime. In his debut collection of short stories, The Alphabet of Birds, Naudé referred to "the diaspora of fearful, grim, white children from South Africa," and this novel is another variation on that theme. It’s easy to fall into stereotype and cliché, and part of Naudé’s achievement is to remake the familiar scenario into something wholly original, in an account of his main character’s search for the missing reel of a film made by a Jewish filmmaker in Hitler’s Germany.
The novel contains vivid accounts of life in a ‘squat’ in London, as well as the grim atmosphere of an East German film school under Russian occupation – contrasting with the hedonistic excess of…
Shortlisted for The Sunday Times Literary Awards (South Africa)
Twenty-two-year-old Etienne is studying film in London, having fled conscription in his native South Africa. It is 1986, the time of Thatcher, anti-apartheid campaigns and Aids, but also of postmodern art, post-punk rock, and the Royal Vauxhall Tavern. Adrift in a city cast in shadow, he falls in love with a German artist while living in derelict artists' communes.
When Etienne finds the first of three reels of a German film from the 1930s, he begins searching for the missing reels, a project that…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I grew up during the apartheid era of racial segregation and oppression. A Blade of Grass was written with a sense of exile and regret, but also with love. It is not overtly about South Africa and apartheid. It asks a fundamental question: Where is home, and how shall we live there?
I read this novel in university in a course taught brilliantly by the scholar WH New. It was the first time I understood the complexity of layers in great literature. Ostensibly about a businessman who buys a farm, it encompasses race relations, power in all its guises, sexuality, relationships to nature, and how character influences personal destiny. Written with outrage and compassion.
I kept The Conservationist in mind when I wrote my own book as an example of what a novel could be, but more than that, it taught me how to think about the world in a new way.
Mehring is rich. He has all the privileges and possessions that South Africa has to offer, but his possessions refuse to remain objects. His wife, son, and mistress leave him; his foreman and workers become increasingly indifferent to his stewardship; even the land rises up, as drought, then flood, destroy his farm.
While my childhood in a coastal community in South Africa contributed to my deep appreciation and love for nature, I was born and grew up as a person of colour in the apartheid era when barricades divided humans, the land, and the sea. I developed a profound understanding, rooted in my lived experience, of the interlinkages between justice, equity, and sustainability. I've remained actively involved and interested in developing and profiling transformative and inclusive approaches to sustainability from community to the international level. I've maintained this focus on the nexus between climate, nature, and inequality throughout my career, where I've led transformative and inclusive approaches to nature and climate policy and practice for 20+ years.
This book has been timely as policymakers in the carbon-intensive economy of South Africa is in the throes of a developing framework and plan for implementing a just transition to a low carbon economy.
It brings some of the best thinkers and doers in science, policy and academia to unpack the key shifts – social, economic, and technological and builds on thinking in earlier works on transitions.
Deliberations on the just transition in South Africa have intensified and will continue to do so for the next few years and decades. Climate change, widening socio-economic inequality, the precarious future of work and emergent approaches to financing arrangements have brought new urgency to the issues. It therefore remains critical to interrogate how South Africa can ensure a just transition to a low carbon economy.
This book underlines the fact that the low carbon transition in South Africa has to grapple with complex historical, social, economic, cultural and political factors. The main message is that the transition to a low-carbon…
Growing up in rural Wisconsin, I was crazy about both horses and books, so it’s not surprising that in grad school I became a horse historian. I found that writing about work horses linked my love of horses with my interests in technology and nature. The books I’ve chosen show how humans and horses shaped each other, society, the environment, and built the modern world. I hope readers browse (graze?) these books at their leisure and pleasure.
Swart makes a big argument: studying horses changes how we understand all history. This sweeping overview shows that “The history of horses is the history of the desire for power” whether economic, political, military, social, or cultural. The history of horses in South Africa offers an interesting comparison with both the American West and the American South in terms of frontiers, the military, race, class, and gender. Swart is a lively, funny, and entertaining writer. The fieldwork she did for this book gives the reader a visceral sense of what South Africa is like as a place. What is there not to love about a book with chapter titles like “The Reins of Power” and “The Empire Rides Back?”
0||The aim of this volume is to examine nascent movements, genre shifts, developing authors/playwrights and controversial themes as they emerged in both drama and theatre. The editors have focused on the essence of creative nexus of London from the end of the nineteenth century up to the beginning of the Great War (1914). The resultant study discusses Gordon Craig and production design, Wilde, Shaw, Synge, Pinero, Strindberg,Harley Granville Barker,Jones, Archer, Ford Madox Ford, D.H.Lawrence,Galsworthy, Sims, women playwrights, popular theatre among other topics. The work complements J.L.Styan s 3 volume Modern Drama in Theory and Practice and is more focused on…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Since a tender age I’ve been fascinated by history and the people who dwelled in and shaped those times. My first two writing awards – at 8 and 12 years of age – were for stories with historical settings. I devoured novels dealing with the past, walked the pages with characters who showed me a life and time of romance and danger and enormous challenge. Every piece of history I research drives me to create characters in my mind, to see how they would fare in those circumstances. Once they become alive to me, they use that background to write their own story. It's especially the lesser-known or “smaller” parts of history that intrigue me.
Because it is about my own, complex country, South Africa, The Covenant is of special interest to me. Michener uses an array of characters from the various population groups to carry the story forward from prehistoric times to the turbulent 1970s, illustrating via storytelling the interaction and conflicts between these groups.
The novel received some criticism for inaccuracies, but I felt it did a sterling job of giving non-South Africans a greater understanding of South Africa and its problems, which remain prevalent to this day. An array of characters ranging from scoundrels to adventurers made this possible, taking us on this journey through history, exposing the reader to an understanding of the daunting ruggedness, beauty, and physical challenges which shaped the formation of this country.
James A. Michener’s masterly chronicle of South Africa is an epic tale of adventurers, scoundrels, and ministers, the best and worst of two continents who carve an empire out of a vast wilderness. From the Java-born Van Doorn family tree springs two great branches: one nurtures lush vineyards, the other settles the interior to become the first Trekboers and Afrikaners. The Nxumalos, inhabitants of a peaceful village unchanged for centuries, unite warrior tribes into the powerful Zulu nation. And the wealthy Saltwoods are missionaries and settlers who join the masses to influence the wars and politics that ravage a nation.…
